Quotes About Play

When i play in Las Vegas I play for money, when I play in Miami I play for holidays but when I play in #India I play for Love

It's not how good you can play when you play good. It's how good you play when you play bad and we can play as bad as anyone in the country.

Play exists for its own sake. Play is for the moment; it is not hurried, even when the pace is fast and timing seems important. When we play, we also celebrate holy uselessness. Like the calf frolicking in the meadow, we need no pretense or excuses. Work is productive; play, in its disinterestedness and self-forgetting, can be fruitful.

I told our guys they must not have cable because Antoine Walker knows how to play, Derek Anderson can play, Shandon Anderson knows how to play, and Gary Payton knows how play.

I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.

You cannot play with the animal in you without becoming wholly animal, play with falsehood without forfeiting your right to truth, play with cruelty without losing your sensitivity of mind. He who wants to keep his garden tidy does not reserve a plot for weeds

Play well, or play badly, but play truly.

You can't outwit fate by standing on the sidelines placing little sidebets about the outcome of life. either you wade in and risk everything you have to play the game or you don't play at all. and if u don't play u can't win.

Just the desire to play a mom, wanting to play someone actually closer to who I am and where I am in my life. People are used to seeing me play the single, hot girl, which has been fun, but at the same time, this role is more akin to my natural proclivities.

If you have music you want to play that no one asks you to play, you have to go out and find where you can play it. It's called do or die.

I want to play for my country, play for everybody, and I want to be there. I just feel like I have so many feelings and I want to play in the Olympics and feel how special if I can win that tournament.

I've always said it's flattering to be desired, just as it's flattering that people accept the reality of the character you play. But it was always ridiculous to assume that because I could play a gigolo on screen I'd play anything like that role off screen.

This is the evolutionary value of play- play makes us flexible. By reinterpreting reality and begetting novelty, we keep from becoming rigid. Play enables us to rearrange our capacities and our very identity so that they can be used in unforeseen ways.

I constantly caution our teams: 'Play your game, just play your game. Eventually, if you play your game, stick to your style, class will tell in the end.' This does not mean that we will always outscore our opponent, but it does insure that we will not beat ourselves.

Music is a universal language insofar as you don't need to know anything else about a musician that you are playing with other than that they can play music. It doesn't matter what their music is, you can find something that you can play together, with what their culture is. The dialect part of it comes into play, but nothing like the differentiation that language sets up, for example.

There is a vast difference between games and play. Play is played for fun, but games are deadly serious and you do not play them to enjoy yourself.

Children do not play because they learn; They play because they play.

I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.

I think the most important way to understand play is that it's this property that's in things. Like there's play in a mechanism. For example, there's some play in the steering column before it engages as you're turning the wheel.

It's a luxury to play. I get to play basketball for a living. I'm a lucky guy and I'm thankful for everything I have and what I get to do. I realize how many people would give their left foot to just play one game in the NBA. This is the NBA!

I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.

As I've gotten older, the parts have diminished. I liked it when I was younger, I could always play the lead in the movie and I could do all the romantic scenes with the women, and it was fun and I liked to play that. Now, I'm older and I'm reduced to playing the backstage doorman or the uncle or something. I don't really love that so occasionally, when a part comes up, I'll play it.

I will not play just an evil part. In fact, I got offered $7 million several years ago to play the part that Faye Dunaway played in 'Supergirl.' I was kind of insulted. I was impressed with the money, but I said, 'Why are you asking me to play an evil witch? Do I come across as an evil witch to you?'

I would never play an extra year for money. I play the game because I love it. I just so happen to get paid. If I don't feel I still enjoy the game, I can care less what a year is worth. I'm not going to play the game just because of money.

This is the greatest thing about sports - you play to win the game. Hello? You don't play to just play it. When you start telling me it doesn't matter, then retire, get out, because it matters.

I think it's OK to play to your strengths, and if I have a quality of Englishness that people like, I won't hide that. I'm probably not going to play a junkie and that's OK because there are other people who will do it better. A view that's been held for a long time is that the best way to prove oneself as an actor is to play the grittiest roles out there. I don't agree with that.

