Quotes About Memory

I have a good memory. But I would be interested in memory even if I had a bad memory, because I believe that memory is our soul. If we lose our memory completely, we are without a soul.

But pain may be a gift to us. Remember, after all, that pain is one of the ways we register in memory the things that vanish, that are taken away. We fix them in our minds forever by yearning, by pain, by crying out. Pain, the pain that seems unbearable at the time, is memory's first imprinting step, the cornerstone of the temple we erect inside us in memory of the dead. Pain is part of memory, and memory is a God-given gift.

You have to begin to lose your memory, if only in bits and pieces, to realize that memory is what makes our lives. Life without memory is no life at all... Our memory is our coherence, our reason, our feeling, even our action. Without it we are nothing.

We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.

Time doesn't exist. It doesn't exist in any way. It's more subjective than real. Time doesn't exist. I believe in memory. Memory is the real inspiration. Memory creates time. Memory is pure power. Pure power and pure strength, and pure utilization of space and time (if time is something we can really ever label). But I don't believe in time itself.

Memory fades, memory adjusts, memory conforms to what we think we remember.

I love Nashville, but I miss the Gulf Coast, the wetlands, and the Delta of Lower Alabama every day. Magnolia Springs is a sweet little town in reality, but, in my heart, it is a kind of mythological oasis. I relive the memory every time I cross the Magnolia River. My memory is probably not accurate, but it's a wonderful memory. So Magnolia Springs lives in my heart as a beautiful, cool, watery place.

I think the relationship between memory and time is a very deep and tricky one, to tell you the truth. I don't consider memory another sense. I do consider memory that which allows us to think that time flows.

The light of memory, or rather the light that memory lends to things, is the palest light of all. I am not quite sure whether I am dreaming or remembering, whether I have lived my life or dreamed it. Just as dreams do, memory makes me profoundly aware of the unreality, the evanescence of the world, a fleeting image in the moving water.

I have been especially fortunate for about 50 years in having two memory banks available-whenever I can't remember something I ask my wife, and thus I am able to draw on this auxiliary memory bank. Moreover, there is a second way In which I get ideas ... I listen carefully to what my wife says, and in this way I often get a good idea. I recommend to ... young people ... that you make a permanent acquisition of an auxiliary memory bank that you can become familiar with and draw upon throughout your lives.

As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.

No woman should have a memory. Memory in a woman is the beginning of dowdiness. One can always tell from a woman's bonnet whether she has got a memory or not.

There is nothing higher and stronger and more wholesome and useful for life in later years than some good memory, especially a memory connected with childhood, with home.

There is so little to remember of anyone - an anecdote, a conversation at a table. But every memory is turned over and over again, every word, however chance, written in the heart in the hope that memory will fulfill itself, and become flesh, and that the wanderers will find a way home, and the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming habitual fondness not having meant to keep us waiting long.

Forgiving does not erase the bitter past. A healed memory is not a deleted memory.

It is said that God gave us memory so we could have roses in winter. But it is also true that without memory we could not have self in any season. The more memories you have, the more you have. That is why, as Swift said, No wise man ever wished to be younger.

When the starry sky, a vista of open seas, or a stained-glass window shedding purple beams fascinate me, there is a cluster of meaning, of colors, of words, of caresses, there are light touches, scents, sighs, cadences that arise, shroud me, carry me away, and sweep me beyond the things I see, hear, or think, The "sublime" object dissolves in the raptures of a bottomless memory. It is such a memory, which, from stopping point to stopping point, remembrance to remembrance, love to love, transfers that object to the refulgent point of the dazzlement in which I stray in order to be.

We are too ready to imagine that we are religious, because we know something of religion. We appropriate to ourselves the pious sentiments we read, and we talk as if the thoughts of other men's heads were really the feelings of our own hearts. But piety has not its seat in the memory, but in the affections, for which however the memory is an excellent purveyor, though a bad substitute.

I've been a foreigner for the past twenty years. I don't have roots anymore. My roots are in my memory and my writing. That's why memory is so important. Who are you but what you can remember?

Memory weaves and traps us at the same time according to a scheme in which we do not participate: we should never speak of our memory, for it is anything but ours; it works on its own terms, it assists us while deceiving us or perhaps deceives up to assist us.

Our capacity to move forward as developing beings rests on a healthy relationship with the past. Psychotherapy, that widespread method for promoting mental health, relies heavily on memory and on the ability to retrieve and organize images and events from the personal pastIf we learn not only to tell our stories but to listen to what our stories tell us—to write the first draft and then return for the second draft—we are doing the work of memory.

