Quotes About Myth

But myth is something else than an explanation of the world, of history, and of destiny. Myth expresses in terms of the world - that is, of the other world or the second world - the understanding that man has of himself in relation to the foundation and the limit of his existence. Hence to demythologize is to interpret myth, that is, to relate the objective representations of the myth to the self-understanding which is both shown and concealed in it.

In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.

Once a poet calls his myth a myth, he prevents the reader from treating it as a reality; we use the word "myth" only for stories we ourselves cannot believe.

In the New Testament, myth stands over against the truth of the history of Jesus Christ ... the decisive die has ... been already cast in the New Testament opposition to myth.

Symbols are specific acts or figures, while myths develop and elaborate these symbols into a story which contains characters and several episodes. The myth is thus more inclusive. But both symbol and myth have the same function psychologically; they are man's way of expressing the quintessence of his experience - his way of seeing his life, his self-image and his relations to the world of his fellow men and of nature - in a total figure which at the same moment carries the vital meaning of this experience.

It is my belief that we need a new transnational sustaining 'myth' that can impart value and respect. It is my further belief that we are coming to see our universe and life as creative, without a directing agency. Meaning emerges with life. If this view becomes widespread, it has the promise to become the sustaining myth we need to sustain in turn an emerging global civilization.

It's what's known as an origin myth. What happened to me? That's no myth.

We thought everybody knew by now that barrel length has almost nothing to do with accuracy. I believe the myth of the superior accuracy of a long rifle dates from colonial days, when the only way to extend sight radius was to make the barrel as long as possible. It is interesting how long it takes a myth to die.

I was interested first of all in trying to capture this myth that was always changing and to create some sort of a master story, some version of the myth that resonated with me, since I could have taken more or less any detail that I wanted or the opposite and try to put that down on the page in a way that I could express from that outset for myself and for our readers what it was that was so magical about [Buckminster] Fuller's way of putting together the world.

The most important human endeavor is the striving for morality in our actions. Our inner balance and even our very existence depend on it. Only morality in our actions can give beauty and dignity to life. To make this a living force and bring it to clear consciousness is perhaps the foremost task of education. The foundation of morality should not be made dependent on myth nor tied to any authority lest doubt about the myth or about the legitimacy of the authority imperil the foundation of sound judgment and action.

No myth of miraculous creation is so marvelous as the face of man's evolution.

You must forgive everyone. Now many would say that "We cannot forgive, it's very difficult." But it's a myth whether you forgive or don't forgive. What do you do? You don't do anything. But when you don't forgive, then you are playing into wrong hands. That means you are torturing yourself, while those who have troubled you are quite happy.

The Russian myth that they broadcast to the world, and have their various surrogates in the West repeat, is that somehow the West took advantage of them, that we were mean to them. That writes out of history everything Strobe Talbott and Bill Clinton tried to do with Boris Yeltsin. Strobe Talbott leaned forward doing everything he could to help the Russians, and frankly, I have little patience for the notion that we gave them nothing but bad advice.

Life balance is a myth. It's an illusion and the very pursuit of it is driving us crazy. For me it's about proportion - it's really a work hard/play hard equation.

Follow the lead of your symptoms, for there’s usually a myth in the mess, and a mess is an expression of soul.

I've always been interested in the Southwest. There isn't a place in the world you can go where they don't know about cowboys and Indians and the myth of the West.

Yes, authority, coercion, and dependence rest on the mass, but never freedom or the free unfoldment of the individual, never the birth of a free society. The Socialist demagogues know that as well as I, but they maintain the myth of the virtues of the majority, because their very scheme of life means the perpetuation of power.

Creativity is simply the human brain forming new connections between ideas, and we all are engaged in this process every day. The common idea that there are some people who are creative and some who are not is a myth. On some level, we are all artists. We are all creators.

I like the fact that we're stripping the icons away. They're the WikiLeaks for the age that we're revealing, with the transparency of the characters. We're unearthing the truth beyond or underneath the myth. I love that aspect.

The hero, whether god or goddess, man or woman, the figure in a myth or the dreamer of a dream discovers and assimilates his opposite (his own unsuspected self) either by swallowing it or by being swallowed.

The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused.

Just getting totally absorbed in that and therefore when I came back around to [Buckminster Fuller] and found that much of it was made up, I realized that nevertheless, it really was crucial, crucial for how he understood himself, I believe, and certainly crucial for how anyone else ever engaged in his ideas and therefore as a starting point, how can we engage in his ideas today, but with a remove of knowing that it is a myth and being able to navigate it in that sort of level, at that level of reading him as a story.

There's a myth among amateurs, optimists and fools that beyond a certain level of achievement, famous artists retire to some kind of Elysium where criticism no longer wounds and work materializes without their effort.

You think I'm cute?" He said thinkly, pulling on her hand. She was glad he couldn't see her face. "I think you're..." Beautiful. Breathtaking. Like the person in a Greek myth who makes one of the gods stop caring about being a god.

God was gone; it was the silence of his departure. It was a rainy night. It was the myth of the rainy night. Dean was popeyed with awe. This madness would lead nowhere. I didn't know what was happening to me, and I suddenly realized it was only the tea that we were smoking; Dean had bought some in New York. It made me think that everything was about to arrive - the moment when you know all and everything is decided forever.

