Quotes About Music

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.

I think there is a big difference between the music business and music. And my relationship is to music, not music business. I think the business will keep changing, but music won't. Music will be there.

You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?

I was very young, maybe five. The opera was very... I was attracted to opera to the point that I think it's the reason I started to write music for films. I never studied. There are film and music school that teach you how to write music. I never studied that. But the influence of opera, which is a combination of storyline, visuals, staging, plus music... that was perhaps the best school I could have had. That's what gave me the idea of coming to Hollywood to write music for films.

Music makes me forget my real situation. It transports me into a state which is not my own. Under the influence of music I really seem to feel what I do not feel, to understand what I do not understand, to have powers which I cannot have. Music seems to me to act like yawning or laughter; I have no desire to sleep, but I yawn when I see others yawn; with no reason to laugh, I laugh when I hear others laugh. And music transports me immediately into the condition of soul in which he who wrote the music found himself at that time. ~The Kreutzer Sonata

My music is music that Christians and Catholics can listen to. Muslims. Buddhists. And non-religious people as well. It's just music. You can look at the music in several different ways. It's music for everybody.

I've always loved independent music stores because the staff is usually there because of a genuine love and appreciation for music. They're more in-tune with the customers and I'm willing to pay the extra dollar or two for the service they provide. Some of my greatest music discoveries have come from picking up an album at an indy store and the cat behind the register saying "You like this man? Have you heard of so-and-so?" I prefer to shop where people understand me and the music- the music i like.

It's like soul music, isn't it all soul music? Otherwise what is it, non-soul music? I-have-no-soul music? Soulless music? People need to put a name on something to identify it, and I understand it.

Most of the music I've become interested in is hybrid in its originsClassical music, of course, is unbelievably hybrid. Jazz is an obvious amalgam. Bluegrass comes from eighteenth-century Scottish and Irish folk music that made contact with the blues. By exploring music, you're exploring everything.

If I make a movie that has a whole bunch of music in it, I get to listen to the music all day long, and I don't have to say, 'Well, I gotta go back to work and I gotta stop listening to the music.' I get to listen to music and go to work.

Most conservatives know better than to promote the state funding of art. The result of such funding is the mess that modern art has become. Atonal music is to music what subsidized art is to art. ...The fact that cacophony has reigned almost supreme since 1900 is a testimony to Mises' original observation. Atonal music is to music what socialism is to economics: planned chaos.

You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.

I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.

To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.

Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.

Popular music of the last 50 years has failed to keep in step with advances in musical theater, namely Stephen Sondheim. But the two have grown apart so that popular music is based more than ever on a rhythmic grid that is irrelevant in musical theater. In popular music, words matter less and less. Especially now that it's so international, the fewer words the better. While theater music becomes more and more confined to a few blocks in midtown.

Enjoy music. Not the kind that rocks and rolls, but the music of the masters, the music that has lived through the centuries, the music that has lifted people. If you do not have a taste for it, listen to it thoughtfully. If you do not like it the first time, listen to it again and keep listening.

I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.

Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.

The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.

Music is music and I think music people are the delivers, the actors, when they put their music out they want to insert their character in it. So they call it such and such so you know how they live so to speak.

I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

Rock & roll seemed to just come to us, on the radio and in the record stores. It became our music. . . But then we uncovered another, deeper level, the history behind rock and R&B, the music behind our music. All roads led to the source, which was the blues.

Being in Nirvana was amazing an experience that will never happen again for me. And I look on them as some of the best and worst times of my life. But we're in this band, the Foo Fighters, making music for the love of music. We all came from bands that had disbanded, and we were drawn to each other because we missed playing - we missed getting in the van, loading our equipment, and watching it break down in the middle of a show. And that feeling hasn't gone away. There's nothing I'd rather do than make music. It's the love of my life.

Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.

I've been spinning dance music since 1990, and genres always come and go. I think as technology becomes more accessible and it's easier for people to make music, they come and go quicker now, but it just comes with the territory. You come up with something new, something hot, and it rocks for a year. It's nothing different from any other genre of music. I mean, name one genre that's sounded the same for its entire existence. It doesn't happen.

