Quotes About Image

God reproduces and lives out His image in millions of ordinary people like us. It is a supreme mystery. We are called to bear that image as a Body because any one of us taken individually would present an incomplete image, one partly false and always distorted, like a single glass chip hacked from a mirror. But collectively, in all our diversity, we can come together as a community of believers to restore the image of God in the world.

The image cannot be dispossessed of a primordial freshness, which idea can never claim. An idea is derivative and tamed. The imageis in the natural or wild state, and it has to be discovered there, not put there, obeying its own law and none of ours. We think we can lay hold of image and take it captive, but the docile captive is not the real image but only the idea, which is the image with its character beaten out of it.

Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.

We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.

What interested me in film was the image-making aspect of it. So, I went to school in cinematography. I was really convinced that image was what I wanted to do, and I think it came from the fact that I lived in a small town my whole life, but my mother was very interested in painting, so she would bring us to Paris for two weeks. So, we're going to the Louvre and to the museums and to see shows. In the evening we were seeing theater. Painting is basically what led me. I think the image was key.

We are not to reflect on the wickedness of men but to look to the image of God in them, an image which, covering and obliterating their faults, an image which, by its beauty and dignity, should allure us to love and embrace them.

For, in truth, an image is only dead matter shaped by the craftsman's hand. But we have no sensible image of sensible matter, but an image that is perceived by the mind alone: God, who alone is truly God.

It's quite simple: I managed it by doing away with Wham!'s duo image. Obviously, the way I looked changed and that helped a little, but I still have a very pop image. It's a very video-friendly image. I find it a lot more real. It's a lot closer to who I am than the whole Wham! thing.

Man first creates the universe in his image, and then turns round to say that God created man in his image... As Voltaire quipped, if God created man in his image, man has returned the compliment.

The image by Barry Blitt of Barack Obama and Michelle in the White House with him dressed as a terrorist, her dressed as an Angela Davis character, a flag burning in the chimney, a portrait of Bin Laden on the wall is an image I'm extremely proud of.

We don't build a record. We're taking a picture of it. We're not building an image; we're capturing an image.

I'm the original hunter-down-of-fabulous-things. Twenty years ago I sat down and decided that I would create a really wonderful image, an unforgettable image. And now I'm kind of stuck with it. It's like when I don't wear my fringy, gypsy stuff, people kind of look at me like, 'What's wrong?

You have nothing to sell except for the image: The image is everything.

That’s what real love amounts to - letting a person be what he really is....Most people love you for who you pretend to be....To keep their love, you keep pretending - performing. You get to love your pretense...It’s true, we’re locked in an image, an act - and the sad thing is, people get so used to their image - they grow attached to their masks. They love their chains. They forget all about who they really are. And if you try to remind them, they hate you for it - they feel like you’re trying to steal their most precious possession.

A lot of actors get concerned about their own image, even going so far as to rewrite a movie to best serve that image. All I want to do is be in good movies.

The image of Ireland is projected as a male image in the acting world, similar to the way that the word of Ireland is male dominated.

A century and a half after its birth, the modern business corporation, an artificial person made in the image of a human psychopath, now is seeking to remake real people in its image.

Man first unconsciously and involuntarily creates God in his own image, and after this God consciously and voluntarily creates man in his own image.

There must be much more going on behind the scenes. The pivotal question is this: What is behind the deep-seated hatred that these atheists nurse against religion and against God? Let's face it, there is only one force that hates God's creation more than anything else - and that is Satan. Satan knows that God exists but wants no part of Him. It is Satan's ultimate goal to demolish all Christian elements in society and to damage the human image that was made in God's image. Could Satan be the real instigator of this aggressive form of atheism?

In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.

As long as the "woman's work" that some men do is socially devalued, as long as it is defined as woman's work, as long as it's tacked onto a "regular" work day, men who share it are likely to develop the same jagged mouth and frazzled hair as the coffee-mug mom. The image of the new man is like the image of the supermom: it obscures the strain.

To live greatly, we must develop the capacity to face trouble with courage, disappointment with cheerfulness, and triumph with humility. You ask, 'How might we achieve these goals?' I answer, 'By getting a true perspective of who we really are!' We are sons and daughters of a living God in whose image we have been created. Think of that truth: 'Created in the image of God!' We cannot sincerely hold this conviction without experiencing a profound new sense of strength and power, even the strength to live the commandments of God, the power to resist the temptations of Satan.

