Quotes About History

I am opposing it with an idea of the history of philosophy as a history of philosophers, that is, a history of mortal, fragile and limited creatures like you and I. I am against the idea of clean, clearly distinct epochs in the history of philosophy or indeed in anything else. I think that history is always messy, contingent, plural and material. I am against the constant revenge of idealism in how we think about history.

No doubt Carlyle has a propensity to exaggerate the heroic in history, that is, he creates you an ideal hero rather than another thing.... Yet what were history if he did not exaggerate it? How comes it that history never has to wait for facts, but for a man to write it? The ages may go on forgetting the facts never so long, he can remember two for every one forgotten. The musty records of history, like the catacombs, contain the perishable remains, but only in the breast of genius are embalmed the souls of heroes.

The fact that you couldn't see Alfred Hitchcock's first film The Mountain Eagle, or that you couldn't see so many of F.W. Murnau's masterpieces, or that you couldn't see so many of Oscar Micheaux's really intriguing race melodramas, made with fierce independent spirit against all odds in '20s and '30s America. That stuff haunted me. They really did bring to life a sense of 20th Century history: cultural history, pop history, gender politics and race politics, socio economic history, all that stuff. It was bracing and instructive.

Moreover, it is so important that people have the opportunity to share their stories and have them documented. There have been large-scale oral history projects after many events, from September 11th to Hurricane Katrina. Many oral history projects are much more confined, but equally valuable. We can learn about different working conditions, living conditions, trauma experiences and much more through oral history.

The function of traditional history is to create a citizenry that looks to the top - the president, Congress, the Supreme Court - to make the important decisions. That's what traditional history is all about: the laws that were passed, the decisions made by the court. So much of history is built around "the great men." All of that is very anti-democratic.

I'm an expert at killing time on planes now. I do a lot of reading. My secret sort of nerdy side is I'm quite into history so I read a lot of history books. Now I write for a few things and I've had a few history things published, which is cool. I indulge my nerdy side and it's kind of as far away as you can get from the acting world so that's nice as well.

You are doing something over here and over there someone is telling you a joke, or giving you an important piece of information about sanitation, and no matter how weird the other subject is, there is a connection, or you can make a connection. I’ve always loved history and history is collage, it is a juxtaposition of the good and the bad and the strange, and how you place those sentences together changes the whole mood of a history.

Universal history, the history of what man has accomplished in this world, is at bottom the History of the Great Men who have worked here.

I think history is only ever invisible when it abets your sense of self, your desires, your ambitions, when it carries your life along in a kind of frictionless way. History is never invisible, finally, though some people seem to work very hard to be willfully blind. That's too harsh, or too self-righteous: none of us sees history fully; none of us is adequately aware of how the arrangements of the present moment foreclose the possibilities of others to fully live their only lives.

We must consider how very little history there is--I mean real, authentic history. That certain kings reigned and certain battles were fought, we can depend upon as true; but all the coloring, all the philosophy, of history is conjecture.

There is a sort of myth of History that philosophers have.... History for philosophers is some sort of great, vast continuity in which the freedom of individuals and economic or social determinations come and get entangled. When someone lays a finger on one of those great themes--continuity, the effective exercise of human liberty, how individual liberty is articulated with social determinations--when someone touches one of these three myths, these good people start crying out that History is being raped or murdered.

What does the artist do? He draws connections. He ties the invisible threads between things. He dives into history, be it the history of mankind, the geological history of the Earth or the beginning and end of the manifest cosmos.

Biographical history, as taught in our public schools, is still largely a history of boneheads; ridiculous kings and queens, paranoid political leaders, compulsive voyagers, ignorant general the flotsam and jetsam of historical currents. The men who radically altered history, the great scientists and mathematicians, are seldom mentioned, if at all.

Reason is the true creative power, for it produces itself as Infinite Self-consciousness, and its ongoing creation is...world history. As the only power that exists, Spirit can therefore be determined by nothing other than itself, that is, its essence is Freedom...Freedom is the infinite power of Spirit...Freedom, the only End of Spirit, is also the only End of History, and history is nothing other than Spirit's becoming *conscious* of its Freedom, or the becoming of Real, Free, Infinite Self-consciousness.

Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

As people of color, we're left out of history. History is sort of told around us. We're bystanders, we're passive, we're observers. We're never the center of our history.

If you know the history of the whole concept of whiteness if you know the history of the whole concept of the white race, where it came from and for what reason you know that it was a trick, and it's worked brilliantly. You see, prior to the mid to late 1600s, in the colonies of what would become the United States, there was no such thing as the white race. Those of us of European descent did not refer to ourselves by that term really ever before then.

I think the Democrats are catering to them, but, you know, in the entire history of the United States of America, there has never been a judge who has been refused a vote when there was a majority of Senators willing to vote for his confirmation, never in history.

