Quotes About Image

Every man carries within himself the eternal image of woman, not the image of this or that particular woman, but a definite feminine image. This image is fundamentally unconscious, a hereditary factor of primordial origin.

We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.

A majority of the successful women on the pop scene conform to what a woman is supposed to be. Some have tried to get things moving. They have tried to modify the image. But sometimes the image has a hard time changing the eye - to change the relationship between the image and the eye takes longer.

If you've noticed that I don't use long takes, it's not because I don't like them, but because no one gives me the necessary means to treat myself to them. It's more economical to make one image, then this image and then that image, and try to control them later, in the editing studio.

[Even the mechanism can be endowed with an image. Thus] the thermostat has an image of the outside world in the shape of information regarding its temperature. It has also a value system in the sense of the ideal temperature at which it is set. Its behavior is directed towards the receipt of information which will bring its image and its value systems together.

If you look at the image [ Portrait of the Artist as a Shadow of His Former Self ], it treads on a kind of popular stereotypical image of the black figure, in both its flatness and slightly comic edge. To take that image as a starting point and to render it in a proto-classical medium, like egg tempera, and then use a repertoire of classical compositional devices to make the picture was a way of setting up an engagement with art history.

Man first creates the universe in his image, and then turns round to say that God created man in his image... As Voltaire quipped, if God created man in his image, man has returned the compliment.

The rise and fall of images of the future precedes or accompanies the rise and fall of cultures. As long as a society's image is positive and flourishing, the flower of culture is in full bloom. Once the image begins to decay and lose its vitality, however, the culture does not long survive.

A scrupulous writer, in every sentence that he writes, will ask himself at least four questions, thus: 1. What am I trying to say? 2. What words will express it? 3. What image or idiom will make it clearer? 4. Is this image fresh enough to have an effect?

The image of the woman as we know it is an image created by men and fashioned to suit their needs.

What ends up happening is people form images and the image they form is, in some ways, what they want it to be. The idea of trying to correct the image is something I'm not interested in doing.

No man at bottom means injustice; it is always for some obscure distorted image of a right that he contends: an obscure image diffracted, exaggerated, in the wonderfulest way by natural dimness and selfishness; getting tenfold more diffracted by exasperation of contest, till at length it become all but irrecognis-able.

If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.

I consider myself a modern-day dad, where I still got rock'n'roll in me, but yet I take being a parent and relationships very seriously in life. I'm tired of the image of the father as a fat, beer-chugging, stupid guy. That image has to change. I'm changing it, baby, one city at a time.

As every pool reflects the image of the sun, so every thought and thing restores us an image and creature of the supreme Good. Theuniverse is perforated by a million channels for his activity. All things mount and mount.

It doesn't surprise me that people can't see beyond my image. It's amazing, but I can understand it. That's what image is for. But it's never a problem for me. It's only a problem for them. I don't really care. I do what I want regardless.

What specialists try to do is get at least three imaging processes that are totally different from each other. Then you can run these through a computer program and make a composite image. In one scenario you suspect a brain tumor, so you image the brain tumor with PET scans, MRIs, and CT scans and create a 3D model. The doctor opens up the skull to excise the cancer, but they can't see anything. Do you cut out what's supposed to be in that spot or not? The current story is yes, you believe the images over what you see with your eyes.

Her kitsch was the image of home, all peace, quiet, and harmony, and ruled by a loving mother and a wise father. It was an image that took shape in her after the death of her parents. The less her life resembled the sweetest of dreams, the more sensitive she was to its magic, and more than once she shed tears when the ungrateful daughter in a sentimental film embraced the neglected father as the windows of the happy family's house shone out into the dying day.

Mars and Venus and Jupiter, all of the handiwork of God was now placed in the authority of the God of the earth. And here's what He told him. He said I want you to guard it and keep out all intruders. Now that gives us a little insight on why When God made Adam all he did was made an exact imprint of himself. He duplicated himself, he was the image and from his image came himself.

We have a very precise image - an image at times shameless - of what we have lost, but we are ignorant of what may follow or replace it.

They used us as an excuse to go mad and then blamed it on us. Gandhi says create and preserve the image of your choice. The image of my choice is not Beatle George - those who want that can go and see Wings. Why live in the past? Be here now.

I remember finding a Houdini book at the library and seeing an image of him chained on the side of a building. He looked so intense and scary, and I couldnt get that image out of my head. That started building up my love of magic.

