Quotes About Myths

I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.

I was always interested in myths growing up. So, first I got into some Roman myths, then I was interested in Norse, then Celtic, then I started spreading to all the other mythologies.

Myths are public dreams, dreams are private myths.

Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.

I've tended to find that myths of the near future give people the ability to really kind of explore the present, so say for example if look at William Gibson and his book Neuromancer or if you look at J.G. Ballard or Samuel Delaney those are probably three of my favorite writers in that genre.

Myths are experienced in ordinary life, as everyday epiphanies.

The logical man must either deny all miracles or none, and our American Indian myths and hero stories are perhaps, in themselves, quite as credible as those of the Hebrews of old.

There are a lot of myths about gay people.

The subjects in my work appear as unidentified ghosts that can't be said to be of this world. I've decided to call them incarnations. In various religions, myths, and legends, the word "incarnation" refers to the birth or emergence of transcendent beings in the form of humans or other bodies. If "incarnation" denotes the appearance of an abstract being in some concrete form, in a gut ceremony, a shaman could be considered an incarnation of our desires, hopes, and sorrows. The incarnations that appear in my work are always new and I meet them for the first time by drawing them.

Information and inspiration are everywhere... history, art, architecture, everything an illustrator needs. Europe is, after all, the land that has generated most of the enduring myths and legends of Western culture.

There are some disabling myths about what art is, how to do it, what is good art, and what art is for, that have gagged generations, depriving them of significant and natural means of expression. This is a terrible loss and an unnecessary one.

I think the myths are keeping us limited to, and tied to, what I would call the hyper-masculine tradition. All the major religions in the world have been founded by men and propagated by men.

I liked myths. They weren't adult stories and they weren't children's stories. They were better than that. They just were.

Nothing endures unless it has first been transposed into a myth, and the great advantage of myths is that they are ladies with portable roots.

I liked Latin, I like languages, I liked all the myths, and the Roman tales that we were required to translate in Latin, and all these interesting people who were never quite what they thought they would be or seemed to be.

When we lose our myths we lose our place in the universe.

People live for love. They kill for love. They die for love. They have songs, poems, novels, sculptures, paintings, myths, legends. It's one of the most powerful brain systems on Earth for both great joy and great sorrow.

It takes a very strong brain to resist the absolutes, the myths that the media and the politicians peddle - the idea that if you are too kind, where does it all end? That not to help someone is somehow a good idea.

Don't fret, boy. I'm not so foolish as to ridicule the myths and legends of other people. For countless generations, people, no matter where they're from, have been trying to understand this world of ours.

But because we live in an age of science, we have a preoccupation with corroborating our myths.

I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?

A myth is a way of making sense in a senseless world. Myths are narrative patterns that give significance to our existence.

As I continue to mature and navigate the world, there are so many myths that are dispelled for me.

We have to make myths of our lives, the point being that if we do, then every grief or inexplicable seizure by weather, woe, or work can-if we discipline ourselves and think hard enough-be turned to account, be made to yield further insight into what it is to be alive, to be a human being.

Gay brothers and sisters... You must come out. Come out to your relatives... come out to your friends... Come out to your neighbors... to your fellow workers... to the people who work where you eat and shop... break down the myths, destroy the lies and distortions. For your sake. For their sake. For the sake of the youngsters who are becoming scared.

Both dreams and myths are important communications from ourselves to ourselves. If we do not understand the language in which they are written, we miss a great deal of what we know and tell ourselves in those hours when we are not busy manipulating the outside world.

I think that critiquing the myths of our society and helping people find their way through them is a very important thing. It's a theme that goes through all of my work.

It has been said that the myth is a public dream, dreams are private myths. Unfortunately we give our mythic side scant attention these days. As a result, a great deal escapes us and we no longer understand our own actions. So it remains important and salutary to speak not only of the rational and easily understood, but also of enigmatic things: the irrational and the ambiguous. To speak both privately and publicly.

All myths that are something more than fancies gain rather than lose in value with time, by reason of the accretions of human experience.

Today the governments of Latin America should be ashamed of not havingexterminated the indigenous, at the end of the twentieth century, because weexist at the end of this century. We are not myths of the past, ruins in thejungle, or zoos. We are people and we want to be respected, not to be victims ofintolerance and racism.

When I write I am trying to express my way of being in the world. This is primarily a process of elimination: once you have removed all the dead language, the second-hand dogma, the truths that are not your own but other people's, the mottos, the slogans, the out-and-out lies of your nation, the myths of your historical moment - once you have removed all that warps experience into a shape you do not recognise and do not believe in - what you are left with is something approximating the truth of your own conception.

Why ... do the myths of America the Hateful take such powerful hold? Because anti-Americanism provides a useful emotional function which goes beyond logic and reaches deep into the darker recesses of the European soul. In centuries past those on the Left who wished to personalise their hatred of capitalism, who sought to make it emotionally resonant by fastening an envious political passion on to a blameless scapegoat people, embraced anti-Semitism. It was the socialism of fools. Which is what anti-Americanism is now.

The world is too big and too intricate to conform to our ideas of what it should be like... Just because we invent myths and theories to explain away the chaos we're still going to live in a world that's older and more complicated than we'll ever understand.

Congress remains in total denial as our liberties are rapidly fading before our eyes. The process is propelled by unwarranted fear and ignorance as to the true meaning of liberty. It is driven by economic myths, fallacies and irrational good intentions.

We live in our myths, we only endure reality.

I want to clear up a few myths about myself. People have written that I was a kindergarten teacher and a former Miss Texas, and neither is true.

movies have mirrored our moods and myths since the century began. They have taken on some of the work of religion.