Quotes About Liked

I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.

I knew that our time together was almost over, I asked her if she liked sports, she asked me if I liked chess, I asked her if she liked fallen trees, she went home with her father, the center of me followed her, but I was left with the shell of me, I needed to see her again, I couldn't explain my need to myself, and that's why it was such a beautiful need, there's nothing wrong with not understanding yourself.

This is the secret I kept from you, Bails, from myself too: I think I liked that Mom was gone, that she could be anybody, anywhere, doing anything. I liked that she was our invention, a woman living on the last page of the story with only what we imagined spread out before her. I liked that she was ours, alone.

I liked the theater. I liked the people. I liked the time that we worked.

I liked animals more than people! OK, I liked certain people, but the idea of mankind'-it really irritated me!

I simply wanted a kiss. I was a freshman girl who had never been kissed. Never. But I liked the boy, he liked me, and I was going to kiss him. That's the story, the whole story, right there.

Basically, if you could get a good trailer out of the script, Roger had no objection to you making a really good movie. He liked it if you did. He liked the more cleverness and ingenuity you could bring to it. He just wasn't going to give you any more money.

Over a year before I started recording Salad Days, so I finally sat down and was like I have to do this. And it did feel like a chore. I was looking at it in a completely wrong way, trying to one up myself. Just the typical sophomore album bullshit. The main thing I got out of it is I eventually gave up on all that stuff. I had to re-learn why I liked making music in the first place, why I liked recording in my room all the time. Because it's fun. It's fun for me.

I suppose the marine biology was a post-teen thing. I was kind of on my way but I was one of those teenage boys who got to 13, 14 and had no idea what I was going to do. I liked natural history. I liked the outdoors. And I found the sea quite interesting.

Did I ever tell my constituents that if they liked their plan they could keep it? I would have if I'd ever met anybody who liked his or her plan. But that was not my experience.

I never really liked the lyrics or the sameness of the music. It always seemed to have the same rhythm or whatever. But when it turned a little more rock, I kind of liked it. I like what Kid Rock did to country. I like all the modern, new stuff that's coming out, and it just so happens that my boyfriend is not a country player, but he was a rock musician.

I'm married now, but back when I had girlfriends, you were always wondering if they liked you, and if you liked them enough. You're together, but the smallest thing could make one of you go 'You know what? This isn't working!

I liked drawing and painting, because the only failure would be to listen to the doubters who wanted me to stop drawing and painting because 'you aren't going to make a living doing that.' I liked looking in art books at the work of painters.

I liked that about her. I liked how laid back she was, when she wasn’t trying to stab me.

In my early 20s I was so miserable doing construction, I wanted something that paid money. I liked nice stuff. I liked cars and architecture, and things that cost money. I wanted to not swing a hammer, and make money… and not do stuff that was dirty. I attempted to get into comedy. I started to do stand-up, but I wasn’t very good at it.

When I was a kid, I liked Superman. When I got a little older, I liked Wolverine. And then I found girls.

Well, the stuff that I liked growing up was AC/DC, Led Zeppelin, but I also liked the Beatles and guys like Cat Stevens and Elton John.

But if it couldn't be love and it didn't feel like lust, what was it? Like? Did he like her? Of course, he did, but that word didn't capture his feelings, either. It was a little too... vague and soft around the edges. People liked ice cream. People liked to watch television. It meant nothing, and it didn't come close to explaining why, for the first time, he felt the urge to tell someone the truth.

Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.

I liked painting and drawing, and I liked humanities mainly - poetry, literature - this speculative attitude toward life.

That's absolutely true, but one problem with the digital revolution, which may tie into what I said earlier, is that there can be a collapse of quality. You may not have liked the decisions made by publishers in the past, you may not have liked the decisions made by magazine editors or newspaper editors in the past. At least there was some quality control

She liked him. She liked the feeling of liking him. She felt light and smiley and too full of excitement to think of anything else.

I loved writing for the school newspaper. I liked to report and interview people, but I really liked to write columns, funny columns.

I went out and started on my way up in television. I wrote music, I wrote books, I played an instrument half-ass. I would always have liked to play in a band. I would always have liked to be a substantial writer, to write country music for big singers. I had all sorts of proclivities, but I never had any big success.