The Catholic novelist in the South will see many distorted images of Christ, but he will certainly feel that a distorted image of Christ is better than no image at all. I think he will feel a good deal more kinship with backwoods prophets and shouting fundamentalists than he will with those politer elements for whom the supernatural is an embarrassment and for whom religion has become a department of sociology or culture or personality development.

One always, sooner or later, comes upon a city which is an image of one's inner cities. Fez is an image of my inner self. ... The layers of the city of Fez are like the layers and secrecies of the inner life. One needs a guide. ... There were in Fez, as in my life, streets which led nowhere, impasses which remained a mystery.

In a way, it's like the photographer always has his vision of me. The pictures that I'm known for are not really my image, they're always the photographer's vision of me. I can look a hundred different ways, but what people see of me in pictures is not really my image.

I listen to music cinematically. I think about music and how it would make me feel when it's put to an image, a moving image, and I love it.

The 'self-image' is the key to human personality and human behavior. Change the self image and you change the personality and the behavior.

In the 1920s, everyone wanted to be a celebrity. Everyone wanted to be like Babe Ruth or Charles Lindbergh. ... Businessmen, in particular, in the '20s really believed that to be a success, an entrepreneur needed to have a personality, a sense that you were a success. That's why I think Capone dressed the way he did. And that's why he entertained the press — because he wanted to be perceived as a successful American. Dale Carnegie ... would later cite Capone as a model for creating the public image. Obviously, it went bad in many ways for Capone, but that's the image he was going for.

I start with an image, then I go from the image toward exploring the situation. Then I write a scene, and from the scene I find the character, from the character I find the larger plot. It's like deductive reasoning - I start with the smaller stuff and work backward.

The image of the presence, whatever it was, waiting there for him to go -this image had not yet been so concrete for his nerves as when he stopped short of the point at which certainty would have come to him. For, with all his resolution, or more exactly with all his dread, he did stop short - he hung back from really seeing. The risk was too great and his fear too definite: it took at this moment an awful specific form.

This society is driven by neurotic speed and force accelerated by greed and frustration of not being able to live up to the image of men and woman we have created for ourselves; the image has nothing to do with the reality of people.

I sell architecture better and more directly and more vividly than the architect does... The average architect is stupid. He doesn't know how to sell. He's not a merchandiser. He doesn't know how to express his own image. He doesn't know how to create a design of his image... And I do it. I've done it all my career over half a century, and it gets better.

If you take text and image and you put them together, the multiple readings that are possible in either poetry or in something visual are reduced to one specific reading. By putting the two together, you limit the possibilities. Text and image don't always work together in the way music and song lyrics become part of each other.

The image is an image.

It is not as in the Bible, that God created man in his own image. But, on the contrary, man created God in his own image.

Everything flows from God, but we are limited by imposing our human perceptions upon him. Man designs God according to his own image and the image man has of himself is flawed.

I never want to turn something down because I'm afraid to do it, because of some idea of image or whatever. That was never anything I set out to do. In fact, the opposite, I always want to confuse people in terms of any kind of image and be unpredictable in any kind of movie I make.

When a sound can replace an image, cut the image or neutralize it. The ear goes more towards the within, the eye towards the outer.

You go on reacting to the image not to the person, and hence there is no relationship. When there is no image, then there is relationship.

Film is the best way to capture an image and project that image. It just is, hands down.

In time you shall see Fate approach you In the shape of your own image in the mirror.

Why is it surprising that scientists might have long hair and wear cowboy boots? In fields like neuroscience, where the events you are recording are so minute, I suspect scientists cultivate a boring, reliable image. A scientist with a reputation for flamboyance might be suspect.

I writhe when I see myself on the screen. I'm such a dreadfully clumsy hulking image. I say to myself, "Why doesn't he get off? Why doesn't he get off?" I mean, I look like such an idiot. Some fat awkward thing dredged up from some third-rate drama company. I must stop thinking about it, otherwise I shan't be able to go on working.

I would not trade the difficult years for all the prosperity in the world. God knows what each one of us must suffer in order to be conformed to the image of Christ.

I attribute my talent and my success to God, but I believe that the only way you can manifest what He has ordained for you is by being close to Him and by making it happen. But we have to stay close to Him in order to be an image of Him.

I re-invented my image so many times that I'm in denial that I was originally an overweight Korean woman.

There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.

If we only look within, we will see he Light as if we were seeing our own image in a mirror. (122)