Quotes About Memory

Memory is a dead thing. Memory is not truth and cannot ever be, because truth is always alive, truth is life; memory is persistence of that which is no more. It is living in ghost world, but it contains us, it is our prison. In fact it is us. Memory creates the knot, the complex called the I and the ego

When comparing human memory and computer memory it is clear that the human version has two distinct disadvantages. Firstly, as indeed I have experienced myself, due to ageing, human memory can exhibit very poor short term recall.

There's something known as "memory conformity," also known as "social contagion of memory," which refers to a situation where one person's telling of a memory influences another person's account of that same experience.

So many people that we met had some sort of connection to the [Olympics] games. Some story about how they volunteered there, or some sort of memory of it. It still is in the cultural memory and identity of these cities as much as it is in the physical and architectural memory. It's where these two things overlap, I think, that we're trying to explore with the photos.

As you may know, my motto is: "All memory is fiction." It could just as easily be: "All fiction is memory." Unpacked, these two statements defy the ease of logic, but offer some really important truths about narrative art, at the very least, and about memory. So I would say that all art is personal.

The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.

Attention is the stuff that memory is made of, and memory is accumulated genius.

Great music is that which penetrates the ear with facility and leaves the memory with difficulty. Magical music never leaves the memory.

Memory belongs to the imagination. Human memory is not like a computer which records things; it is part of the imaginative process, on the same terms as invention.

As we get older it is our short term memory that fades rather than our long term memory. Perhaps we have evolved like this so that we are able to tell the younger generation about the stories and experiences that have formed us which may be important to subsequent generations if they are to thrive.I worry though, about what might happen to our minds if most of the stories we hear are about greed, war, and atrocity

All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.

RAM: This gives guys a way of deciding whose computer has the biggest, studliest memory. That's important, because the more memory a computer has, the faster it can produce error messages.

I thought back to a childhood memory: the first dead body I'd ever seen was the body of an immigrant washed up on shore. I went back to that memory. As a child, you can't process these types of images in a healthy way. I don't think anyone can, really. So I explored that. These people were buried in mass graves. I don't know if their families ever heard from them again.

Your memory is a monster; you forget - it doesn't. It simply files things away. It keeps things for you, or hides things from you - and summons them to your recall with a will of its own. You think you have a memory; but it has you!

Our capacity to move forward as developing beings rests on a healthy relationship with the past. Psychotherapy, that widespread method for promoting mental health, relies heavily on memory and on the ability to retrieve and organize images and events from the personal pastIf we learn not only to tell our stories but to listen to what our stories tell us—to write the first draft and then return for the second draft—we are doing the work of memory.

If the public photograph contributes to a memory, it is to the memory of an unknowable and total stranger.

At the very end, without memory we are nothing. The things you say; the way you feel; the way you act in certain situations... it's because you have a memory of something. Imagine we are building the biggest, most solid room that we could ever have. And sometimes you need to work on it, because thoughts turn into memories. Sometimes they will start to create dreams and realities, and what actually happened changes inside yourself during the years. I think that's how to preserve reality; we change it so it stays alive. The thoughts may change, but the feeling remains.

To fire a bullet into the heart or brains of one's fellow man even a fellow man striving to do the same to you creates what might be called an unassimilable memory: a memory that floats on daily life the way an oil stain floats on rainwater. Stir the rain barrel, scatter the oil into countless drops, disperse it all you like, but it will not mix; and eventually the slick comes back, as loathsomely intact as it ever was.

What you think of as they past is a memory trace, stored in the mind, of a former Now. When you remember the past, you reactivate a memory trace -- and you do so now. The future is an imagined Now, a projection of the mind. When the future comes, it comes as the Now. When you think about the future, you do it now. Past and future obviously have no reality of their own. Just as the moon has no light of its own, but can only reflect the light of the sun, so are past and future only pale reflections of the light, power, and reality of the eternal present. Their reality is "borrowed" from the Now.

There are still actors who use emotional memory, affective memory, which was Lee Strasberg's emphasis, not his total emphasis. She taught everything at the Actor's Studio. But nevertheless, she felt that it impeded her.

Memory in Greek mythology is the mother of the muses, and it is so for me. Both personal and societal memory move me strongly, and that is one of the sources of my writing.

I'm aware of everything - it's my job - I keep up to speed, and I have a blessed memory. The brain chemistry I have is such that my memory is wonderful. And sometimes it's helpful, and other times it ends up being frustrating.

Life attacks us like a blind beast. It swallows up time, the years of our life, it passes like a typhoon and leaves nothing behind. Not even memory, because memory is made of the same swift, ungraspable substance out of which illusions emerge and then disappear.

You will find a spring by the dwelling of the dead, to the left. Next to it stands a white cypress. Do not approach that spring, do not go near it. You will find another spring that pours from the lake of Memory, cool water gushes out of it. There are guards in front of it. Address these words to them: I am daughter of the earth and the star-covered Sky, and I descend from the Sky; and that you know; I burn and die of thirst; let me drink quickly of the cool water that gushes from the lake of Memory. And they will allow you to drink from the sacred spring.

