Quotes About Observation

There is no more difficult art to acquire than the art of observation, and for some men it is quite as difficult to record an observation in brief and plain language.

It is better to use this available energy for your observation, inner observation. Just watch everything - and it is good because you have nothing much to do. You have not to go here and there and visit people and become a member of the Rotary Club. You are saved from so much nonsense that I felt really jealous of you! Enjoy it! And feel sorry for everybody else! They are poorer and you can become immensely rich. And the art of that richness is witnessing. Witnessing is another name for meditation.

There is an overwhelming mass of authentic evidence which can be cited as: direct observation, indirect observation, and supporting evidence or indication.

We know nothing of the principle of health, the positive of which pathology is the negative, except from observation and experience. Nothing but observation and experience will teach us the ways to maintain or to bring back the state of health. It is often thought that medicine is the curative process. It is no such thing; medicine is the surgery of functions as surgery proper is that of limbs and organs.

The writer has three sources: imagination, observation, and experience

Sometimes it takes the better part of a lifetime to find out what your passion is, but in my observation, if you do, it might be the best part of your life.

In 2002, in this country, there was an observation that for the first time in America, more kids were actively pursuing skateboarding than baseball.

Those who cannot themselves observe can at least acquire the observation of others.

Much of my work in this period was concerned with exploring the logic of economic models, but also with attempting to reconcile the models with everyday observation.

I thought of the analyst Winnicott's observation: 'It is a joy to be hidden but disaster not to be found'.

No Geologist worth anything is permanently bound to a desk or laboratory, but the charming notion that true science can only be based on unbiased observation of nature in the raw is mythology. Creative work, in geology and anywhere else, is interaction and synthesis: half-baked ideas from a bar room, rocks in the field, chains of thought from lonely walks, numbers squeezed from rocks in a laboratory, numbers from a calculator riveted to a desk, fancy equipment usually malfunctioning on expensive ships, cheap equipment in the human cranium, arguments before a road cut.

When we enter the landscape to learn something, we are obligated, I think, to pay attention rather than constantly to pose questions. To approach the land as we would a person, by opening an intelligent conversation. And to stay in one place, to make of that one, long observation a fully dilated experience. We will always be rewarded if we give the land credit for more than we imagine, and if we imagine it as being more complex even than language. In these ways we begin, I think, to find a home, to sense how to fit a place.

Observation made in the cloister or in the desert will generally be as obscure as the one and as barren as the other; but he that would paint with his pencil must study originals, and not be over-fearful of a little dust.

They (teenage boys)don’t really listen to speeches or talks. They absorb incrementally, through hours and hours of observation.

The scientific method ... is nothing but the exclusion of subjective opinions as far as possible, by the devising of experiments where observation can give objective answers, yes or no, to questions whether events are causally connected.

Observation always involves theory.

An old pop music producer once said that there are really only four kinds of song a person can write: "I love you/I hate you/go away/come back!" That's a funny observation.

To become an academic expert takes years of studying. Academic experts are experts in how and what others have done. They use case studies and observation to understand a subject.

When we play, we sense no limitations. In fact, when we are playing, we are usually unaware of ourselves. Self-observation goes out the window. We forget all those past lessons of life, forget our potential foolishness, forget ourselves. We immerse ourselves in the act of play. And we become free.

Several country towns, within my observation, have at least a dozen taverns. Here the time, the money, the health and the modesty, of most that are young and of many old, are wasted. Here diseases, vicious habits, bastards and legislators are frequently spawned.

By no amount of reasoning can we altogether eliminate all contingency from our world. Moreover, pure speculation alone will not enable us to get a determinate picture of the existing world. We must eliminate some of the conflicting possibilities, and this can be brought about only by experiment and observation.

But the idols of the Market Place are the most troublesome of all: idols which have crept into the understanding through their alliances with words and names. For men believe that their reason governs words. But words turn and twist the understanding. This it is that has rendered philosophy and the sciences inactive. Words are mostly cut to the common fashion and draw the distinctions which are most obvious to the common understanding. Whenever an understanding of greater acuteness or more diligent observation would alter those lines to suit the true distinctions of nature, words complain.

Whatever their limitations, Freud and Marx developed complex and subtle theories of human nature grounded in their observation of individual and social behavior. The crackpot rationalism of free-market economics merely relies on an abstract model of how people "must" behave.

Scientists are convinced that they, as scientists, possess a number of very admirable human qualities, such as accuracy, observation, reasoning power, intellectual curiosity, tolerance, and even humility.

Pasteboard pies and paper flowers are being banished from the stage by the growth of that power of accurate observation which is commonly called cynicism by those who have not got it...

It's a great mistake, I think, to put children off with falsehoods and nonsense, when their growing powers of observation and discrimination excite in them a desire to know about things.

