Quotes About History

I've always tried to write California history as American history. The paradox is that New England history is by definition national history, Mid-Atlantic history is national history. We're still suffering from that.

Won't it be wonderful when black history and native American history and Jewish history and all of U.S. history is taught from one book. Just U.S. history.

The introduction of the Christian religion into the world has produced an incalculable change in history. There had previously been only a history of nations--there is now a history of mankind; and the idea of an education of human nature as a whole.--an education the work of Jesus Christ Himself--is become like a compass for the historian, the key of history, and the hope of nations.

History, when they do it, is ancient history, and they sensationalize even that. Contemporary history is virtually ignored on television.

I think it's important to understand Shari'a to be rooted in history - what we know about the history and what we don't know about the history. So then, if people want to argue, at least they're arguing from the same point and we know what we know, and we know what we don't know.

Families of privilege and money would have harps in their parlors, and their cultured daughters would learn to play. It's got such a strange history. But that wasn't the context that I learned it in, so the inherent friction between that history and the more humanist folk-y history wasn't in my conscience at all.

I've lived history. I've made history, and I know I'll have my place in history. That's not egoism.

Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?

The true makes of history are the spiritual men whom the world knew not, the unregarded agents of the creative action of the Spirit. The supreme instance of this-the key to the Christian understanding of history-is to be found in the Incarnation- the presence of the maker of the world in the world unknown to the world. ... The Incarnation is itself in a sense the divine fruit of history-of the fullness of time-and it finds its extension and completion in the historic life of the Church.

I think history is only ever invisible when it abets your sense of self, your desires, your ambitions, when it carries your life along in a kind of frictionless way. History is never invisible, finally, though some people seem to work very hard to be willfully blind. That's too harsh, or too self-righteous: none of us sees history fully; none of us is adequately aware of how the arrangements of the present moment foreclose the possibilities of others to fully live their only lives.

For many people during many centuries, mankind's history before the coming of Christianity was the history of the Jews and what they recounted of the history of others. Both were written down in the books called the Old Testament, [the Torah] the sacred writings of the Jewish people ... They were the first to arrive at an abstract notion of God and to forbid his representation by images. No other people has produced a greater historical impact from such comparatively insignificant origins and resources.

History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles.

I'm not against knowing the history of white people in the U.S. - that's not the point. The point is that there's so much greater history. We don't know about Native Americans. Very basically, we don't know that much about African American history, except that they were enslaved. You only get bits and pieces.

The history of philosophy is not, like the history of the sciences, to be studied with the intellect alone. That which is receptive in us and that which impinges upon us from history is the reality of man's being, unfolding itself in thought.

In the USA, we learn "art history" as Western art history, and the history of Asian, or African art is a special case; we learn politics by examining our own government system, and consider other systems special cases, and the same is true of philosophy.

If Google decided at any point to publish my search history, or your search history, or anyone's search history, there's a litany of things they could idea police you about, and if it was published, you would be publicly shamed. Everyone would be publicly shamed. But we trust Google, and we trust the people that run that company.

Biographical history, as taught in our public schools, is still largely a history of boneheads; ridiculous kings and queens, paranoid political leaders, compulsive voyagers, ignorant general the flotsam and jetsam of historical currents. The men who radically altered history, the great scientists and mathematicians, are seldom mentioned, if at all.

One has to learn from history. Quite frankly, it is almost impossible to have a sense of vision without a sense of history. If history is learned, then it doesn't have to repeat itself over generations.

I think comedy allows people to accept the more difficult parts of history. And history, if it's presented wrong, is just very depressing, particularly the history of slavery. If slavery is presented properly, it's a great story. But I think that within the commercial world of storytelling in which I live, there haven't been many strong works that discuss slavery in ways that are palatable and funny and interesting to the reader.

What are your choices? Whom are your choices for? Not just for yourself. Chose now whom you will serve, and that choice is going to affect the next generation, and the next generation, and the next. Choice never affects just one person alone. It goes on and on and the effect goes out into geography and history. You are part of history and your choices become part of history.

There is an ancient Indian saying that something lives only as long as the last person who remembers it. My people have come to trust memory over history. Memory, like fire, is radiant and immutable while history serves only those who seek to control it, those who douse the flame of memory in order to put out the dangerous fire of truth. Beware these men for they are dangerous themselves and unwise. Their false history is written in the blood of those who might remember and of those who seek the truth.

I know it is the fashion to say that most of recorded history is lies anyway. I am willing to believe that history is for the most part inaccurate and biased, but what is peculiar to our own age is the abandonment of the idea that history could be truthfully written.

History that repeats itself turns to farce. Farce that repeats itself turns to history.

