Quotes About Historical

It is easy to see, though it scarcely needs to be pointed out, since it is involved in the fact that Reason is set aside, that faith is not a form of knowledge; for all knowledge is either a knowledge of the eternal, excluding the temporal and historical as indifferent, or it is pure historical knowledge. No knowledge can have for its object the absurdity that the eternal is the historical.

Now, whenever you read any historical document, you always evaluate it in light of the historical context.

I can honestly say that there are many forms of atheism that I find far more admirable than many forms of Christianity or of religion in general. But atheism that consists entirely in vacuous arguments afloat on oceans of historical ignorance, made turbulent by storms of strident self-righteousness, is as contemptible as any other form of dreary fundamentalism. And it is sometimes difficult, frankly, to be perfectly generous in one’s response to the sort of invective currently fashionable among the devoutly undevout, or to the sort of historical misrepresentations it typically involves.

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.

The story in that particular spot was an ancient history story, and we wanted to give it a historical feeling, which was why we used a historical calligraphy scroll come to life.

Problems come and go over time, and to understand why is a difficult historical task. If one wanted to find the origin of a problem, historical research and close attention to texts is what is needed, not unconstrained speculation about the 'pictures' that philosophers must be in the grip of.

With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.

For we cannot adequately understand 'man' as an isolated biological creature, as a bundle of reflexes or a set of instincts, as an 'intelligible field' or a system in and of itself. Whatever else he may be, man is a social and an historical actor who must be understood, if at all, in close and intricate interplay with social and historical structures

The art in photography is literary art before it is anything else: its triumphs and monuments are historical, anecdotal, reportorial, observational before they are purely pictorial... The photograph has to tell a story if it is to work as art.

Religious ideas and practices take root not because they are promoted by forceful theologians, nor because they can be shown to have a sound historical or rational basis, but because they are found in practice to give the faithful a sense of sacred transcendence.

The world I grew up in had both a literal and mythological quality. We were on the borders of several worlds - the larger black world bordered us on one side. More distantly, there was the larger white world. We interacted with some, but not others. If you think of it as an internal geography, it is a land, a contested space with these very charged historical, cultural, and emotional borders.

The historical weight of gender inequality has tended to concentrate women in lower-paid jobs with fewer benefits and at the same time made them primarily responsible for care giving.

We should remember that the Declaration of Independence is not merely a historical document. It is an explicit recognition that our rights derive not from the King of England, not from the judiciary, not from government at all, but from God. The keystone of our system of popular sovereignty is the recognition, as the Declaration acknowledges, that 'all men are created equal' and 'endowed by their Creator with certain unalienable Rights.' Religion and God are no alien to our system of government, they're integral to it.

It is wiser, I believe, to arrive at theory by way of evidence rather than the other way around.... It is more rewarding, in any case, to assemble the facts first and, in the process of arranging them in narrative form, to discover a theory or a historical generalization emerging of its own accord.

What I am against is false optimism: the notion either that things have to go well, or else that they tend to, or else that the default condition of historical trajectories is characteristically beneficial in the long-run.

There is no self-knowledge but an historical one. No one knows what he himself is who does not know his fellow men, especially the most prominent one of the community, the master's master, the genius of the age.

Genres have a history and impose a historical character upon the writer. What is interesting in the poem involves a certain kind of dramatization of the self that you don't have to engage in in the essay. In fact, the essay is a more social medium than the poem.

Jesus clearly believed in the reality of Satan and other principalities and powers. Now, I have very compelling historical, philosophical, and existential reasons for concluding that Jesus is Lord, and if I confess him to be Lord, I don't see how I can consider myself in a position to ever correct his theology, especially about such a foundational theological matter!

The line-by-line, sequential, continuous form of the printed page slowly began to lose its resonance as a metaphor of how knowledge was to be acquired and how the world was to be understood. "Knowing" the facts took on a new meaning, for it did not imply that one understood implications, background, or connections. Telegraphic discourse permitted no time for historical perspectives and gave no priority to the qualitative. To the telegraph, intelligence meant knowing of lots of things, not knowing about them.

"Contemporary art" for me is a kind of historical term that describes the 40 years between the Berlin Wall going up and then coming down. I'm not sure who will come up with a better term to describe art, but I think contemporary art is actually done for.

One belief, more than any other, is responsible for the slaughter of individuals on the alter of the great historical ideas - justice or progress or happiness of future generations... or emancipation of a nation or race or class... this is the belief that somewhere... there is a final solution.

It is precisely because education is the road to equality and citizenship, that it has been made more elusive for Negroes than many other rights. The walling off of Negroes from equal education is part of the historical design to submerge him in second class status. Therefore, as Negroes have struggled to be free they have had to fight for the opportunity for a decent education.

