Quotes About Interested

Whenever I’m interested in something, I know the timing’s off, because I’m always interested in the right thing at the wrong time. I should just be getting interested after I’m not interested any more.

God is not interested in what you think you should be or feel. He is not interested in the narrative you construct for yourself, or that others construct for you. Rather, He is interested in you, the you who suffers, the you who inflicts suffering on others, the you who hides, the you who has bad days (and good ones). And He meets you where you are.

People are interested in relevant stories. In big events. But I'm not interested in big things; I'm interested in the smaller details of life.

I'm not so interested in this series of ruptures, where minimalism took over pop art, and then neo-expressionism was a triumph over that. I'm not interested in rupture - I'm interested in healing, bringing things together, building bridges. Not dismissing what has come before as a kind of modernist precedent, where one thing has to be broken in order to achieve something else. I don't believe in that kind of attitude. I think we're beyond that at this stage.

I'm not interested in the being the next indie hipster scene or in how skinny my jeans can be. That's not my thing. I'm interested in arenas. That was the magic of the music I grew up listening to. Being a rocknroll front man is all I've ever wanted since I was 10 years old. I give it everything I have.

I'm not particularly interested in painting, per se. I'm interested in a painting that has that mysterious life to it. Anything that doesn't partake of that magic is halfway dead - it returns to its physical elements, it's just paint and canvas.

I'm not interested in meeting people's expectations, and I'm not interested in pleasing people.

Not all Peter Greenaway's stuff is sequential, narrative story. Some of it is like an art installation and I'm not particularly interested in being in an art installation to be honest. I'm interested in the story.

I am not interested in simply working as a director. If I am not making movies that I want to make, that I feel passionate about, or that I feel are hopefully at the level of cinematic quality that I feel they should be then I am not really that interested.

While traditional BI is interested in the 'what and the where,' data scientists are interested in the 'how and why'.

I was interested in transcendence from a very early age. I was interested in what was over there, what was behind life. So when I had my first communion I was very disappointed. I had expected something amazing and surprising and spiritual. Instead all I got was a bicycle. That wasn't what I was after at all.

I wasn't interested in car parts per se, I was interested in either the color or the shape or the amount... Just the sheet metal. It already had a coat of paint on it. And some of it was formed.... I believe that common materials are the best materials.

It is obvious that the only interesting people are interested people, and to be completely interested is to have forgotten about "I".

I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.

I'm less interested in how people are following each other and more interested in how they are following topics and tweets themselves. People are following more key words and concepts and more ideas and acting on those rather than individuals or organizations.

I'm very interested in the visual world because I'm also very interested in feminism. I find that the world of watching takes us into the most psychotic state of, like, "You are this one person, but you have to become another person to see these images."

I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.

It's because I'm only interested in the big things that I'm not interested in politics.

I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

I am not interested in dry economic socialism. We are fighting against misery, but we are also fighting against alienation. One of the fundamental objectives of Marxism is to remove interest, the factor of individual interest, and gain, from people's psychological motivations. Marx was preoccupied both with economic factors and with their repercussions on the spirit. If communism isn't interested in this too, it may be a method of distributing goods, but it will never be a revolutionary way of life.

I'm interested in the dark side of man. I'm interested in taboos, and murder is the greatest taboo. Characters are fascinating in their extremity, not in their happiness.

I was making commercials. That's how I learned the craft. That was the marketing part of it: directing commercial for TV. It wasn't the most common thing to become a filmmaker in Greece. I started by saying I was interested in marketing and have a proper job in advertising and commercials. Basically, I studied film to learn how to do marketing, and commercials. As I studied film I learned I'd be interested in making films instead of commercials.

I'm not interested in making what's easy. I'm interested in making what's beautiful.

I'm not an abstractionist. I'm not interested in the relationship of color or form or anything else. I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.

There is no plateau of resting or stabilising. Once you are interested in how things evolve, you have a kind of never-ending perspective, because it means you are interested in articulating the evolution, and therefore the potential change, the potential redefinition.

