Quotes About Poet

The poet or the revolutionary is there to articulate the necessity, but until the people themselves apprehend it, nothing can happen ... Perhaps it can't be done without the poet, but it certainly can't be done without the people. The poet and the people get on generally very badly, and yet they need each other. The poet knows it sooner than the people do. The people usually know it after the poet is dead; but that's all right. The point is to get your work done, and your work is to change the world.

I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.

Loneliness is necessary for pure poetry. When someone intrudes into the poet's life (and any sudden personal contact, whether in the bed or in the heart, is an intrusion) the poet loses his or her balance for a moment, slips into being what he or she is, uses his or her poetry as one would use money or sympathy. The person who writes the poetry emerges, tentatively, like a hermit crab from a conch shell. The poet, for that instant, ceases to be a dead person.

In the eyes of others a man is a poet if he has written one good poem. In his own he is only a poet at the moment when he is making his last revision to a new poem. The moment before, he was still only a potential poet; the moment after, he is a man who has ceased to write poetry, perhaps forever.

That's a fairly Wordsworthian way to look at things! But yeah, actually - part of the poet's work, I think, is to maintain or reintroduce the imaginative capacity of their earlier self while nonetheless maturing. And I do think the more successful the poet is at this particular thing, the greater their achievement as a poet.

I was appointed Poet Laureate. It came totally out of the blue because most Poet Laureates had been considerably older than I. It was not something that I even had begun to dream about!

I think the term poet is a very exalted term and should be applied to a man at the end of his work. When he looks back over the body of his work and he's written poetry then let the verdict be that he's a poet.

The spiritual kinship between Lincoln and Whitman was founded upon their Americanism, their essential Westernism. Whitman had grown up without much formal education; Lincoln had scarcely any education. One had become the notable poet of the day; one the orator of the Gettsyburg Address. It was inevitable that Whitman as a poet should turn with a feeling of kinship to Lincoln, and even without any association or contact feel that Lincoln was his.

For a poet to depict a poet in poetry is a hazardous experiment; in regarding one's own trade a sense of humour and a little wholesome cynicism are not amiss.

A poet, any real poet, is simply an alchemist who transmutes his cynicism regarding human beings into an optimism regarding the moon, the stars, the heavens, and the flowers, to say nothing of Spring, love, and dogs.

I am NOT an anarchist. Never have been, never will be. Just because Crimethinc put out two of my poetry books, I am labeled everywhere as an anarchist poet. I am a poet, yes. Not an anarchist. I have no formulated political philosophy other than a general feeling of disgust for the majority of the human race.

Every man will be a poet if he can; otherwise a philosopher or man of science. This proves the superiority of the poet.

An old poet ought never to be caught with his technique showing.

And you wish to be a poet; and you wish to be a lover.

With Ameen Rihani the matter is diametrically opposite to Alois Musil's Arabian Desert, in purpose, in point of view and, above all, in personal psychology... I have considerable admiration for Mr. Rihani as a writer, an authentic poet and a philosopher.

Personality must be accepted for what it is. You mustn't mind that a poet is a drunk, rather that drunks are not always poets.

As a poet who has the tools for interpreting the poem differently, you can begin to deconstruct it. But the human being who's like, "I know about conversation, I know about language, I know about hard times," will approach the poem differently.

The bards sing of love, they celebrate slaughter, they extol kings and flatter queens, but were I a poet I would write in praise of friendship.

The music of language became extremely important to me, and obvious to me. By the time I was seven I was writing myself. I was a poet

As a film-maker and a poet, I feel it's my duty to be an eye and an antenna to what's happening around me. I always felt a solidarity with those who are desperate and confused and misused and are seeking a way out of it.

If your everyday life appears to be unworthy subject matter, do not complain to life. Complain to yourself, Lament that you are not poet enough to call up its wealth.

I thought originally when I was in school and I wanted to be a poet, I knew that poets seemed to be miserable.

For the poet the credo or doctrine is not the point of arrival but is, on the contrary, the point of departure for the metaphysical journey.

The eye is the notebook of the poet.

Pound's crazy. All poets are.... They have to be. You don't put a poet like Pound in the loony bin.

In living off all the reflecting light furnished by poets, the I which dreams the reverie reveals itself not as poet but as poetizing I.

The most original sin is not the thinker's but the poet's.

Careful there, Poet. I might start to believe you.

I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."

Spending of the best part of one's life earning money in order to enjoy questionable liberty during the least valuable part of it, reminds me of the Englishman who went to India to make a fortune first, in order that he might return to England and live the life of a poet. He should have gone up garret at once.

I'm not the kind of poet who arranges treasure-hunts to please the academics and keep them busy. Poetry should be surprising in deeper ways.

I believe strongly in what John Keats called negative capability: the trait or practice that allows a poet to remain in uncertainties, mysteries, doubts, without any irritable reaching after fact & reason. For Keats, William Shakespeare exemplified negative capability, and I do think it's extraordinary that for all the thousands of pages Shakespeare left behind, we really don't know much about Shakespeare's own personality or opinions.

What an ornament and safeguard is humor! Far better than wit for a poet and writer. It is a genius itself, and so defends from the insanities.

I've always wanted to be a poet at the beginning. I would look at my grandparents' books and my parents' books. And in my family, a typical aspirational Jewish family, being a writer was very much exalted, and it seemed impossible to me, that I could ever do something like that.

The business of a poet is to examine not the individual but the species; to remark general properties and large appearances.

The poet is an untier of knots, and love without words is a knot, and it drowns.

I pulled a book by Robinson Jeffers off the shelf one day. It was powerfully moving. Tears ran down my face. That's when I became a poet.

I like to think that I'm a sort of poet for our times.

Time sped. And the poet through sorrow Became like his suffering kind. Again he toiled over his poems To lighten the grief of his mind.

A great poet has seldom sung of lawfully wedded happiness, but of free and secret love; and in this respect, too the time is coming when there will no longer be one standard of morality for poetry and another for life. To anyone tender of conscience, the ties formed by a free connection are stronger than the legal ones.

Already nature is serving all those uses which science slowly derives on a much higher and grander scale to him that will be served by her. When the sunshine falls on the path of the poet, he enjoys all those pure benefits and pleasures which the arts slowly and partially realize from age to age. The winds which fan his cheek waft him the sum of that profit and happiness which their lagging inventions supply.

Ausonius must be read to be believed! As poet, no subject is too trivial for him; as courtier, no flattery too excessive.

There are several more careers more engaging to follow than that of poetry. But the circumstances of one's birth, the conduct of one's parents, the current economic structure of society, and a thousand other local factors have as much or more to say about successions to such occupations, the naive volitions of the poet to the contrary.

Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the asronomer that possibly inhabited you in the beginning.

A poet is deeply conflicted and it's in his work that he reconciles those deep conflicts. The place is the harbor. It doesn't set the world in order, you know, it's the place of reconciliation. It's the Consolamentum, the kiss of peace.

An exact poetic duplication of a man is for the poet a negation of the earth, an impossibility of being, even though his greatest desire is to speak to many men, to unite with them by means of harmonious verses about the truths of the mind or of things.

I am not quite a poet but I am something of the kind.

genius is original, unique; and in whatever form it may develop itself is the greatest gift that can be given to man, the strongest known link between the material life we have and the spiritual life that we can only guess at. Every great poet, painter, or musician - every inventor or man of science, every fine actor or orator, comes to us as the exponent of something diviner than we know. We cannot understand it, but we feel it, and acknowledge it.