The title's so upfront. It gives fair warning about the play's content. I'm writing about a kind of disenchantment, an anger, but quite a cool 90's anger, at a time when we're not very good at openly being angry. . . . I don't think I ever thought the title was titillating. I thought it was incredibly catchy. If the play is about the reduction in human relations down to a consumerist rationale, then thematically, the title is entirely linked into the thesis of the play.

Play is often talked about as if it were a relief from serious learning. But for children play is serious learning. Play is really the work of childhood.

You don't play triathlon. You play soccer; it's fun. You play baseball. Triathlon is work that you can leave you crumpled in a heap, puking on the roadside. It's the physical brutality of climbing Mount Everest without the great view from the top of the world. What kind of person keeps coming back for more of that?

People always say that music is a universal language. It was very, very true. We could show up anywhere with any people speaking different languages and we could just be like, "You want to play that song? Yeah, okay." We would usually want to play Latin American songs, and they would usually want to play Santana or Jimi Hendrix and stuff like that. So we would trade off. So yeah, we were able to make a lot of friends that way and meet a lot of local musicians. It was a great experience.

But what is work and what is not work? Is it work to dig, to carpenter, to plant trees, to fell trees, to ride, to fish, to hunt, to feed chickens, to play the piano, to take photographs, to build a house, to cook, to sew, to trim hats, to mend motor bicycles? All of these things are work to somebody, and all of them are play to somebody. There are in fact very few activities which cannot be classed either as work or play according as you choose to regard them.

I can make music, but I can't play it. I read somewhere that Grieg couldn't play his A-minor piano concerts very well, but he could write. My role was to compose things, but not really play it.

Chess programs don't play chess the way humans play chess. We don't really know how humans play chess, but one of the things we do is spot some opportunity on the chess board toward a move to capture the opponent's queen.

There aren't any songs that I would call impossible to play live, but some are difficult. A lot of Queensryche songs are difficult to play live. It's quite a difficult question to answer because everybody (In the band) has their own opinion of what's difficult to play.

In America everyone plays bang ball, eight ball, nine ball, that kind of stupid crap, but in Canada and Europe they play snooker which is a much more skillful game and I enjoy that. I play pool now with friends, if we go to a bar we will play, but I am nowhere near as good as I once was.

Play gives children a chance to practice what they are learning...They have to play with what they know to be true in order to find out more, and then they can use what they learn in new forms of play.

It's important to play the pieces that you feel you can play well. It was always my dream to play Bach - my first love and fascination - Chopin, and Szymanowski.

Football is a grand game for developing a lad physically and also morally, for he learns to play with good temper and unselfishness, to play in his place, and to play the game, and these are the best of training for any game of life.

I am very blessed to be able to play tennis, the sport that I love and very grateful for the opportunities to play in the finals of big events, when the season starts you are on the roll constantly and obliged to be committed to daily routines on and off the court.

When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.

I'm playing the game because I love it. But I'm also playing it for my family. You play for the glory, but you play for your family, too.

True motivation is not getting people to play to their potential. It's getting people to play beyond their potential

I am totally confident not that the world will get better, but that we should not give up the game before all the cards have been played. The metaphor is deliberate; life is a gamble. Not to play is to foreclose any chance of winning. To play, to act, is to create at least a possibility of changing the world.

I did take guitar lessons as a teenager, though, and I started to teach myself how to play everything I could play on the guitar on piano, so I had a really weird, non-traditional route to proficiency. I think it probably helped me come at things from a new angle.

The reason I play so hard is that somewhere out there is some kid who has never seen me play before, and I don't want to disappoint him.

I started to play noise on my cello because I felt a deep personal connection to it. I mean, I still love all the beautiful sounds of the cello as much as anybody but it's only when I play certain sounds I know that the cello really presents who I am; not my emotions but who I am as a person.

When you play so many outcasts and derelicts, or even a murderer, you need to play someone healthy.

I am not that far away from becoming the No. 1 player in the world. I am only around 1,000 points away from achieving it. The key will be whether I can play better and more consistently on hard courts. If I continue to play well in the European clay court season and then take that form to the hardcourts in the United Sates, I could finish the year as the world No. 1.