If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.

The truth is impossible to comprehend even when one is willing to tell it. For the truth resides in memory and memory is clouded with repression and a desire to embellish. The recollections of any individual are conditioned by the general truths to which he or she has tried to live. To recall an event is to interpret it, so the truth is altered by the very act of remembering. Therefore the truth, like God, does not exist - only the search for it.

Historians constantly rewrite history, reinterpreting (reorganizing) the records of the past. So, too, when the brain's coherent responses become part of a memory, they are organized anew as part of the structure of consciousness. What makes them memories is that they become part of that structure and thus form part of the sense of self; my sense of self derives from a certainty that my experiences refer back to me, the individual who is having them. Hence the sense of the past, of history, of memory, is in part the creation of the self.

A person's memory is everything, really. Memory is identity. It's you.

Recording stories is a way of honoring the faculty of memory, even if it's recorded, outsourcing memory to technology.

I envy you your peace of mind, your clean conscience, your unpolluted memory. Little girl, a memory without blot of contamination must be an exquisite treasure-an inexhaustible source of pure refreshment: is it not?

Most of our difficulties, our hopes, and our worries are empty fantasies. Nothing has ever existed except this moment. That's all there is. That's all we are. Yet most human beings spend 50 to 90 percent or more of their time in their imagination, living in fantasy. We think about what has happened to us, what might have happened, how we feel about it, how we should be different, how others should be different, how it's all a shame, and on and on; it's all fantasy, all imagination. Memory is imagination. Every memory that we stick to devastates our life.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seemed to have vanished completely.

Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.

I could bear the memory, but I could not bear the music that made the memory such a killing thing.

Don't make your wedding a pleasant memory in this life but a source of misery in the next. Make it an eternally good memory. In trying to have a halal wedding, you might sacrifice many relationships but the opposite might mean sacrificing the only relationship that will matter in the hereafter for a bunch of people who don't even really care about you. Don't make one night the cause of your regret for an eternity.

Fear is the memory of pain. Addiction is the memory of pleasure. Freedom is beyond both.

Mom said, "His spirit is there," and that made me really angry. I told her, "Dad didn't have a spirit! He had cells!" "His memory is there." "His memory is here," I said, pointing at my head. "Dad had a spirit," she said, like she was rewinding a bit in our conversation. I told her, "He had cells, and now they're on rooftops, and in the river, and in the lungs of millions of people around New York, who breathe him every time they speak!

The moral backbone of literature is about that whole question of memory. To my mind it seems clear that those who have no memory have the much greater chance to lead happy lives.

Memory is a slippery thing. When something terrible happens to you, like the loss of someone you love...memory can turn into a soft blanket that hides you from the loss.

To leave a place, you'd best leave everything behind; all your possessions, including memory. Traveling's not as easy as it's made out to be.

A memory is what is left when something happens and does not completely unhappen.

It really is easy to forget the unpleasant if we simply refuse to recall it. Withdraw only positive thoughts from your memory bank. Let the others fade away. And your confidence, that feeling of being on top of the world, will zoom up-ward. You take a big step forward toward conquering your fear when you refuse to remember negative, self-deprecating thoughts.

Slenderman can invoke memory loss in all but the most resolute - you could have already had a Slenderman encounter and not remember it.

I cannot walk through the suburbs in the solitude of the night without thinking that the night pleases us because it suppresses idle details, just as our memory does.

A past may chase you if you try to escape from it... but once you confront it, it's just an old memory inside you. There's nothing to be afraid of.

The human brain is like a memory system that records every thing that happens to us and makes intelligent predictions based on those experiences.

Fog rolled in like a form of sorrow. To live exiled from a place you have known intimately is to experience sensory deprivation. A wide-awake coma. ... The sea was a memory bank into which everything fell and was lost. I dove in but came out empty-handed.

Some people have this really clear memory of making that decision, and I don't. My earliest memories of being involved with drama or acting were in elementary school. My sister and I got dropped off at an after-school improvisation class, a time-killer for kids while parents were doing the groceries. I'm 6 years old, and I remember running amok and playing these games.

You and I are like the first two people on earth who at the beginning of the world had nothing to cover themselves with - at the end of it, you and I are just as stripped and homeless. And you and I are the last remembrance of all that immeasurable greatness which has been created in all the thousands of years between their time and ours, and it is in memory of all that vanished splendour that we live and love and weep and cling to one another.

Memory is the scribe of the soul.

I don't want to be one of those easily forgotten people, so important at the time, so special, so influential, and so treasured, yet years later just a vague face and a distant memory.