Quotes About Lyrics

Do I start with the lyrics? No. Quite honestly, it's the opposite. I generally get the melody first - I kinda fiddle around on the guitar and work out a melody. The lyrics are there to flesh out the tone of the music. I've tried before to do things the other way around, but it never seems to work. Obviously, I spend a lot of time on my lyrics, I take them very seriously, but they're kinda secondary. Well, equal, maybe. I think sometimes that if you write a poem, it should remain as just a poem, just... words.

What's the coolest thing in the world is when you have fans that know the lyrics to your songs. That's amazing! Such a great feeling! When I go out there and am playing "Grinnin' In Your Face" and people are singing the lyrics to it, that's amazing to me. I'm actually taking a song where people wouldn't know it, and I'm bringing it back. It's a really cool feeling.

I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

I want to say my life inspires my lyrics, but I also try to abstract them as much as possible because I don't want to refer to my life explicitly. I'm definitely really embarrassed by my lyrics.

I'm proud of the lyrics because I take a lot of care in writing them. I try to make it so people will want to go in and get really into the lyrics. I hope there are different corners to them, with lots of levels-without sounding pretentious.

I write the lyrics based on what is going on in my life - I'm not going to write about the old hair metal stuff, like castles and stuff.

I'm totally into Taylor Swift. I think she has super-clever lyrics, and I love that she writes her own music. Some of the themes she writes about are stuff I wish was there for me when I was in high school, and I'm so happy she really cares about her female fans. She's not catering to a male audience and is writing music for other girls.

My role is almost a sight-gag. I have to be a woman to sing the lyrics "I am a man" to have it be a joke. I start the lyric in a male-register and a whole coloratura up into a soprano. And other points in the show... like the guy who likes to be treated like a baby and wear a diaper!

I'm glad that the lyrics reach people and make them understand that we're all the same, really.

I stand behind all the lyrics I've ever written; I don't have a problem with that.

Most people think its sex, money, and drugs but Hip-Hop is about lyrics, storytelling, and everybody having a different style. That's just another idea of beautiful, being yourself and creating music that represents you and what you like.

Sometimes I start just on the piano with a melody or musical idea that kind of leads me to certain lyrics.

I don't understand why America embraces Lady GaGa and Katy Perry and all of the "pop stuff" as much as they do. The Jonas Brothers, Taylor Swift and Justin Bieber are also included, and I don't really get any of that. Maybe that means that I am old. That stuff seems like it isn't that "authentic." Katy has a cool writing style though, and her lyrics can be poignant and mean stuff from time to time. I really appreciate that about her.

I don't think my lyrics go so well when I try to sound poetic. Some people do that really well. If I did that I'd feel like it wouldn't be genuine.

When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.

Here are some funny songs, there are some songs that we didn't even remember. I heard this song that Ringo is singing, I still don't know the title of it, but it is got the most amazing lyrics and it's a quite a good production. And quite a good tun

As soon as you start to think of that thing that you want to convey or say, you can always just say it much better than you can actually rhyme it or stuff it into a song. It's very, very difficult to just kind of get your point across without going the back way. And you have to be good at that, to not think about things so hard. Let the pen take over, so that it's somebody else's job to dissect the lyrics and tell you what you're all about.

The lyrics were my sarcastic way of realizing you can't be the king of the hill all the time.

Some things remain fragments, just the lyrics and melodies or a line or two or a verse.

As a lyricist, you love to hear other great lyrics or other great concepts.

So we're considering doing a new Christmas album, because there's been Christmas episodes since then, and maybe finally do the version of 'The Most Offensive Song Ever' with lyrics intact.

It'd be tricky to read into my lyrics - some are autobiographical, but sometimes I just like the sound of words.

The younger people get into the lyrics in a different way; there's much more of a tactile understanding, which is the way I prefer it.

I'm not really good at writing sad sappy ballads. In terms of the lyrics not matching the vibe of the music, that's kind of the way my career has gone; everyone is a little confused about it all the time.