The only way to end poverty, to make it history, is to build viable systems on the ground that deliver critical and affordable goods and services to the poor, in ways that are financially sustainable and scaleable. If we do that, we really can make poverty history.

It is the Soviet Union that runs against the tide of history . . . . [It is] the march of freedom and democracy which will leave Marxism-Leninism on the ash heap of history, as it has left other tyrannies which stifle the freedom and muzzle the self-expression of the people.

Everyone can recognize history when it happens. Everyone can recognize history after is has happened; but only the wise man knows at the moment what is vital and permanent, what is lasting and memorable.

When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.

The view of Jerusalem is the history of the world; it is more, it is the history of earth and of heaven.

I would love to play Nefertiti or Cleopatra or the Queen of Sheba. We preserve more male history than we do female. We have to preserve [female history]. No more complaining. We have to do it.

History is not everything, but it is a starting point. History is a clock that people use to tell their political and cultural time of day. It is a compass they use to find themselves on the map of human geography. It tells them where they are but, more importantly, what they must be.

I suggest that if you know history, then you might not be so easily fooled by the government when it tells you you must go to war for this or that reason -that history is a protective armor against being misled.

We the undersigned, intend to establish an instruction and training institution which differs from the common elementary schools principally in that it will embrace, outside of (in addition to) the general and elementary curriculum, all branches of the classical high school, which are necessary for a true Christian and scientific education, such as: Religion, the Latin, Greek, Hebrew, German, French and English languages; History, Geography, Mathematics, Physics, natural history, Introduction to Philosophy, Music, and Drawing.

The moment you make a photograph you consign whatever you photograph to the past as that specific moment no longer exists, it is history. The photography that I practice takes place in a specific time and place, depicting real moments in people's lives. In some ways I think of myself as a historian, but not of the word. History is most often written from a distance, and rarely from the viewpoint of those who endured it.

As biological organisms made of matter, we are subject to the laws of physics and biology: as conscious persons who create our own history we are free to decide what that history shall be. Without science, we should have no notion of equality; without art, no notion of liberty.

According to Biblical history and all of the history of the world, the blues was built in man from the beginning. The first thing that came out of man is the blues because, according to the Scriptures, when God made man, man was lonesome and blue.

History comes and history goes, but principles endure, and ensure future generations will defend liberty not as a gift from government but as a blessing from our Creator.

In high school, I loved history. I also loved cosmography, algebra. Mexico is so rich in culture and history, and I have always enjoyed that.

Just like I am obsessed with the history of fashion, I love reading about the history of makeup.

Does history warrant the conclusion that religion is necessary to morality - that a natural ethic is too weak to withstand the savagery that lurks under civilization and emerges in our dreams, crimes and wars? ... There is no significant example in history, before our time, of a society successfully maintaining moral life without the aid of religion.

China's culture and history are closely related to my living environment. This country is my birthplace. It is also where I grew up. Its culture and history shape my relations with family, friends, society, and daily life.

[Read] anything but history,.. for history must be false.

Deeply versed in history, [John Adams] said over and over that America had no special providence, no special role in history, that Americans were no different from other peoples, that the United States was just as susceptible to viciousness and corruption as any other nation. In this regard, at least, Jefferson's vision has clearly won the day.

I never put out a history, I put out a dramatic history.

When history calls, history calls.

President Obama is the most successful food stamp president in American history. I would like to be the most successful paycheck president in American history.

Farmers since the beginning of time have been feeding the world very successfully without systematically abusing animals or destroying the environment. But we're breeding food that is less safe for us, it tastes much worse than it ever has in history, and it's wreaking havoc on the environment in a way that it never did in history before. All in the interest of it being cheap.

I'm one of those persons who think that watching black people suffer is not an idea of entertainment. I know a lot about African American history, which is just American history, it's always been very fascinating to me. The premise of the play is remembering and honoring those persons whose stories would never be taken into account.

The history of the United States is a history of settler colonialism.

You want to be a part of something that is going to change history or make history or be bigger than yourself.

History is the long struggle of man, by exercise of his reason, to understand his environment and to act upon it. But the modern period has broadened the struggle in a revolutionary way. Man now seeks to understand, and act on, not only his environment, but himself; and this has added, so to speak, a new dimension to reason and a new dimension to history.

At the core of every moral code there is a picture of human nature, a map of the universe, and a version of history. To human nature (of the sort conceived), in a universe (of the kind imagined), after a history (so understood), the rules of the code apply.

Delusion about history is a serious matter; it can gravely affect the history that is waiting to be made.

For long, history was mainly political history, and historical narrative was confined to an account of the most important crises in political life, or to an account of wars and great generals.