To be without health insurance in this country means to be without access to medical care. But health is not a luxury, nor should it be the sole possession of a privileged few. We are all created b'tzelem elohim - in the image of God - and this makes each human life as precious as the next. By 'pricing out' a portion of this country's population from health care coverage, we mock the image of God and destroy the vessels of God's work.

The poetic image […] is not an echo of the past. On the contrary: through the brilliance of any image, the distant past resounds with echoes.

As a rapper, I feel like image is always important but even more so than image, I really love clothes, that's why I don't use stylists. I want to do it myself because I really love it.

In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.

We all become well-disguised mirror image of anything that we fight too long or too directly. That which we oppose determines the energy and frames the questions after a while. Most frontal attacks on evil just produce another kind of evil in yourself, along with a very inflated self-image to boot.

Of course, I think this is something that Netflix does much better. If you analyze the enormous amounts of effort and attention that has been given to my father's image due to Narcos, I am sure of one thing: if I did the same exact thing that Netflix does with my father's image, I would be killed, do not doubt it for a second.

Pictures artists staged their own images or copied or cut out others already in existence. The viewer took them in separately, in sometimes paradoxical waves: an original image, then the manipulations of it, then the places where image and idea intersected. This created a crucial perceptual glitch that irony and understanding filled.

That's the nature of representation; every time we represent something we alter it and slightly change it. And so with that as my foundation, understanding that it's always fictional to some degree, I give myself a certain freedom to really explore and ask myself questions. What might not have been understood at that time? What might have been hidden at that time? What narrative in this particular image wasn't the primary image, but is really important? That is really interesting to me, and then I try to tease that out as much as I can.

Amazingly, my first project at Granta was the Sex issue. Given my own proclivity for the nuances of hedonistic and sexual exploration, partly through art, it was a perfect way to start. I love to interrogate through image - or pose questions through a subversion of said image - and we came up with a visual that caused quite a stir and went on to pick up a Design and Art Direction award.

It is not as in the Bible, that God created man in his own image. But, on the contrary, man created God in his own image.

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

In an age in which we can project an image and score that image based on immediate Facebook and Twitter feedback, thus making a video game of life and a false-reality composed of lies, what gets lost is a joyful obsession with the work we create from the purest of motives, a sheer joy in the act of creation itself that causes us to lose ourselves in something else, and in a way die to ourselves over the absolute love of a thing we are breathing into life.

With television, the image has been degenerated, no question. With the internet, commercials... people are much too cynical about image. It's stale. And all over the world, not just America.

When I'm sculpting, I work with wood and clay, and though some say that an image is already in the material and the sculptor just has to discover it, I also believe you have an image in your head that you're trying to get to. So you're in a dialogue with the piece, a back-and-forth.

The heart of assimilation process of absorbing minorities lies in the self-image of a nation. There are, as you will know, big differences for instance between the self-image of the French and the English. And the Germans, in accordance with their rather chequered history, had at least in the past very little capacity for absorbing minorities.

Despite the many iniquities that have found entrance into the practices of image-worship as it is in vogue now, I do not condemn it. Ay, where would I have been if I had not been blessed with the dust of the holy feet of that orthodox, image-worshipping Brahmin!

I grew up in a sport that didn't allow you to grow up. There was always the threat of younger competition. So you had to maintain the image of youth.

Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.

How can women be in the image of God if God cannot be imaged in female form?

No companion however wise, no friend however useful, can be to me what my mother has been: her image will long pursue my fancy; her voice for ever hang in my ears: may her precepts but sink into my heart!

When women make their image about youth and sexuality, and not about intellect, that's kind of a dead-end road. So I think it's a combination of self-entrapment and entrapment by society.

The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

That's what comics journalism does better than anything else: you can get a feeling of what it was like. Like Scott McCloud says, especially with a simple drawing style, you can project yourself into the image, and imagine yourself having those experiences.

There is a word in Old English which belongs wholly to that civilization - "dustsceawung," meaning contemplation of dust. It is a true image of the Anglo-Saxon mind, or at least an echo of that consciousness which considered transcience and loss to be part of the human estate; it was a world in which life was uncertain and the principal diety was fate or destiny or "wyrd."

I've always wanted to write about a "haunted" film, something imbued with a malign, potentially fatal attraction, an image which poisons everyone who's unfortunate enough to view it.

If a medium is representational by nature of the realistic image formed by a lens, I see no reason why we should stand on our heads to distort that function. On the contrary, we should take hold of that very quality, make use of it, and explore it to the fullest.