Quotes About Lyrics

(Talks about Lucky You) "The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

When I'm writing a lyric, I totally forget about the music. I'm just looking at the lyric and thinking about it almost as a separate entity. And then I'll go to my keyboard with all the lyrics printed out and try to think of how to make this a complete musical thing. I've got a very basic keyboard with some presets.

My role is almost a sight-gag. I have to be a woman to sing the lyrics "I am a man" to have it be a joke. I start the lyric in a male-register and a whole coloratura up into a soprano. And other points in the show... like the guy who likes to be treated like a baby and wear a diaper!

I don't understand why America embraces Lady GaGa and Katy Perry and all of the "pop stuff" as much as they do. The Jonas Brothers, Taylor Swift and Justin Bieber are also included, and I don't really get any of that. Maybe that means that I am old. That stuff seems like it isn't that "authentic." Katy has a cool writing style though, and her lyrics can be poignant and mean stuff from time to time. I really appreciate that about her.

A digital download is not as visceral as buying a CD, removing the shrink-wrap, putting the disc in your player, and pouring through the booklet of lyrics and liner notes. The digital age has removed us from the tactile experience of what it meant to listen to an album.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

I don't think I ever wrote a song. I can write a lot of jokes, but when I try to write lyrics they're the most direct, non-figurative words, like, 'I like you, I like you,'... and that's it, for the whole song. People would go, 'Ooh, this guy's Dylan or something.' It gives me a lot more respect for songwriters, actually.

All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?

Most of all I like to sing my heart out to lyrics that really speak to people.

You'll also need to invest in yourself with the kind of promo that targets your specific audience to help build that word of mouth. Most importantly, believe in what you're doing and in your music and lyrics.

If Words are the Lyrics, and Laughter the Melody, then a Relationship becomes a Symphony.

CD's are amazing because you get the artwork, you get to look at the lyrics, you get to look at the behind-the-scenes photos or something.

Two records put me over the top with hip-hop. One of them was 'Planet Rock,' and the other had no lyrics - it was called 'Numbers,' from a group called Kraftwerk. Every kid in the 'hood in New York and New Jersey was popping, locking, and breaking to that record. It was the hottest track on the street at the time.

I secretly hate worship music, as it's it weak and predictable, with lyrics designed to appeal to the lowest common denominator - not the greatest art ever created by mankind, as I think true worship should attempt to be. Very talented people make some very bad songs so that people with a fourth grade reading level can sing along.

Every time I see a film or TV show, I think about how that composer made those choices and how that director envisioned music and how that could work onstage or in a film and how you could support that even further by putting lyrics to it.

Songwriters might write cynical, world-wise lyrics and constantly talk about money, but most of us are downright naive when it comes to business.

I am a big Pink Floyd fan. That is where a lot of the concept lyrics come from.

I get even more nervous singing when everyone's fallen silent, but I really try to communicate the meaning of the lyrics, and there's people there listening to that, and if they're moved by it, then I'm moved as well.

I always write knowing that people will hear it, but also hoping they'll see it. So a lot of times I make lyrical decisions based on what looks better. Also I write based on what I saw for a video. I obsess over lyrics in the hopes that they'll endure in different ways. I'm very precious about it.

Lyrics are always misleading because they make people think that that's what the music is about.

Rachael Sage is a marvelous young artist- and I am a fan!! 'Haunted by You' has a beauty that shines through her lyrics and melodies-- poignant, tender and tough. These are stories from the heart that will lift you up and carry you to places you had never dreamed.

Sometimes it's nice to be able to reflect on the music itself and then write lyrics that I feel anyone can relate to. It's not my dreaming tree that is dead. The feeling of a loss of hope is universal. There are moments that we've all felt a little bit of it, so I don't think it is something that is too hard to identify with.

The thing is, in English I'm able to write the lyrics as I'm making the song, once I'm done with the melody.

Eleanor hadn't written him a letter. It was a postcard. GREETINGS FROM THE LAND OF 10,000 LAKES it said on the front. Park turned it over and recognized her scratchy handwriting. It filled his head with song lyrics. He sat up. He smiled. Something heavy and winged took off from his chest. Eleanor hadn't written him a letter, it was a postcard. Just three words long.

There have always been jokes all over our songs; I originally started writing lyrics to make my friends crack a smile, which is difficult.

