Quotes About Image

[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.

I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.

My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?

I think we all do craft a certain self-image. I guess the degree that our internal self-image matches the image we project, we perhaps feel really uncomfortable in the world when there is a difference. That can cause a lot of stress or bad feelings about ourselves.

Within each of us exists the image of God, however disfigured and corrupted by sin it may presently be. God is able to recover this image through grace as we are conformed to Christ. Just as the figure of David lay hidden within the marble, discernible only to the eye of its creator, so the image of God (however tarnished by sin) lies within us, see and known by God Himself. Yet God loves us while we are still sinners. He doesn't have to wait until we stop sinning. Acceptance of His love is a major step along the road that leads to our liberation from the tyranny of sin.

One of the marks of our world is perhaps this reversal: we live according to a generalized image-repertoire. Consider the United Sates, where everything is transformed into images: only images exist and are produced and are consumes ... Such a reversal necessarily raises the ethical question: not that the image is immoral, irreligious, or diabolic (as some have declared it, upon the advent of the Photograph), but because, when generalized, it completely de-realizes the human world of conflicts and desires, under cover of illustrating it.

Shakespeare said that art is a mirror held up to nature. And that’s what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is trapped by the image out there so that you never make the reference to yourself, you have misread the image.

All of my early images were really visual experiments to me. They were attempts to answer unasked questions like, what happens if you put images of six men and six women together, or if we combined a monkey's image with a human, would the result approximate an image of early man?

The image of where you are going has to be more dominant than the image of where you are.

I argue that science would be much richer if it were multisensory. The problem with instrumentation is that instruments, unlike our senses, can be monosensory. Since the discovery of the electromagnetic spectrum - which is really the discovery that all energy coming from something has a wave form - in theory we could image anything along that spectrum. In fact, we don't, because only certain parts of the spectrum have been instrumentalized. But the new thing is computerization. You can take all the data, the measurement of the frequencies, and transform it into an image.

You must squeeze out of yourself every sensation, every thought, every image, - mercilessly, without reserve and without remorse: you must search the darkest corners of your heart, the most remote recesses of your brain, - you must search them for the image, for the glamour, for the right expression. And you must do it sincerely, at any cost: you must do it so that at the end of your day's work you should feel exhausted, emptied of every sensation and every thought, with a blank mind and an aching heart, with the notion that there is nothing, - nothing left in you.

Christ is the most perfect image of God, into which we are so renewed as to bear the image of God, in knowledge, purity, righteousness, and true holiness.

Writers would hate me saying this, and I love words, but I have to say that cinema exists, on one level, for the power of the big image and what that image does.

In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.

If you pick up some paint with your brush and make somebody's nose with it, this is rather ridiculous when you think of it, theoretically or philosophically. It's really absurd to make an image, like a human image, with paint, today.

Today I weep for my country. No more is the image of America one of strong, yet benevolent peacekeeper. ... Around the globe, our friends mistrust us, our word is disputed, our intentions are questioned. We flaunt our superpower status with arrogance....After war has ended the United States will have to rebuild much more than the country of Iraq. We will have to rebuild America's image around the globe.

The core of creation is to summon an image and the power to work with the image.

As a rapper, I feel like image is always important but even more so than image, I really love clothes, that's why I don't use stylists. I want to do it myself because I really love it.

The whole idea of image is so confused. On the one hand, Madison Avenue is worried about the image of the players in a tennis tour. On the other hand, sports events are often sponsored by the makers of junk food, beer, and cigarettes. What's the message when an athlete who works at keeping her body fit is sponsored by a sugar-filled snack that does more harm than good?

It's an image that the media has given me as a bad girl, and the only reason they gave me that image is just because of the few things that have gone wrong in my life, and also because I grew up living in a trailer.

The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.

I don't really think that the technique really determines the veracity of the image. It's what the image does to the viewer that determines whether it's right or wrong.

Once the image was in the digital environment, one of the problems was, we had no means to reproduce the color spectrum, grey scale, and contrast that film produces, without converting the digital file to film, evaluating it, then going back and changing the digital image.

Everything flows from God, but we are limited by imposing our human perceptions upon him. Man designs God according to his own image and the image man has of himself is flawed.

We have the need to be accepted and to be loved by others, but we cannot accept and love ourselves. The more self-love we have, the less we will experience self-abuse. Self-abuse comes from self-rejection, and self-rejection comes from having an image of what it means to be perfect and never measuring up to that ideal. Our image of perfection is the reason we reject ourselves the way we are, and why we don't accept others the way they are.

