Quotes About Horror

When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.

There were no horror movies or horror books to speak of in the '40s. I picked the '50s because that pretty well spans my life as an appreciator - as somebody who's been involved with this mass cult of horror, from radio and movies and Saturday matinees and books. In the '40s there really wasn't that much. People don't want to read about horrible things in horrible times. So, in the '40s, there was Val Lutin with The Cat People and The Curse of the Cat People and there wasn't much else.

Murder is a horror, but an often necessary horror, never criminal, which it is essential to tolerate in a republican State. Is it or is it not a crime? If it is not, why make laws for its punishment? And if it is, by what barbarous logic do you, to punish it, duplicate it by another crime?

In a world of monotonous horror there could be no salvation in wild dreaming. Horror he had adjusted to. But monotony was the greater obstacle, and he realized it now, understood it at long last. And understanding it seemed to give him a sort of quiet peace, a sense of having spread all the cards on his mental table, examined them, and settled conclusively on the desired hand.

I have been trying to make the reader believe that we actually are, at present, creatures whose character must be, in some respects, a horror to God, as it is, when we really see it, a horror to ourselves. This I believe to be a fact: and I notice that the holier a man is, the more fully he is aware of that fact.

Horror is so basic. You'd get an adrenaline jolt from watching your mom get gored by a woolly mammoth. A horror movie gives you the adrenaline without having to have your mom get gored.

I don't believe in evil; I believe only in horror. In nature there is no evil, only an abundance of horror: the plagues and the blights and the ants and the maggots.

I sat on the bed. I looked at the Rorschach blot. I tried to make it look like a spreading tree, shadows pooled beneath it, but it didn't. It looked more like a dead cat I once found, the fat, glistening grubs writhing blindly, squirming over each other, frantically tunneling away from the light. But even that isn't the real horror. The horror is this: in the end, it is simply a picture of empty meaningless blackness.

Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions.

Horror is a reaction; it's not a genre. Somebody's life would have to be in danger for it [story] to be a horror story.

Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.

I love horror movies. A good horror movie is always great.

Mental hospitals are great for horror movies because they're already scary even without the horror or supernatural elements. This is a place where you can play with the ideas of one's sanity, what's real and what's not.

I think there's been a gigantic shift in the way we talk to each other, and the way that we communicate with each other. So as a filmmaker, the stuff's always been really interesting to me, and I sort of considered a lot of my films horror films, the ones that were relationship dramas, because I feel like it was very easy to look at modern communication and the Internet and cell phones and all that stuff as horror movies, basically.

No, the horror genre is not my first love. I don't run to the theater to see horror films.

Screaming. Did I mention the screaming? Screaming is usually associated with horror films and roller coasters. This is why I usually look like I've just watched a horror film on a rollercoaster. Kids love to scream. Frightened, happy, bored. They scream. I've actually learned to love the sound of a vacuum cleaner. It's just so peaceful.

Physical reality is one of the biggest horror movies of all, and you know how we love horror movies.

The first horror is there's horror. The second is you accommodate it.

Horror films had died a little bit before Scream came around. That was one of the reasons I wrote it. I wanted to write something that wasn't being made right now and maybe sell if I come up with a new horror film. Because no one is watching those movies. Let's do it. That was my whole goal, and it paid off. I feel like it's never stopped.

I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.

Horror movies are here to stay, you know? It's not a fad. Even the musical has gone in and out of style from time to time. Horror movies have always been around.

God is indeed dead. He died of self-horror when He saw the creature He had made in His own image.

That's definitely true! It was before my father died, so I can't attribute it to an obsession with death. When I was seven, I loved those old Sherlock Holmes movies with Basil Rathbone. The Scarlet Claw was one of my faves. And I loved all the Halloween's and that film about the haunted house... Burnt Offerings, with Oliver Reed. Every birthday party was a slumber party and we'd watch horror films.

The idea of bringing someone into the world fills me with horror. I would curse myself if I were a father. A son of mine! Oh no, no, no! May my entire flesh perish and may I transmit to no one the aggravations and the disgrace of existence.