The Heretic Queen is historical fiction at its best. Michelle Moran seamlessly incorporates accurate details into a story full of suspense, intrigue, and tenderness that's impossible to put down until you've reached the last page. An absolute triumph!

The great masquerade of evil has played havoc with all our ethical concepts. For evil to appear disguised as light, charity, historical necessity, or social justice is quite bewildering to anyone brought up on our traditional ethical concepts, while for the Christian who bases his life on the Bible, it merely confirms the fundamental wickedness of evil.

[T]he influence of the German school is most obvious in relation to the contract theory of the origin of the state and the idea of the function of the state. The theory that the state originates in an agreement between men was assailed by the German thinkers and the historical, organic, evolutionary idea substituted for it.

Stupidity is sometimes the greatest of historical forces.

I have always regarded historical fiction and fantasy as sisters under the skin, two genres separated at birth.

There is no self-knowledge except historical self-knowledge. No one knows what he is if he doesn't know what his contemporaries are.

The historical Woodrow Wilson suffered from numerous complaints which we might today label as psychosomatic. Yet, Wilson did have a stroke as a relatively young man of 39 and seemed always to be ill. He was 'high-strung' - intensely neurotic - yet a charismatic personality nonetheless.

On what does the Christian argument for Immortality really rest? It stands upon the pedestal on which the theologian rests the whole of historical Christianity-the Resurrection of Jesus Christ.

I accept the resurrection of Easter Sunday not as an invention of the community of disciples, but as a historical event. If the resurrection of Jesus from the dead on that Easter Sunday were a public event which had been made known...not only to the 530 Jewish witnesses but to the entire population, all Jews would have become followers of Jesus.

I don't write fantasy; I write historical novels about an imaginary place.

If you muster that courage to stand under fire and not go down, you will amass an inner strength that no one can touch. You won’t be another faceless, nameless, forgotten human in a long historical line of the defeated. You will be a steeled warrior, and a force to be forever reckoned with. And beneath the pain that lingers, you will have the comfort of knowing that you are strongest of all. That when others caved and broke, you kept fighting even against hopeless odds.” - Caleb

In these days the invention of printing, and the diffusion of knowledge, render historical calumnies a little less dangerous: truth will always prevail in the long run, but how slow its progress!

Jesus means something to our world because a mighty spiritual force streams forth from him and flows through our being also. This fact can neither be shaken nor confirmed by any historical discovery. It is the solid foundation of Christianity.

America has entered one of its periods of historical madness, but this is the worst I can remember: worse than McCarthyism, worse than the Bay of Pigs and in the long term potentially more disastrous than the Vietnam War.

Unquestionably, our contemporary world of music is far richer, in a sense, than earlier periods, due to the historical and geographical extensions of culture to which I have referred.

What I have learned from studying counterfactual history is that the law of unintended consequences always kicks in no matter how secure you are in your plan. We have to live with the historical record as it is, like it or not.

Given the ambiguity of religious texts and teachings, the mixed historical record, and the empirical evidence, it would be foolhardy to assert that religious faith necessarily upholds democratic values.

If you think about the last 50 years, Africa's proximity and historical context has absolutely been with Europe and the United States, but their approach in dealing with the economic challenges that Africa faces in particular has been one of handing out aid, not developing economies, not building a long term relationship around agriculture and so on.

I have found on Alpha that those from an essentially enlightened background feel at home with the parts of the course which appeal to the mind, but often have difficulty in experiencing the Holy Spirit. Others coming from the New Age movement find that rational and historical explanations leave them cold, but at the weekend away they are on more familiar territory in experiencing the Holy Spirit

Have been reading "Genesis" several Sundays, not as a Christian reads for "spiritual consolation," "instruction," etc., not as aninfidel reads to carp and quarrel and criticize, but as one who wishes to be informed and furnished in the earliest and most wonderful of all literary productions. The literature of the Bible should be studied as one studies Shakespeare, for illustration and language, for its true pictures of man and woman nature, for its early historical record.

The historical approach to understanding of scientific fact is what differentiates the scholar in science from the mere experimenter.

The book was turned to the page with Anne Frank's name, but what got me about it was the fact that right beneath her name there were four Aron Franks. FOUR. Four Aron Franks without museums, without historical markers, without anyone to mourn them. I silently resolved to remember and pray for the four Aron Franks as long as I was around.

Sisterhood cannot be assumed on the basis of gender; it must be forged in concrete historical and political practice and analysis

I am thrilled when I read about fans using my stories as springboards to read about either the historical characters or the myths and legends in the books.

The search for historical laws is, I maintain, mistaken in principle.

As geology is essentially a historical science, the working method of the geologist resembles that of the historian. This makes the personality of the geologist of essential importance in the way he analyzes the past.