In reality, everything is within; the outer is just a projection. Fear is within you; it is projected as a hell. Hell is just a projected image on the screen - of the fear that is within you, of the anger, of the jealousy, of all that is poisonous in you, of all that is evil in you. Heaven is, again, a projected image on the screen - of all that is good and beautiful, of all that is blissful within you.

I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.

What's great about symbols, what a writer can do with them is provide a really vivid, interesting image, and the reader will do the rest of the work. That's always been very interesting to me. Like if I just introduce the storks, I don't have to say what they mean because the reader will do that. And if I bring in the dark history of the region, other trends come up, for example how in ancient Egypt they are associated with the souls of the dead. You can surprise yourself by introducing an image and then see how developing the story fills it with meaning that is suddenly new.

All art is image making and all image making is the creation of substitutes.

The "female culture" has shifted more rapidly than the "male culture"; the image of the go-get 'em woman has yet to be fully matched by the image of the let's take-care-of-the-kids- together man. More important, over the last thirty years, men's underlying feelings about taking responsibility at home have changed much less than women's feelings have changed about forging some kind of identity at work.

And yet on the other hand unless warinesse be us'd, as good almost kill a Man as kill a good Book; who kills a Man kills a reasonable creature, Gods Image, but hee who destroyes a good Booke, kills reason it selfe, kills the Image of God, as it were in the eye.

I often think about image, and image is something that - but in truth, the real artistic process, as I've understood it, is 95 percent intuitive, like seat-of-the-pants, at-the-moment decisions that you can't even explain, you know?

I often think of the image only I can see now, and of which I’ve never spoken. It’s always there, in the same silence, amazing. It’s the only image of myself I like, the only one in which I recognize myself, in which I delight

People in the fashion industry have used the press a lot more than people in the film industry, because you have nothing to sell except for the image: The image is everything.

God made us in His own image so that His image would be shown.

You go on reacting to the image not to the person, and hence there is no relationship. When there is no image, then there is relationship.

Half the battle is selling music, not singing it. It's the image, not what you sing.

Comics are a "young" art form, and there is much confusion as to how to treat them. Images have more immediate impact than words, and it is not every reader who can be convinced to relax into experiencing the work for what it is - not words and pictures, but a different form, where the narrative is propelled by the blending of image, word and sequence, and where no element can be extricated and have the same meaning by itself. When this art is shown in a gallery, its "thingness" is called to attention, it is no longer experienced as "story," but rather as an artifact of the artist's process.

The most popular image of the female despite the exigencies of the clothing trade is all boobs and buttocks, a hallucinating sequence of parabolae and bulges.

That's what comics journalism does better than anything else: you can get a feeling of what it was like. Like Scott McCloud says, especially with a simple drawing style, you can project yourself into the image, and imagine yourself having those experiences.

Anyway, my office is small - one room, but on the corner, with a couple of windows. The sign on the door reads, simply, HARRY DRESDEN, WIZARD. Just inside the door is a table, covered with pamphlets with titles like: Magic and You, and Why Witches Don't Sink Any Faster Than Anyone Else - a Wizard's Perspective. I wrote most of them. I think it's important for we practitioners of the Art to keep up a good public image. Anything to avoid another Inquisition.

The first thing Islam does is to destroy the self image of the believers. It convinces them that without Islam they are worthless creatures only fit for hellfire. It tells them that their culture is jahelyyah (ignorance) and their ancestral religion was taaghoti (satanic). They are made to despise their identity and selfhood and seek their glory in their submission to Islam and slavery to its deity who was Muhammad's own alter ego.

You are so lame. You always disappoint me. It's kind of like our running joke but it's really not funny and I just want you to live up to the image of you I create.

The artistic image is not intended to represent the thing itself, but, rather, the reality of the force the thing contains.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

If we only look within, we will see he Light as if we were seeing our own image in a mirror. (122)

Besides loving each other, we must bear with each other and pardon ? 'forgive them that trespass against us' ? in order that our heavenly Father may 'forgive us our trespasses' (Mt. 6:14). Thus, with all your soul honor and love in every man the image of God, not regarding his sins, for God alone is Holy and without sin; and see how He loves us, how much He has created and still creates for us, punishing us mercifully and forgiving us bounteously and graciously. Honor the man also, in spite of his sins, for he can always amend.

It's so dense, every single image has so many things going on.