Actually, I never liked Dylan's kind of music before; I always thought he sounded just like Yogi Bear.

I found so much fun in the light shows and the multimedia shows of the hippies. That was when I was a student in the 1960s, and I was in New York, so I learned how to deal with writing, recording sound of other people, performance art - because that was a new territory, and I liked everything that was new and provocative. That interested me more than becoming anything specific.

So what I liked about Zen was that it never goes off into the realm of imagination land, or if it does occasionally, the good teachers will openly address it specifically as only imagination. Both of my teachers were very good at that.

Everyone was talking about having airplanes disappear. And I said, "Wait, wait, wait. That's what you like? I'd tell you a story about something like my girlfriend leaving me, and the magic was really hard. The airplane thing was comparatively easy, and people liked that thing?" I realized at that moment, the power of the simple idea.

I always liked the smell of a smoke-filled room. I think it's a good smell.

I was about to get in the shower; I took a nude selfie, kept it in my phone for over a year. I just liked the picture, so I was like,"Let me put censor bars on it and post it." I don't do things to be like, "This is powerful. I'm going to show you guys that this is my 'message.''' I'm not that type of person".

I have also heard and read various accounts of why they [Sheldon Leonard and Carl Reiner] liked me. My favorites? I wasn't too good-looking, I walked a little funny, and I was basically kind of average and ordinary. I guess my lack of perfection turned out to be a winning hand. Let that be a lesson for future generations.

I'm sure as an infant, no matter what I looked like, I felt like the most loved kid getting those massages. So I really think that was a big part of my growing and my brain developing. Most of all however, I think it was the love that was given to me unconditionally and I felt that my whole life. It certainly wasn't that my parents always liked what I was doing, even my becoming a doctor, my father preferred I went into business so he could help me, but I wanted to be a doctor.

We [ with Emilio Estevez] asked if we could take some things [ in Breakfast Club] that weren't in the shooting draft, but from earlier drafts, "Can we maybe use this?" And Hughes was very amenable to all that. And there was some stuff that I liked, and I said, "How about this?" And he went, "Well, we'll check with Molly [Ringwald]. Those scenes are with her. And if she likes it, fine." So it was just wonderful. It was great.

Be liked and you will never want.

I have been singing since I was two years old, my parents tell me, and started to write songs when I was fifteen. Eventually, my friends and my parents knew that this was something I liked to do. They also knew I had a dream of making my own album. They have always been encouraging me to do something about it, and so I did. So I went to a local radio station in Tromsø, and there I got to record a couple of songs.

Margarita was never short of money. She could buy whatever she liked. Her husband had plenty of interesting friends. Margarita never had to cook. Margarita knew nothing of the horrors of living in a shared flat. In short... was she happy? Not for a moment.

Two years ago it felt novel to do the East Side and then tons of other stuff have come up set in that world, but we still liked it. It felt like people are using East Side in other shows because it is cool.

My mom, God rest her soul - she liked nicknames. In the womb she named me Skip. There was another black guy in Piedmont, W.Va., and his name was Skip. They called him Big Skip, and I was Little Skip.

I haven't done as many films as I would have liked.

She liked to disappear, even when she was in the same room as other people. It was a talent, as it was a curse.

I don't really mind playing tabloid monster. I always liked those characters in the old movies.

We'd record a song that people liked and wanted to hear on the radio, and the radio wouldn't play it because it was too long. Or they wanted to edit it, which we wouldn't allow.

I also liked to look around at the houses surrounding the park and wonder about the people who filled them, what kinds of marriages they had and how they loved or hurt each other on any given day, and if they were happy, and whether they thought happiness was a sustainable thing.

I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed.

I was working with Toby Gad, who spent a lot of time in India. There's a sitar [in "Body Shop"] and the song has a very Indian flavor to it. I liked the idea of the body of a car as a kind of sexual metaphor - What you do to a car, what you do in a car - drive. So, lots of innuendos, and lots of fun.

I began coming to Paris in the 1960s when I was told audiences here liked my work. More than 20 of my plays have been produced in Paris, and several have had long runs and have returned in revivals.

There is nothing in the whole world so painful as feeling that one is not liked.

Today I will let go of my need for approval and my need to be liked. Instead, I will choose to like and approve of myself. The people who count (including me) will respect me when I'm true to who I really am.