Once you become somebody, that don't mean you distance yourself from people. There is no such thing as no one can walk the streets or go outside. That I will never believe. There might be some fanfare. There might be some paparazzi, but you can control that. All you have to do is maintain the person you were before that when you would tell someone to back up or get out of my way or just stop and address people. Give them what they want. Have a smile, kick a few lyrics, and be out.

We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.

I like to make people dream and think and imagine and learn and study. Nowadays, music is so literal - it's telling you, "This is how it is," and my music's the opposite. I come from an era where lyrics were full of imagery and metaphor, and that's all I know.

I've never been a fan of getting someone to sing the generic, love song lyrics and sticking on top of the feature. If I'm gonna collaborate at all, it has to be in a way that makes the track a whole and not two parts.

I think a domestic situation can change you and your attitudes. I suppose if you did get a bit content, then you might not write savage lyrics.

Phillip is a repository of random snatches of film dialogue and song lyrics. To make room for all of it in his brain, he apparently cleared out all the areas where things like reason and common sense are stored.

Sometimes I'll have a whole song done without having a beat - I'll just rap on an instrumental tempo and recreate a whole new song just around the lyrics.

Lyrics are for teenage girls, brah.

It's the way I make music, I will take two ideas and smash them together and if they sit well together for me then that's fine, and it's the same with the lyrics - if I see a couple of lines and I like the way they look on the page then I'll use them. I find they take on a meaning of their own, it's very difficult to explain how I actually go about all that.

Everything I do, I do it because it's me. At the end of the day, I only know how to be me. Everything is gonna be authentic, so I think, when it comes down to sayin' certain stuff in lyrics, or whatever the case may be, it's just me bein' me and me bein' honest.

I would say I'd rather dig a ditch, you know, do hard, manual labor than write lyrics.

On the whole, it bums me out that lyrics seem to be written as afterthoughts nowadays. Not sure why this is, but hopefully things will come around again and bands will once again want to "communicate" "ideas" with their audience, and not just content themselves with providing attitude and atmosphere with clichés on top.

You have to be a poet to know how to write a song with lyrics.

The fact that I'm shouting that I have Gangnam style makes people crack up. Imagine if Brad Pitt was singing the song - would it be funny? A twist is important when it comes to writing lyrics.

I write my songs usually while I'm walking around. Or in a car. Or in a bus, a plane, something like that. I jot down lyrics wherever I am. Usually it's on a vomit bag on an airplane or something. I just look for a pen.

An organist who has the sensitivity to quietly play prelude music from the hymnbook tempers our feelings and causes us to go over in our minds the lyrics which teach the peaceable things of the kingdom. If we will listen, they are teaching the gospel, for the hymns of the Restoration are, in fact, a course in doctrine!

I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.

I think I'm just now startin' to get to the point where fans are startin' to respect my grind, and respect my lyrics and things that I'm gettin' into, and they see the hunger in me, and they know that I wanna become the best, and I'm just tryin' to prove myself. I feel like it would be a letdown if I stopped now.

I've got pages and pages of snippets of stuff, and if Max [Hershenow] sends me a track to write to I'll go through all the stuff and the initial reaction of gut and how it makes me feel and I'll sort of go from there and start pulling my favourite pieces of my lyrics and that will be a very literal word collage and from there I'll sculpt it for and whatever reason the song sort of presents itself. It's a bizarre process.

How can music without any words make you think? I listen to jazz when I'm doing something else. I use it for background music, I don't just sit down and concentrate on it. Lyrics, words - that's what makes me think.

My career doesn't get harder because when you have something to share, you have something to share. And when it's a trial or a situation that you triumph out of, you have to - because this is the relationship I started with my fans on the My Life album in 1994. You have to share in order for people to see how you came through it, or how you're dealing with having thoughts of doubting yourself. What songs are gonna help you? What lyrics are gonna pull you out of your slump?

I can't say I was consciously thinking of the big changes in the music business when I was writing the lyrics, but change, uncertainty, flux, impermanence - these are things I'm acutely aware of. And I enjoy facing it all.

As a kid, I was always listening to music. I would just go in to my room and put on an album, read the lyrics, and just spend hours and hours in there. Plus, my sister Laurie played piano (in fact she taught me my first few notes) so music was always around one way or another.