I'm not interested in a marketable product: I'm interested in what I know from my life experience to be standards of excellence

You can draw a line between what I'm interested in and what I'm not interested in. On one side you can name Dylan and Lennon, who observe the world and have feelings, and write songs directly from those feelings. On the vapid side you have pop groups who need material and write songs to fill the hole, rather than getting somebody else.

I wasn't interested in going to the school dances. I wasn't interested in going to the football games. What I wanted was to be in my room painting my walls and doing weird stuff. That's what I wanted and I got to do what I wanted, so that, to me, is my high school experience.

I never planned to be rich, frankly speaking. I was more interested in being free, and doing things. And money helps. But otherwise I was never that interested in it.

You know, I think I understand what you're like now. You're very beautiful and you think men are only interested in you because you're beautiful. But you want them to be interested in you because you're you. The problem is, aside from all that beauty, you're not very interesting. You're rude, you're hostile, you're sullen, you're withdrawn... oh, I know- you want someone to look past all that at the real person underneath. But the only reason anyone would bother to look past all that is because you're beautful. Ironic, isn't it? In an odd way you're your own problem.

A mother has a unique perspective. Nobody sees the life of the child the way the child’s mother does—not even the father. This is Mary’s perspective of Jesus life. It seems to me that every genuine Christian, not just Catholics, should be interested in that perspective—and not just interested, but fascinated. In the rosary we ponder the life of Jesus through the eyes of his mother. This is an incredibly powerful experience if we enter into it fully

I'm interested in doing movies I wouldn't normally be interested in doing.

Most people take who they are, naturally, as a given, and they're interested in the sexual other, but not in being the sexual other. Most men are interested in women - whether sexually or not is not the question - but they don't necessarily want to be a woman.

We're not interested to know the real heroes. We're really more interested in the villains, actually, and they seem to thrive, and it continues to be business as usual.

A historian is interested in the past because he is interested in life... a deeply felt need to assure the continuity of human life and discover its meaning, even if the goal is never fully realized.

We're trying to get as many people to become interested in seeing it, but if you like the theater and you're interested in seeing what live theater looks like in New York, you probably already set your DVR. It's gonna be a hard ask to get a bunch of college-basketball fans to tune in for three hours to watch the Tonys.

In addition to listening to the audience's laugh, you want to listen to their silence. Is it bored or interested silence? The silence is quieter and filled with energy when they're interested. You can hear a pin drop. When they're bored, you can always hear it.

If the government doesn't fund education, which they often don't, students are going to stay home and not go to school. It affects them directly. But I'm really not interested in writing explicitly about that. I'm really interested in human beings, and in love, and in family. Somehow, politics comes in.

As soon as your mind knows that it's on and it's supposed to produce some lines, either it doesn't or it produces things that are very predictable. And that's why I say I'm not interested in writing something that I thought about. I'm interested in discovering where my mind wants to go, or what object it wants to pick up.

I'm not interested in how people move; I'm interested in what makes them move.

What I'm really interested in, as a reader and as a writer, is the idea of the nonfiction book that is not defined by its content, by its "about"-ness. Where you read it irrespective of whether you're interested in the subject.

One of the greatest predictors of academic success that exist is the emotional stability of the home. So if parents are interested in education reform, they should also be interested in how they conduct themselves in front of their children. If they are homeschooling their kids, they are even more exposed, so the idea is even more important.

Certain readers will read my book not because they are interested in Iraq, but because they read crime fiction. I did want to get beyond just speaking to other Middle East scholars, so I'm happy about that. But this was, nonetheless, a novel I wish I got to read in Arabic and translate.

I've sort of had an investigatory relationship with being a musician. I really wasn't sure what I wanted to do. I felt I had had my run - I had done Jane's and I wasn't particularly interested in music anymore.

I'm really interested in the repetition, the discipline, and what happens to me psychologically when I put my body to that extreme place.

Perhaps the greatest barrier to revival on a large scale is the fact that we are to interested in a great display. We want an exhibition; God is looking for a man who will throw himself entirely on God. Whenever self-effort, self-glory, self-seeking or self-promotion enters into the work of revival, then God leaves us to ourselves.

I'm not interested in possible complexities. I regard song structure as a graph paper.

I'm interested in flawed protagonists. I was raised on them.