So many Muslims have this belief that everything between the two covers of the Koran is just God's unaltered word. They like to quote the textual work that shows the Bible has a history and did not fall straight out of the sky, but until now the Koran has been out of this discussion. The only way to break through this wall is to prove that the Koran has a history too. The Sana'a fragments will help us do that.

I think the Democrats are catering to them, but, you know, in the entire history of the United States of America, there has never been a judge who has been refused a vote when there was a majority of Senators willing to vote for his confirmation, never in history.

History can't be left to fend for itself. For when it comes to history and beliefs and values, we turn our future on the lathe of the past.

When I say history is a matter of life and death, I mean this: If you really don't know history, you are a victim of whatever the authorities tell you. You have no way of checking up on them. You have no way of deciding whether there is any truth in what they are saying.

And if you're going to criticize me for not finishing the whole thing and tying it up in a bow for you, why, do us both a favor and write your own damn book, only have the decency to call it a romance instead of a history, because history's got no bows on it, only frayed ends of ribbons and knots that can't be untied. It ain't a pretty package, but then it's not your birthday that I know of so I'm under no obligation to give you a gift.

History is the fiction we invent to persuade ourselves that events are knowable and that life has order and direction. That's why events are always reinterpreted when values change. We need new versions of history to allow for our current prejudices.

History is not life, but since only life makes history, the union of the two is obvious.

The history of a battle, is not unlike the history of a ball. Some individuals may recollect all the little events of which the great result is the battle won or lost, but no individual can recollect the order in which, or the exact moment at which, they occurred, which makes all the difference as to their value or importance.

The cosmic calendar compresses the local history of the universe into a single year. If the universe began on January 1st it was not until May that the Milky Way formed. Other planetary systems may have appeared in June, July and August, but our Sun and Earth not until mid-September. Life arose soon after. We humans appear on the cosmic calendar so recently that our recorded history occupies only the last few seconds of the last minute of December 31st.

All history is the history of unintended consequences.

Many of the jazz musicians whom are no longer here. You don't realize that it's history when it is happening and then time passes and you look at a picture and you say "Wow, there is history attached to that."

I'm somewhat horrified because I don't think the young people today even know what history is. Some of them don't even study History at school anymore or Geography and they don't know where one place is from another.

The primordial image, or archetype, is a figure--be it a daemon, a human being, or a process--that constantly recurs in the course of history and appears wherever creative fantasy is freely expressed. Essentially, therefore, it is a mythological figure. . . . In each of these images there is a little piece of human psychology and human fate, a remnant of the joys and sorrows that have been repeated countless times in our ancestral history. . . .

The president, who finds so much to complain about in other areas of the world, apparently saw nothing wrong in recognizing a Communist regime that has killed more people in its short history of control over the teeming millions of that great country than any other collection of dictators or tyrants in the history of the world.

I used to refer to my photos as free radicals - and maybe that has to do with this idea of navigating history. I think of the works as having this dormant illness that can really latch on to different histories. So they can exist in a world pretending to be neatly encapsulated, already framed, and fixed. But actually they are these parasites dependent on the failure of modernist history and on multiplicity.

I am what I am: an individual, unique and different, with a lineal history of ancestral promptings and urgings, a history of dreams, desires, and of special experiences, all of which I am the sum total.

The history of music is nothing more than the history of art-music or classical music, the music that was commissioned by aristocrats.

Deeply versed in history, [John Adams] said over and over that America had no special providence, no special role in history, that Americans were no different from other peoples, that the United States was just as susceptible to viciousness and corruption as any other nation. In this regard, at least, Jefferson's vision has clearly won the day.

I never put out a history, I put out a dramatic history.

We learn nothing from history except that we learn nothing from history.

When history calls, history calls.

It is imperative that young white men and women study the black American history. It is imperative that blacks and whites study the Asian American history.

Anybody who comes to the cinema is bringing they're whole sexual history, their literary history, their movie literacy, their culture, their language, their religion, whatever they've got. I can't possibly manipulate all of that, nor do I want to.

It is unfortunate that so much of the history of Africa has been written by conquerors, foreigners, missionaries and adventurers. The Egyptians left the best record of their history written by local writers.

Most Americans who made it past the fourth grade have a pretty good idea who Thurgood Marshall, Rosa Parks, and Martin Luther King, Jr., were. Not many Americans have even heard of Alice Paul, Howard W. Smith, and Martha Griffiths. But they played almost as big a role in the history of women’s rights as Marshall and King played in the history of civil rights for African-Americans. They gave women the handle to the door to economic opportunity, and nearly all the gains women have made in that sphere since the nineteen-sixties were made because of what they did.