I love the horror genre and the thriller genre, so I've got no problem with playing a psycho.

You don't believe me?" Jace asked. "Fine. Go ahead. Kiss me right now." Alec stared at him in horror. "Exactly. Despite my staggering good lucks, you actually don't like me that way.

The point of departure for my creation was not primarily the destiny of the sixteen Carmelites of Compiègne but the figure of the young Blanche. In a historic sense she never lived, but she received the breath of life from my internal spirit, and she cannot be detached from the origin, which is hers. Born in the profound horror of a time darkened by the signs of destiny, this figure arose before me in some way as the embodiment of the mortal agony of an era going totally to its ruin.

All grandeur, all power, and all subordination to authority rests on the executioner: he is the horror and the bond of human association. Remove this incomprehensible agent from the world and at that very moment order gives way to chaos, thrones topple and society disappears.

Ultimate horror often paralyses memory in a merciful way.

For horror movies, color is reassuring because, at least in older films, it adds to the fakey-ness.

Whether it's Mrs Dalloway's lost love or Thérèse Raquin's burgeoning horror, The Paying Guests reminds us of every great novel we've gasped or winced at, or loudly urged the protagonists through, and it does not relent. . . . The Paying Guests is the apotheosis of [Waters'] talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep.

I think of horror films as art, as films of confrontation.

If we deny our awesome challenge; turn our backs on the living universe, and forsake our cosmic destiny, we will commit a crime of unutterable magnitude. Mankind alone has the power to carry out this fundamental change in the universe. Our failure would lead to consequences unthinkable. This is perhaps the first and only chance the universe will ever have to awaken from its long night and live. We are the caretakers of this delicate spark of Life. To let it flicker and die through ignorance, neglect, or lack of imagination is a horror too great to contemplate.

In the face of horror ... there is no other answer than the cross of Christ: Love that descends to the abyss of evil.

I love the idea of comedy in horror. I think this should be allowed.

I love horror, I love scary movies, I love thrillers. If things creep you out and spook you? I love it.

Im a devotee of Dracula, which was a pathfinder in horror and vampire fiction.

I feel like in the '90s, horror just lost its way and everything became so safe and watered-down.

I am constantly seeing new horror that I like.

Young, gay and stuck in Arkansas? Sounds like a horror flick.

I mean, horror films in general put humans in these awful supernatural or horrible situations, but 'Cabin In The Woods' cranks it up a few notches and becomes outrageous and totally bizarre.

I felt for my crime a just terror; I looked on my life with hate, and my passion with horror.

We're not just horror fans. We're film fans. I love action films. I want to do action films. I want to do romantic comedies. I love all this stuff. So, if I find the good material, I'll do it.

A lot of people don't think about it, but the Bible has every horror element that you can imagine. It's got the devil, the Antichrist, Lucifer, and Satan - which are four different characters. It's got the end of the world. You've got zombies, giants, demon possession, a lot of murder.

Christian morality (so called) has all the characters of a reaction.... In its horror of sensuality, it made an idol of asceticism, which has been gradually compromised away into one of legality. It holds out the hope of heaven and the threat of hell, as the appointed and appropriate motives to a virtuous life - in this falling far below the best of the ancients, and doing what lies in it to give to human morality an essentially selfish character.... It is essentially a doctrine of passive obedience; it inculcates submission to all authorities found established.

I don't watch horror movies because they scare me!

Monarchs not only fashion their age, but are fashioned by it, so that they can become a sort of personification of the age. If Elizabeth I, independent, strong, represents the age of Shakespeare's heroines, a woman's heyday, Victoria represents another image of womanhood, predominant in the nineteenth century: a woman who, although queen in her own right, leaned on her husband, looked up to him, and went into perpetual mourning after his death. The feminist movement filled her with shocked horror and outrage.

Horror films are art, it's all make believe. It's great if a filmmaker can try to push boundaries and see how much an audience can take and see what happens. It's fun to be able to do that.