Quotes About Literary

It remains a mystery to me why some of that [pulp] fiction should be judged inferior to the rafts and rafts of bad social [literary] fiction which continues to be treated by literary editors as if it were somehow superior, or at least worthier of our attention. The careerist literary imperialism of the Bloomsbury years did a lot to produce fiction's present unseemly polarities.

The greatness of literature cannot be determined solely by literary standards though we must remember that whether it is literature or not can be determined only by literary standards.

I will not allow people to impose rules on me that don't make sense to me. And I live and work very much outside the literary world and the literary system. What they think and what they believe and what their rules are mean nothing to me.

Literary critics, however, frequently suffer from a curious belief that every author longs to extend the boundaries of literary art, wants to explore new dimensions of the human spirit, and if he doesn't, he should be ashamed of himself.

That literary-popular distinction is, in my view, vastly overstated. At the far poles there are clearly books that are purely commercial and purely literary, written for audiences that want to see the same thing enacted over and over and over again. But the middle is where most people read and most people write.

Conventions of generality and mathematical elegance may be just as much barriers to the attainment and diffusion of knowledge as may contentment with particularity and literary vagueness... It may well be that the slovenly and literary borderland between economics and sociology will be the most fruitful building ground during the years to come and that mathematical economics will remain too flawless in its perfection to be very fruitful.

The short story is not as restrictive as the sonnet, but, of all the literary forms, it is possibly the most single-minded. ...at the end there has to be the literary equivalent of the magician's puff of smoke, an outcome that is both startling and anticipated.

We postpone our literary work until we have more ripeness and skill to write, and we one day discover that our literary talent wasa youthful effervescence which we have now lost.

So the fact that there's someone who's planning what happens to the characters, writing it down, means that the characters always have a fate. And when we think about fate, we tend think of it as the thing we would have if we were literary characters, that is, if there were somebody out there, writing us.

The greatest calling of all is to have a literary life.

The two main ideas that run through all of my writing, whether it be literary criticism or political polemic are these: I am strong in favor of liberty and I hate fraud.

Literary men are . . . a perpetual priesthood.

Many intellectual heroes in the European tradition seem to find the great outdoors a chilling prospect - and its literary analogue, the mythworld, equally chilling. As if a world in which humans have no leverage, and might not be present at all, couldn't be interesting to humans.

What is to be done about these literary people, who will never understand that painting is a craft and that the material side comes first? The ideas come afterwards, when the picture is finished.

I do have one regret though. I wish Kathy Acker was still alive. I wish I could go swim with her again. My literary indebtedness to her is enormous. She's a more important mother to me than anyone can possibly imagine. In language I became a daughter worth a crap because of her. In language I redefined daughter, woman, I became a writer. Dora is an homage of sorts.

I tell the truth and I don't try to sugarcoat things. But I also decided that if you don't use humor or satire, then it's just too dark all the time. And one of my favorite literary works is A Modest Proposal by Jonathan Swift. As you know, that was an enormously famous satire piece that was able to point out, you know, things to people in a different way. And I do believe that satire and humor can reveal truth in a way that sometimes doesn't get revealed through other means. And so I decided to, every now and then, use satire and humor as well.

In the true Literary Man there is thus ever, acknowledged or not by the world, a sacredness: he is the light of the world; the world's Priest; -- guiding it, like a sacred Pillar of Fire, in its dark pilgrimage through the waste of Time.

It had also been my belief since I started writing fiction that science fiction is never really about the future. When science fiction is old, you can only read it as being pretty much about the moment in which it was written. But it seemed to me that the toolkit that science fiction had given me when I started working had become the toolkit of a kind of literary naturalism that could be applied to an inherently incredible present.

Most of us do know we have no immortality. And when you've found a genius, someone who has already purchased his immortality in musical or literary terms, it's maddening.

What you create when you're teaching fiction writing is a kind of literary salon, not a social club or a mutual admiration society, not a debating society, not a repair shop, not a fight club or a soap box. It's a place to have a conversation about a story.

Relate comic things in pompous fashion. Irregularity, in other words the unexpected, the surprising, the astonishing, are essential to and characteristic of beauty. Two fundamental literary qualities: supernaturalism and irony. The blend of the grotesque and the tragic are attractive to the mind, as is discord to blasé ears. Imagine a canvas for a lyrical, magical farce, for a pantomime, and translate it into a serious novel. Drown the whole thing in an abnormal, dreamy atmosphere, in the atmosphere of great days … the region of pure poetry.