I have tried to write stories that go into the underworld of myth and bring out life and fire — where the old world looked at a woman alone and immortal and said: she must long to die, I have tried to say: look at her live!

I think Stephen Crane too becomes trapped in a myth that poetry should be operating at a certain level, that there's the real world and the reflection of that real world. I don't exist in any of these historical periods. I exist in the period in which I'm writing the book. So I only attempt to frame this in a way that I myself relate to.

You know, I didn't write my books for critics and scholars. I wrote them for students and artists. When I hear how much my work has meant to them--well, I can't tell you how happy that makes me. That means that this great stuff of myth, which I have been so privileged to work with, will be kept alive for a whole new generation. That's the function of the artists, you know, to reinterpret the old stories and make them come alive again, in poetry, painting, and now in movies.

I always looked for a man to rescue me and bring me happiness. I bought into that myth, of course, and looked for my own Prince Charming.

I don't believe in the sort of "Eureka!" moment idea. I think it's a myth. I'm very suspicious that actually Archimedes had been thinking about that problem for a long time.

I think objectivity is like this strange myth that people think you're supposed to achieve, but actually, the dirty little secret is that it's not attainable any more than pure justice is attainable by the courts.

The first myth of management is that it exists.

The kindly God who lovingly fashioned each and every one of us and sprinkled the sky with shining stars for our delight - that God is, like Santa Claus, a myth of childhood, not anything [that] a sane, undeluded adult could literally believe in. That God must either be turned into a symbol for something less concrete or abandoned altogether.

If the majority of the "spiritual market" is drawn to prerational magic and myth, how do you reach the small group who are involved in genuine, laborious, demanding, transrational spiritual practice? This is very difficult, because both markets are referred to as "spiritual," but these two camps really don't get along very well-one is mostly translative, the other is mostly transformative, and they generally disapprove of each other-so how do you put them into one magazine without alienating them both?

There was that feminist myth that we can do everything. I don't think you can.

Science is much closer to myth than a scientific philosophy is prepared to admit. It is one of the many forms of thought that have been developed by man, and not necessarily the best. It is conspicuous, noisy, and impudent, but it is inherently superior only for those who have already decided in favour of a certain ideology, or who have accepted it without ever having examined its advantages and its limits.

It's a myth that you need to understand all the ins and outs of music. The ideal scenario is you have a conceptual, directorial conversation about what you're trying to achieve in a theme and then trust your composer to go ahead and do that.

The myth holds us, therefore, not through its romantic flavor, not the remembrance of beauty of some bygone age, not through the possibilities of fantasy, but because it expresses to us something real and existing in ourselves, as it was to those who first stumbled upon the symbols to give them life.

Incredibly deep research combines with the talents of a fine historian and writer to produce superb narrative history. The true character and relationship of these two iconic westerners emerge to suppress myth and correct more than a century of tomes laden with bad history.

Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same.

What's made up in the head is the fiction. What comes out of the heart is a myth.

Why does it seem to be more and more challenging to find a perfect mate or maintain a happy and compatible relationship? Was love always this difficult? Haven't we heard stories of people being truly fulfilled and happy in love? Is love a myth? There are more people on the planet than ever before, and traveling the world has never been easier. Not only that; now we can use technologies like the Internet to connect with others. So what is the problem? Why does it seem to be more complicated than ever to meet the right person and live happily ever after?

My research debunks the myth that many people seem to have . . . that you become a leader by fighting your way to the top. Rather, you become a leader by helping others to the top. Helping your employees is as important, and many times more so, than trying to get the most work out of them.

A large part of how an actor works and their process is the stimulation of what's around you, and none more so than in a period piece. This is a modern piece, as much as it is set in a different time, age and myth. If it wasn't relevant, it wouldn't have been made and we wouldn't be putting our energy into it. It's relevant for us today because, in some ways, it throws up a mirror to all of us. As an actor, you get stimulus and you're effected by that, whether it's costumes or funny beards or castles.

You’re like a god from a Greek myth, Saiman. You have no empathy. You have no concept of the world beyond your ego. Wanting something gives you an automatic right to obtain it by whatever means necessary with no regard to the damage it may do. I would be careful if I were you. Friends and objects of deities’ desires dropped like flies. In the end the gods always ended up miserable and alone." — Kate Daniels

Great historians can make the discovery of the real story more exciting than the romantic myth. Stacy Schiff, a great historian as well as a wonderful writer, peels away the layers to reveal the true Cleopatraa much more interesting woman than the Hollywood version and, as it turns out, a formidable queen after all.

Global warming is a false myth and every serious person and scientist says so. It is not fair to refer to the U.N. panel. IPCC is not a scientific institution: it’s a political body, a sort of non-government organization of green flavor. It’s neither a forum of neutral scientists nor a balanced group of scientists. These people are politicized scientists who arrive there with a one-sided opinion and a one-sided assignment.

There are no gods, no devils, no angels, no heaven or hell. There is only our natural world. Religion is but myth and superstition that hardens hearts and enslaves minds.