In the final, the positive, state, the mind has given over the vain search after absolute notions, the origin and destination of the universe, and the causes of phenomena, and applies itself to the study of their laws - that is, their invariable relations of succession and resemblance. Reasoning and observation, duly combined, are the means of this knowledge. What is now understood when we speak of an explanation of facts is simply the establishment of a connection between single phenomena and some general facts.

Creativity has much to do with experience, observation and imagination, and if any one of those key elements is missing, it doesn't work.

A lot of my music is just self-observation. Like telling you, "Oh man. What did I just do? How much did I just pay for this chain? Why did I do that? Wait a minute." Let me talk about that. Or like, the temptation. Let me talk about that. Let me observe myself.

Certainly I do not wish that instead of these masters I had read baby books, written down to children, and with such ignorant dullness that they blunt the sense and corrupt the tastes of the still plastic human being. But I do wish that I had read no books at all till later - that I had lived with toys, and played in the open air. Children should not cull the fruits of reflection and observation early, but expand in the sun, and let thoughts come to them. They should not through books antedate their actual experiences.

We 'rid ourselves of conceptual thought' when, by persistent observation, we recognize the unreality of our self-centered thoughts. Then we can remain dispassionate and fundamentally unaffected by them. That does not mean to be a cold person. Rather, it means not to be caught and dragged around by circumstances.

You can see the most beautiful things from the observation deck of the Empire State Building. I read somewhere that people on the street are supposed to look like ants, but that's not true. They look like little people. And the cars look like little cars. And even the buildings look little. It's like New York is a miniature replica of New York, which is nice, because you can see what it's really like, instead of how it feels when you're in the middle of it.

Anarchism is founded on the observation that since few men are wise enough to rule themselves, even fewer are wise enough to rule others.

To rescue from oblivion even a fragment of a language which men have used and which is in danger of being lost -that is to say, one of the elements, whether good or bad, which have shaped and complicated civilization -is to extend the scope of social observation and to serve civilization.

When I look back on my life-and an extraordinary transformation is happening again to me right now - I describe it as my “point of observation” is moving. It is moving because my range of frequencies I am accessing is becoming greater. It’s not because I’m something special because anyone can do it.

People's minds are changed through observation and not through argument.

Most of the people buying the Soviet paraphernalia were Americans and West Europeans. All would be sickened by the thought of wearing a swastika. None objected, however, to wearing the hammer and sickle on a T-shirt or a hat. It was a minor observation, but sometimes, it is through just such minor observations that a cultural mood is best observed. For here, the lesson could not have been clearer: while the symbol of one mass murder fills us with horror, the symbol of another mass murder makes us laugh.

The central idea in The Black Swan is that: rare events cannot be estimated from empirical observation since they are rare.

It is increasingly clear to me that my art relates more and more to a sublimation of my closeness to the natural world, it's events, light itself, and the positive it is a personal expression based on observation and reaction, that I am not able to define except in terms of the work itself.

Although my view is a world-wide one and my area of observation is Europe, the nation closest to my heart is, understandably, my homeland. And it is a fortunate coincidence, fortunate in terms of the explanation of the world, that it is this country which is the clearest example of the playground of destructive development in the whole world.

An ideologue - one who thinks ideologically - can't lose. He can't lose because his answer, his interpretation and his attitude have been determined in advance of the particular experience or observation. They are derived from the ideology, and not subject to the facts.

Laws and customs may be creative of vice; and should be therefore perpetually under process of observation and correction: but laws and customs cannot be creative of virtue: they may encourage and help to preserve it; but they cannot originate it.

At present, the novels which we owe to English ladies form no small part of the literary glory of our country. No class of works is more honorably distinguished for fine observation, by grace, by delicate wit, by pure moral feeling.

The observation of nature is part of an artist's life.

When we try to observe things that are very small, the act of observation itself will significantly disturb the state we are seeking to measure.

After a quarter of a century of personal experience and professional observation, I have come to understand that peace of mind is the true goal of the considered life. I know now that the sum of all other possessions does not necessarily add up to peace of mind; on the other hand, I have seen this inner tranquility flourish without the material supports of property or even the buttress of physical health. Peace of mind can transform a cottage into a spacious manor hall; the want of it can make a regal residence an imprisoning shell.

My choice of colors does not rest on any scientific theory; it is based on observation, on feeling, on the experience of my sensibility. Inspired by certain pages of Delacroix, an artist like Signac is preoccupied with complementary colors, and the theoretical knowledge of them will lead him to use a certain tone in a certain place. But I simply try to put down colors which render my sensation.

The observation of human blindness and weakness is the result of all philosophy, and meets us at every turn, in spite of our endeavours to elude or avoid it.