When I give a concert, I know they're not going to hear everything; there might be a lot going on. My individual perceptual and cognitive path through the music is just that: one path through music. My experience will be probably at some level different from other people's, and that multiplicity of experience has to be supported by the music. I might just focus on the cowbell the whole time - maybe I have a fever for more cowbell!

The only reward the musician receives is music: the privilege of standing in the presence of music when it leans over and takes us into its confidence. As it is for the audience. In this moment everything else is irrelevant and without power. For those in music, this is the moment when life becomes real.

If anybody was Mr. Jazz it was Louis Armstrong. He was the epitome of jazz and always will be. He is what I call an American standard, an American original. ... I merely took the energy it takes to pout and wrote some blues. ... I don't need time, I need a deadline. ...There are two kinds of music. Good music, and the other kind. ... Music is my mistress, and she plays second fiddle to no one.

Is there a gender gap in the music industry? It is true that there are more professional male music creators than female. For some reason, it's taking a lot longer in music than in literature and the visual arts to reach equilibrium. It was almost acceptable by the 19th century for female writers to be published, yet it's only in the last couple of decades, since about 1980, that historical female composers have really emerged.

In our country, the problem we have in our public school system across the country is that music and arts are on the bottom of the pole, if it's there at all. So the kids aren't exposed to music. I must speak to the music they hear at home too.

Worship is not music. We can certainly worship Him without musicians and without a song. And by the way, God does not actually seek worship. The Word tells us that He seeks worshippers. He's not looking for those who make the most beautiful music. He's looking for those who worship in spirit ... and in truth. Music is only one of the ways that he has ordained for us to express our worship. Yet too many worship leaders today spend more time honing their craft and planning / rehearsing their worship sets, than they spend on their face, alone in worship.

My interest in music tends toward being orchestral music. And the repertoire of music that exists is, to me, far more emotive than what is standardly used in movie scores. That isn't always. I think there've been some excellent movie scores by excellent directors. But for the most part, watching a film, one of today's movies, I think that the emotional undertone of movie scores is pretty poor.

If my extensive collection of all 53 Now That’s What I Call Music compilations is any indication, I am both qualified and honored to join Ludacris in hosting this amazing show that spotlights the best music and artists of the year. I had so much fun hosting the Billboard Music Awards last year and I can’t wait to be back!

I wanted to reexamine the idea of the album for generations of people who are not my age, who love music or learning about music or are finding this band called R.E.M. or have just previously heard "Losing My Religion" and "Everybody Hurts" as their elevator music. I wanted to present an idea of what an album could be in the age of YouTube and the Internet.

Yeah, I can't separate the art from the music and the music from the art. I think that stems from going to school for film first, and kind of stumbling onto music as my career.

You figure out how to create opportunities to make music, and then, if you take care of the music, audiences will come around. They also might leave. What matters is the moment: the moment of making music, with and for and among others, and what that offers to those people in that moment. They might never see me again; they might never learn my name. But it might still be something they carry with them.

Being able to connect with people with similar taste and style also allows people to get to know us better. Although we have been around for a little, some people listen to our music and some people don't listen to our music, so it's nice to be able to curate the sounds and show our influences. Although it's nice to go out and look fancy and dress up, you don't always go to parties where the music is a good so it's nice to be in a position to bring the vibes and create the experience.

There's a vast ecosystem for music outside of Myspace and Facebook and you need to make sure that your music is in as many hands as possible. I wanted people to share my music and tell friends about me, and if you want to rely on word of mouth, you have to make it easy for people. I got lucky because I had a few songs that hit big and got a lot of links on blog posts.

It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.

I think The Eagles single-handedly destroyed country music - well, now, country music has been killed by rap crossovers, so it's hard to say. Maybe we can just agree that money killed country music.

It came from my mother. She was a singer, and literally every day of the week she sang at a different club in a different genre of music: country, R&B clubs, jazz clubs, church on Sunday morning where she was the music director, pop hits, soft rock. I grew up listening to all this music, so it was never one thing for me.

In most of my films I write the music into the script. I'm listening to songs and lyrics that empower the themes of the film. There's a lot of Indigenous music that has not been heard widely and I love the idea of giving that music to the rest of the world.

As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.

We [with Nimai Larson] listened to hardly any music except Hare Krishna music growing up and the occasional Garth Brooks that our babysitter would play for us. From a very early age, we looked at music as mantra based, very cyclical, and having no linear time.