Memory is the seamstress, and a capricious one at that. Memory runs her needle in and out, up and down, hither and thither. We know not what comes next, or what follows after. Thus, the most ordinary movement in the world, such as sitting down at a table and pulling the inkstand towards one, may agitate a thousand odd, disconnected fragments, now bright, now dim, hanging and bobbing and dipping and flaunting, like the underlinen of a family of fourteen on a line in a gale of wind.

I wonder sometimes what the memory of God looks like. Is it a palace of infinite rooms, a chest of many jeweled objects, a long, lonely landscape where each tree recalls an eon, each pebble the life of a man? Where do I live, in the memory of God?

Time does not bring relief; you all have lied Who told me time would ease me of my pain! I miss him in the weeping of the rain; I want him at the shrinking of the tide; The old snows melt from every mountain-side, And last year's leaves are smoke in every lane; But last year's bitter loving must remain Heaped on my heart, and my old thoughts abide! There are a hundred places where I fear To go,--so with his memory they brim! And entering with relief some quiet place Where never fell his foot or shone his face I say, 'There is no memory of him here!' And so stand stricken, so remembering him!

For it is only habit and memory that dulls the physical passion. Without memory, each night is the first night, each morning is the first morning, each kiss and touch are the first.

I think cinema is the memory and the imagination of the country. Take the memory and imagination out of an individual, and he stops being an individual. I think its the same thing for a country.

I wonder if memory is true, and I know that it cannot be, but that one lives by memory nevertheless and not by truth.

Memory isn't the facts, it's just a record you keep to yourself. With the facts, memory is useless.

[Harold Pinter] is a British playwright and is one of my favorite writers. Harold was very obsessed with when memory becomes mythology, that at some point you change your memory to fit who you believe you are.

It seems to me, that this, too, is how memory works. What we remember of what was done to us shapes our view, molds us, sets our stance. But what we remember is past, it no longer exists, and yet we hold on to it, live by it, surrender so much control to it. What do we become when we put down the scripts written by history and memory, when each person before us can be seen free of the cultural or personal narrative we've inherited or devised? When we, ourselves, can taste that freedom.

I had some vague memory of visiting Canberra as a lad, when we came up with my father by car. But when I made the long train journey from Sydney to Canberra and arrived at the little stop, I did wonder slightly whether this really was the national capital.

Over the years Woodstock got glorified and romanticised and became the event that symbolised Utopia. It's the last page of our collective memory of the age of innocence. Then things turned ugly and would never be the same again.

Coaches and players at the start must think their way through problems where a more experienced person would react out of habit and memory. One must not gain this experience, however, without being careful of empty redundancy. Do not fall into the error of the artist who boasts of 20 years of experience at his craft while, in fact, all he has had is one year - 20 times.

It really is easy to forget the unpleasant if we simply refuse to recall it. Withdraw only positive thoughts from your memory bank. Let the others fade away. And your confidence, that feeling of being on top of the world, will zoom up-ward. You take a big step forward toward conquering your fear when you refuse to remember negative, self-deprecating thoughts.

A life is like a garden. Perfect moments can be had, but not preserved, except in memory.

Pure suffering has a consciousness, a tongue, a heart all its own and even the memory of it is but a pale unreality when compared with the actual experience.

A past may chase you if you try to escape from it... but once you confront it, it's just an old memory inside you. There's nothing to be afraid of.

There have been studies done on people who meditate and they have found that they actually have increased grey matter in certain parts of their brain and more neural conductivity, meaning more connections between certain parts of the brain. They have increased capacity for, in some cases, memory, or reasoning.

Selection is the very keel on which our mental ship is built. And in this case of memory its utility is obvious. If we remembered everything, we should on most occasions be as ill off as if we remembered nothing.

Time does not act on memory to soften the edges, blur the details; if anything, it sharpens them. Emotions may lose their acid outlines, but not places and people, not if you wish to retain them.

Karma, memory, and desire are just the software of the soul. It's conditioning that the soul undergoes in order to create experience. And it's a cycle. In most people, the cycle is a conditioned response. They do the same things over and over again.

Back to him she would never go, but in her lonely life still lived the sweet memory of that happy time when she believed in him and he was all in all to her.

The most important, the longest lasting, the strongest emotional, and the most practiced memories are the ones that are embedded the deepest in the brain, and because we have retrieved them so many times previously, they are the most able to be retrieved. We all hear about people who can remember their youth, their phone number, or street address from 70 years ago, but they cannot recall what they had for breakfast. The memory of this morning's breakfast wasn't rehearsed, and wasn't very important, so it fades away quickly.

No place worth knowing yields itself at sight, and those the least inviting on first view may leave the most haunting pictures upon the walls of memory.

It's just that the times I'm wrong don't register in your memory with as much clarity as the times I'm right.