I hate to see great works of literature ghettoized, whereas others that conform to the rules, conventions, and procedures of the genre we call literary fiction get accorded greater esteem and privilege. I also have a problem with how books are marketed, with certain cover designs and typefaces. They're often stamped with an identity that has nothing to do with their effect on the reader.

Doesn't all experience crumble in the end to mere literary material?

He thinks about his teacher in his literary class, he's staring at her legs.

I do think there's a lot of bad writing, and I worry about that in philosophy. I worry about it even more in literary studies, but I wouldn't blame it on any one methodology.

Retirement without literary amusements is death itself, and a living tomb.

One of the realities for women writers is that sometimes you'll start strong, but as you see people go up the ladder, working in their literary lives, getting prizes and awards and the better teaching gigs, women tend to sort of drop away.

I did think reviewers were supposed to be polite about story collections - collections are rather delicate creatures in the literary environment - but not everybody got this memo, I guess.

Somehow this literary genre, which most people condemned, acted as a sort of counterbalance to Charles's soul; it was the ballast that prevented him from lurching into the serious or melancholy, unlike Andrew, who had been unable to adopt his cousin's casual attitude to life, and to whom everything seemed so achingly profound, imbed with that absurd solemnity that the transience of of existence conferred upon even the smallest act.

Every artist, every scientist, must decide now where he stands. He has no alternative. There is no standing above the conflict on Olympian heights. There are no impartial observers. Through the destruction, in certain countries, of the greatest of man's literary heritage, through the propagation of false ideas of racial and national superiority, the artist, the scientist, the writer is challenged. The struggle invades the formerly cloistered halls of our universities and other seats of learning. The battlefront is everywhere. There is no sheltered rear.

Téa Obreht is the most thrilling literary discovery in years

The book can produce an addiction as fierce as heroin or nicotine, forcing us to spend much of our lives, like junkies, in book shops and libraries, those literary counterparts to the opium den.

I may fight the British ruler, but I do not hate the English or their language. In fact, I appreciate their literary treasures.

I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.

The linguistic and literary reality of the biblical tradition is folkloristic in essence. The concept of a benei Israel ... is a reflection of no sociopolitical entity of the historical state of Israel of the Assyrian period

What's fascinating is where they come from in the world. People in Bangladesh, a chap in a fire-base in Tikrit in Iraq. Chap in an Irish pub in Dublin. And lovely to think this literary network - or rather network of readers - is well spread out.

There is much else in the literary idiom of nature-philosophy: nothing-buttery, for example, always part of the minor symptomatology of the bogus.

Dictionary: a malevolent literary device for cramping the growth of a language and making it hard and inelastic

Me? I'm just a literary girl gone wrong. Slow with the tongue. Quick with the pen. Undeniably cute. But, on the whole, ill-equipped for the privilege of living.

I wanted to be a literary writer, so I wrote story after story and sent them to 'The New Yorker.'

All my big heroes are literary, writers.

Nazi Literature in the Americas, a wicked invented encyclopedia of imaginary fascist writers and literary tastemakers, is Bolaño playing with sharp, twisting knives. As if he were Borges's wisecracking, sardonic son, Bolaño has meticulously created a tightly woven network of far-right litterateurs and purveyors of belles lettres for whom Hitler was beauty, truth, and the great lost hope.

I haven't the stature to critique one of our literature's great novels, Tobias; and I'm not one of those who believe The Adventures of Huckleberry Finn needs critiquing for literary or social reasons.

God is a novelist. He uses all sorts of literary devices: alliteration, assonance, rhyme, synecdoche, onomatopoeia. But of all of these, His favorite is foreshadowing.And that is what God was doing at the Cloisters and with Eudora Welty. He was foreshadowing. He was laying traps, leaving clues, clues I could have seen had I been perceptive enough.

We all exist in similar systems that mirror and reproduce the same American culture for the most part. What Oscar Wilde said about the lucky author who has a non-literary day job no longer holds, if it ever did. Artists seek validation as much as they seek money. The creation and invention of culture and canon is where most of the trouble lies.

I spent the first twenty years of my writing career preparing for the mystery genre, which is my favorite literary form.

I would not be surprised to see interesting new forms of expression and literary genres develop as the e-book movement matures.

One can contrive a religious motivation for virtually any choice of action, from commitment to the highest ideals to support for the most horrendous atrocities. In the sacred texts, we can find uplifting calls for peace, justice and mercy, along with the most genocidal passages in the literary canon. Conscience is our guide, whatever trappings we might choose to clothe it in.