Quotes About Lyrics

I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.

Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.

[The lyrics and melody] usually come a little simultaneously, but I would say the lyrics are first; usually I have the idea for a story in my head, or few lines.

I've stolen music before, I don't know anyone who hasn't. But if you're gonna do that, I want you to be able to have an opportunity to know the real lyrics because I really hate it when people put up wrong lyrics online.

I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

I tell the songwriter's story. When I read people's lyrics, I'm so amazed. I want to tell this story and make it part of my life. I usually can't write lyrics down, but I can sure tell that story. You've got to make people feel the hurt and love in each song.

Music is for making people happy, lyrics tell them who they are. Everybody is free to interpret the music, as they want. The lyrics of my songs are about different things, but it's all about my issues.

Lyrics always fall short with the amount of energy thrown into the playing. Lyrics to some extent are just the product of a singer's insecurity with singing.

Basically, no one else gives me any opinions on lyrics. I don't ask for them. If they did, I would listen.

The thing that kills me is all these bands that use huge words in their lyrics, 'I'm swimming in a vortex of apathy.' I'm like, 'What?' I don't walk up to a friend and go 'That's a stylin' looking vortex of apathy you've got there pal. I was swimming up a river of deceit myself.'

Bob Dylan has a way with words that simply blows me away. When he forgets his lyrics he just makes up new ones on the spot, that is what I called talented!

People pay attention to lyrics, and the race matter was delicate.

I stand behind all the lyrics I've ever written; I don't have a problem with that.

I didn't really start writing music or lyrics or turning them into songs until I went to San Francisco.

Hip hop scholarship must strive to reflect the form it interrogates, offering the same features as the best hip hop: seductive rhythms, throbbing beats, intelligent lyrics, soulful samples, and a sense of joy that is never exhausted in one sitting.

I just kept it real and had the freedom to do what I want. It's not designed for any age group. It's not made for radio. There are no edits. The whole album contains explicit lyrics but that's because you need it.

Every time I get up in the morning, melodies occur to me and I start trying to shape lyrics to melodies.

Here are some funny songs, there are some songs that we didn't even remember. I heard this song that Ringo is singing, I still don't know the title of it, but it is got the most amazing lyrics and it's a quite a good production. And quite a good tun

I think we need to sort of broaden our definition of poetry, which maybe it's a good thing that they just gave this Nobel Prize to [Bob] Dylan because blurring the lines of song lyrics and also hip-hop for me is like some of the greatest uses - most innovative uses of language in my lifetime.

I've always felt that dark lyrics with dark music is pretty useless. Maybe that's a strong statement - not useless, but for me, it's just boring.

So, you’re hitting on Clare the Fair.” “I’m not hitting on her. I’m exploring the possibility of seeing her on social terms.” “He’s hitting on her,” Owen said around a mouthful of chips. “You’ve still got that thing you had for her back in high school. Are you still writing bad song lyrics about heartbreak?” “Suck me. And they weren’t that bad.” “Yeah, they were,” Ryder disagreed. “But at least now we don’t have to listen to you playing your keyboard and howling them down the hall.

I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band - just for fun - when I was 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish.

Playing the guitar, you kind of lock into a rhythm and a groove, and then it relaxes me to make up lyrics and sing.

It's more like you write what comes to you... You try to reflect the mood of the songs. Take 'Rearviewmirror', we start off with the music and it kinds of propels the lyrics. It made me feel like I was in a car, leaving something, a bad situation. There's an emotion there. I remembered all the times I wanted to leave.

I never sit and fill a journal with lyrics. Most of the time I'm trying to write a feeling, not a story. I'm not necessarily trying to describe the details of a place or event so much as the feeling of the thing. It is a kind of weird alchemy that is elusive until it feels right.

When I was working on the lyrics, I thought of all the lullabies we learn as children: "Away in the Manger," William Blake's lullabies. I realized that the key to lullabies is simplicity.

Originally I had a block about appearing in a musical. I went to a voice teacher for a while, but that did no good. My range is about one and a half notes. I ended up talking the musical numbers, which was revolutionary at the time. The lyrics are extremely intricate. They move along like a precisely acted scene. If you miss a word - heaven help you - the orchestra rattles past like an express train, and you've got to run like the devil to catch up.

It'd be tricky to read into my lyrics - some are autobiographical, but sometimes I just like the sound of words.

I should attempt to write a love song, I have written lots of poetry about love so I could turn those into lyrics. I'm a sucker for romance - always have been, always will be. I love walking down the beach and listening to my iPod and belting them out. What would we do without love songs?

I always write knowing that people will hear it, but also hoping they'll see it. So a lot of times I make lyrical decisions based on what looks better. Also I write based on what I saw for a video. I obsess over lyrics in the hopes that they'll endure in different ways. I'm very precious about it.

I remember when I was very young, I read an article by Fats Domino which has really influenced me. He said, 'You should never sing the lyrics out very clearly.

If you're 30, 40 years old, you're not getting listened to by minors. Like, Jay Z has some of the sickest lyrics ever, but I would never buy his CD, just because of my age and because of his age.

All the way out I listen to the car AM radio, bad lyrics of trailer park love, gin and tonic love, strobe light love, lost and found love, lost and found and lost love, lost and lost and lost love—some people were having no luck at all. The DJ sounds quick and smooth and after-shaved, the rest of the world a mess by comparison.

As accurately as I possibly can. I explain , to my kid, that love's an elusive, fragile and resilient thing. And as far as the lyrics, I say that part of being an adult is being sexual, and when you're in a relationship, to express yourself that way is a beautiful thing.

Cynthia's lyrics always expressed the feelings people felt but they couldn't express themselves.

The essence of my lyrics is the desire for peace and harmony. That's all anyone has ever wanted. How could it become outdated?...We are trying to communicate a fulfilled ideal...I am a reflection of what I sing. Sometimes I have to get serious because the things I've been through are serious...The way I see it, rock n' roll is folk music.

I get to play with pop music and mix up the style. It's fun to play with party music and nice to get into the club. My big love is songwriting. I write the lyrics and the vocals, and I work with the producers.

Everyone can of course take their own meaning, that's the beauty of music and lyrics, but to me it seems like everything is about being attached to the past and being afraid of moving forward, afraid of that big dive or step and losing what was.

Frankly I don't listen to lyrics (a problem in that I apparently work in musical theatre) I just want a good tune that doesn't require the use of too much grey matter.

It's such a rush doing a concert and seeing people actually mouthing the lyrics.

There have always been jokes all over our songs; I originally started writing lyrics to make my friends crack a smile, which is difficult.

I'm more honest in my lyrics than I am in anything else. It's where I feel the most safe to express myself. I write about growing up, my family, Maddie and getting pregnant. If I've lived it, why wouldn't I talk about it? I guess that's been the coolest thing - realizing that it's OK to just be myself and really tell my story.

I think it need realness, you should speak on thing that you know about, that you being from, that you experienced or that you been around, you know. I think you need a good hook, good beats and good lyrics.

Bands that have positive lyrics that give people hope, I applaud them, you know I think we need to see more bands come out like that. I think it is great.

You know, I say in my lyrics, "Every word I write will be analyzed by somebody white." It's just that I know that this sh*t is just not gonna fall on deaf ears.

It's not like we wanted to get really political in terms of specific causes, but I think a lot of the lyrics deal with paranoia and feeling like "the man" is in control somehow.