Many ideas have been transformed by adding one crucial adjective-women's bank, women's music, women's studies, women's caucus. That adjective did more than change a phrase. It implied a lot of new content: child care, flexible work hours, new standards of creditworthiness, new symbolism, new lyrics.

I remember when I was very young, I read an article by Fats Domino which has really influenced me. He said, 'You should never sing the lyrics out very clearly.

If conversation was the lyrics, laughter was the music, making time spent together a melody that could be replayed over and over without getting stale.

Cynthia's lyrics always expressed the feelings people felt but they couldn't express themselves.

Rachael Sage is a marvelous young artist- and I am a fan!! 'Haunted by You' has a beauty that shines through her lyrics and melodies-- poignant, tender and tough. These are stories from the heart that will lift you up and carry you to places you had never dreamed.

The fact that our message and my lyrics can have a positive impact on someone's life is really astounding. It definitely makes me appreciate what I do even more because I'm not just doing it for self-gain, I'm doing it to help others.

I feel there is always room for good music. I want to reach people's soul with my lyrics through whatever vessel God chooses.

I would always write lyrics and songs on the piano.

He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.

It's such a rush doing a concert and seeing people actually mouthing the lyrics.

'Will You Still Love Me Tomorrow,' if you go through the lyrics, is such a haunting melody, and the words are, for a pop song, pretty deep and dark.

I'm not crazy about country-western music. But the lyrics are good. "I'd rather have a bottle in front of me than a frontal lobotomy" is pretty clever.

Sometimes my lyrics are about things that are, well, not the brightest, but I have been working with this outlook for such a long time that it's not dark to me anymore. It's just something that you work through and in the end, it's a lot of happiness.

If it wasn't for this person's privacy, I'd be able to talk pretty freely about this subject on a personal level. The record's about not her. It's about my struggles through years of dealing with the aftermath of lost love and longing and just mediocrity and just bad news, like life stuff. And in the [record], where the title comes from, the lyrics are actually a conversation between me and another girl, not this Emma character.

In the early '90s, it felt like there was space - there was like an empty feel. There was nobody really doing this. Maybe the Pixies were, a little bit. Their lyrics were also disjointed, more psychosexual or something. That's part of youth, too, maybe, that you just feel like you're doing something different.

Nothing really goes through my head when I'm performing live, I normally just look out into the crowd and see the fans and it makes me feel really happy - especially when they all sing the lyrics back, it's amazing.

Making lyrics feel natural, sit on music in such a way that you dont feel the effort of the author, so that they shine and bubble and rise and fall, is very, very hard to do. Whereas you can sit at the piano and just play and feel youre making art.

I think that too many people think too much about my lyrics. I am more a person who works with the sound of a word than with its meaning. Often I just choose the words because of the rhythm not because of the meaning.

I always wrote the music first, and the music gave me the mood and the lyrics were pretty much put in to give you a map, where that mood came from and where it's going. But my first love was really the music itself, and I guess I've gone back to that.

Inspiration comes from so many sources. Music, other fiction, the non-fiction I read, TV shows, films, news reports, people I know, stories I hear, misheard words or lyrics, dreams

Will sat where he was, gazing at the silver bowl in front of him; a white rose was floating in it, and he seemed prepared to stare at it until it went under. In the Kitchen Bridget was still singing one of her awful sad songs; the lyrics drifted in through the door: "Twas on an evening fair I went to take the air, I heard a maid making her moan; Said, 'Saw ye my father? Or ye my mother? Or saw ye my brother John? Or saw ye the lad that I love best, And his name it is Sweet William?" I may murder her, Tessa thought. Let her make a song about that.

My way of communicating with God as a boy (and often even now) was through the lyrics of a song. . . . So I didn't have the problem some people do who say, "I don't know how to pray." I used the songs to communicate with God. . . . To me, songs were the telephone to heaven, and I tied up the line quite a bit.

Legions of young hip-hop fans are as against this as hip-hop's most fierce critics. There is a huge underground movement within hip-hop circles that against these representation. You can hear this message on tons of lyrics and rap songs produced by independent emcees. But they are fighting against a well-oiled and well-financed machine.