Quotes About London

Coming to New York is like a big hug, everyone is so welcoming. There's something about here, everyone makes you feel so at home. I miss my family of course, but I don't miss London that much. I was worried, but I feel really at home. Everyone says that who comes here from London, but I didn't believe them.

Behind everything in London is something else, and, behind that, is something else still; and so on through the centuries, so that London as we see her is only the latest manifestation of other Londons, and to lover her is to plunge into ancestor-worship.

I just adored working in London. It was in London where I first had the idea of making a film.

Famously in 1936, Oswald Mosley led a march of his British black shirts through a mostly Jewish neighborhood, in the east end of London. What resulted was what they called the "Battle of Cable Street", where Oswald Mosley and his fascists basically got the snot beaten out of them when East London rose up against them and beat them up.

London perpetually attracts, stimulates, gives me a play and a story and a poem, without any trouble, save that of moving my legs through the streets... To walk alone through London is the greatest rest.

I was born in London and raised in Rome until I was 4. Then we went back to London, where I went to school.

I went to London a lot as a young designer because London was a major inspiration, not only for the clothes but the sense of freedom. I remember going to see a stage production of "The Rocky Horror Picture Show" in the mid Eighties and loving the mix of Goth and humor, and in my shows I've always liked to play jokes and have fun.

I do find London exciting. Much as I hate to agree with that tedious old git Samuel Johnson, and despite the pompous imbecility of his famous remark about when a man is tired of London he is tired of life...I can't dispute it.

I was born in England and brought up in London. When I was 18 I read a book and came across the Dharma. I was halfway through the book when I turned to my mother and said, "I'm a Buddhist," to which she replied, "Oh are you dear? Well finish the book and then you can tell me about it." I realised I'd always been Buddhist but I just hadn't known it existed, because in those days not even the word 'Buddha' was ever spoken. This was in in the 1960s, so there wasn't that much available, even in London.

I'm not sure what's going on in Britain. I don't know what's going on in London. Because London is no longer an English city, and that's how they got the Olympics. I mean, they said, "We're the most cosmopolitan city on Earth," but it doesn't feel English.

People constantly make the mistake of comparing London with New York, Milan and Paris and that's not what it's about. London has its own fashion identity. You come here to find the next Alexander McQueen or John Galliano.

To me, the difference between New York and London is that things are boring and staid in London. But even the sh-tty diner and bars here are kind of exciting for me. Downtown is funky, West Village is beautiful with the cobbled streets, but I love going uptown because you then you go, "F-ck, I'm in New York!" You see all the skyscrapers.

When I am in London, I think my favourite city is London, but when I am in New York, I feel it is New York. It is very hard to choose between the two.

I was sitting in a caf in London with my husband and baby daughter when my phone rang with the news! I feel so incredibly lucky and honored to be nominated, and so grateful to be part of the family that is The Killing.

London is one of the most enchanting places I've ever been on this planet.

Italy and London are the only places where I don't feel to exist on sufferance.

When I was a teenager in Iceland people would throw rocks and shout abuse at me because they thought I was weird. I never got that in London no matter what I wore.

The color and spectacle of Mexico's streets sparked my interest in community driven space and experience, a passion that I began to develop while studying architecture at Syracuse University and then at the Architectural Association School in London. Having been immersed in such a diverse array of lively environments, it would be impossible for me not to use these memories and experiences as inspiration for my work.

What happened was I was invited to meet Tom [Hardy] to discuss a project that he had in his mind about an adventurer who returns to England from Africa with secrets and with a history, and the original idea was set some 80 years later than it is now. But in the conversation I really took to the idea and I'd wanted for a while to set something in 1830 and 1840 in London, so it struck a chord.

I never dreamed I'd like any city as well as London. San Francisco is exciting, moody, exhilarating. I even love the muted fogs.

The thinnest I've ever been was after I had my appendix out, during the London run of The Seagull. I went down to 112 pounds and realized my brain doesn't work when I'm that thin, so I can't do my job. That's why, when I came out here, I never had that whole Hollywood pressure thing. I never said I wanted to be a lead actress; I never said I wanted to be a film actress. This need to trump everyone bewilders me. I'm only 25. I'm not better than anyone. I just want to watch other people and learn to be good.

My earliest musical memory was getting to watch my dad play drums in a local band. He's a banker by trade, but a drummer at heart. I remember seeing the guitar player do the solo from "Werewolves of London" with his teeth, and that was the moment that had me hooked.

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage.

I was in Britain that year [1963] and some music publishing people in Denmark Street in London suggested me to the BBC. So I found myself in front of a British television show, which was a nice surprise.

Britons still commemorate the Battle of Cable Street in London. There are still pop songs in Britain that reference Sir Oswald Mosley and his black shirts.

I lived in London for a time in the '90s and I love it here. You know, I just go and see shows and have great dinners and walk around.

Very softly, but very swiftly, Last, the man with the grey face and the staring eyes, bolted for his life, down and away from the White House. Once in the road, free from the fields and brakes, he changed his run into a walk, and he never paused or stopped, till he came with a gulp of relief into the ugly streets of the big industrial town. He made hi way to the station at once, and found that he was an hour too soon for the London express. So, there was plenty of time for breakfast; which consisted of brandy.

Even I, when I was a student in London, often wore Western clothes, and yet I'm the most Indian Indian I know.

I've had people ask me in interviews what it's like to have money, but that's not how it is. I have a middle-class life. I have a room in London but not a house, nor a BMW.

It was a pity that movies and live TV left New York for Hollywood. London theater, movies, television - until (Britain's) money ran out - were always better than ours since the city was the political capital of the country, as well as the artistic and literary one. In L.A. we've always been slightly sealed off from real life. It's no accident that two of our most interesting directors, Woody Allen and Bob Altman, are more or less settled in the real world.

On the BSkyB bid, Rupert Murdoch is now in town in London seeking to sort things out. I would simply say to him, look how people feel about this. Look how the country has reacted with revulsion to the revelations. So do the decent and sensible thing and reconsider, think again, about your bid for BSkyB.

I'm not sure where I'm from! I was born in London. My father's from Ghana but lives in Saudi Arabia. My mother's Nigerian but lives in Ghana. I grew up in Boston.

An American in London...cannot but be impressed and charmed by the city. The momumentality of Washington, the thriving business of New York, the antique intimacy of Boston, plus a certain spacious and open feeling reminiscent of Denver and San Francisco-all these he finds combined for his pleasure.

I was born in Middlesex, England, which is really London.

The things that prey on my mind in London seem to disappear as soon as I find myself in a different environment. Survival mode kicks in.

Let us settle ourselves, and work and wedge our feet downwards through the mud and slush of opinion and tradition, and pride and prejudice, appearance and delusion, through the alluvium which covers the globe, through poetry and philosophy and religion, through church and state, through Paris and London, through New York and Boston and Concord, till we come to a hard bottom that rocks in place which we can call reality and say, "This is and no mistake.

London's not a white city. So why should our catwalks be so white?

You know, London is so sprawling, and you can sometimes forget that anybody else is on a stage anywhere else.

London is a dead duck, as far as innovative new music is concerned, unless you want to have your head blown off with some outrageous, rubbish, pounding dance music.

It was just a typical London flat, but it was in a great neighborhood. It was across from the Playboy Club, diagonally. From one balcony you could read the time from Big Ben, and from the other balcony you could watch the bunnies go up and down.

The Southbank Centre Unlimited Festival was a distinct moment in time, an amazing counterpoint to the London 2012 Paralympics. There is no question that a major shift in perspective is taking place, that the world is waking up and greeting - as if for the first time - the extraordinary community of people with disability.

You silly Arthur! If you knew anything about...anything, which you don't, you would know that I adore you. Everyone in London knows it except you. It is a public scandal the way I adore you. I have been going about for the last six months telling the whole of society that I adore you. I wonder you consent to have anything to say to me. I have no character left at all. At least, I feel so happy that I am quite sure I have no character left at all.

The Good Friday Agreement and the basic rights and entitlements of citizens that are enshrined within it must be defended and actively promoted by London and Dublin.

If I'm in london it can be different than if I'm somewhere else.

The technologies which have had the most profound effects on human life are usually simple. A good example of a simple technology with profound historical consequences is hay. ... It was hay that allowed populations to grow and civilizations to flourish among the forests of Northern Europe. Hay moved the greatness of Rome to Paris and London, and later to Berlin and Moscow and New York.

The point is [Donald] Trump goes way too far. He then demonizes Muslims - American Muslims. He wants to ban all Muslims from everywhere in the world, including the new mayor of London who has spoken about this from coming to our country.

Bernard [Leach] had acquired many [Shoji] Hamada works. Some of them, it was interesting - first of all, Hamada worked in St. Ives for about four years before returning to Japan to start his own pottery. He had exhibitions in London, and if these exhibitions didn't sell out, the galleries were instructed to send the remaining work down to the Leach Pottery, where they would go into the showroom for sale. If Bernard saw one that hadn't sold that he really admired, then he would take it (he would buy it), and it would go into the house.

What inspires me is what I see people wearing on the streets of the world from New York to London and beyond. I get my ideas and inspiration from pounding the pavement all over the world. Today, fashion is dictated by individual style. To me, the fashion of the future is anything that a young guy or girl feels good wearing as long as it's put together in the right way.