Quotes About Poet

If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.

It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.

A trouble with poetry is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions. I try to presume that no one is interested in me. And I think experience bears that out. No one's interested in the experiences of a stranger - let's put it that way. And then you have difficulty combined with presumptuousness, which is the most dire trouble with poetry.

Why do people want to know exactly who I am? Am I a poet? Am I this or that? I've always made people wary. First they called me a rock poet. Then I was a poet that dabbled in rock. Then I was a rock person who dabbled in art.

"You know that it is quite preposterous of you to chase rainbows," said the sane person to the poet. "Yet it would be rather beautiful if I did one day manage to catch one," mused the poet.

I think the poet is the last person who is still speaking the truth when no one else dares to. I think the poet is the first person to begin the shaping and visioning of the new forms and the new consciousness when no one else has begun to sense it; I think these are two of the most essential human functions.

I prefer poems that occupy an imaginative sphere. When I lived in Cincinnati, I was occasionally referred to as an "Ohio Poet;" this made me uneasy, not only because I think of myself as a generally American poet but also because I like to think I write out of the country of my own mind.

In your language you have a form of poetry called the sonnet…There are fourteen lines, I believe, all in iambic pentameter. That’s a very strict rhythm or meter…And each line has to end with a rigid pattern. And if the poet does not do it exactly this way, it is not a sonnet…But within this strict form the poet has complete freedom to say whatever he wants…You’re given the form, but you have to write the sonnet yourself. What you say is completely up to you.

A poet is not a public figure. A poet should be read and not seen.

The inimitable writer Maxine Hong Kingston published a book in 2002 with the title To Be the Poet. However, in contrast to the transformatory distinctions Kingston makes between the conditions of being a prose writer and "the poet," my multigenre impulses incline me to a broader transformation: to be a writer.

Turn pimp, flatterer, quack, lawyer, parson, be chaplain to an atheist, or stallion to an old woman, anything but a poet; for a poet is worse, more servile, timorous and fawning than any I have named.

I haven't seen any poet in this country behave nearly as rudely as Newt Gingrich or Bill O'Reilly. I'm not asking these people to approve of everyone's manners. I don't feel obliged to defend the manners of every poet who submits a poem to my web site. That's not my job. My job is to provide them with an opportunity to speak from the heart. If there's not much in the heart and if the mouth is running wild, that's not my problem.

The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.

When a poet's mind is perfectly equipped for its work, it is constantly amalgamating disparate experience ?in the mind of the poet these experiences are always forming new wholes.

Milton says, that the lyric poet may drink wine and live generously, but the epic poet, he who shall sing of the gods, and their descent unto men, must drink water out of a wooden bowl. For poetry is not "Devil's wine," but God's wine.

My theory is that poems are written because of a state of emotional irritation. It may be present for some time before the poet is conscious of what is tormenting him. The emotional irritation springs, probably, from subconscious combinations of partly forgotten thoughts and feelings. Coming together, like electrical currents in a thunder storm, they produce a poem. ... the poem is written to free the poet from an emotional burden.

Once a poet always a poet, and even though I haven't written poems for a long time, I can nonetheless say that everything I've ever learned about writing lyrical fiction has been informed by three decades of writing in lines and stanzas. For me the real drama of fiction is almost always the drama of the language.

To be a poet in a destitute time means: to attend, singing, to the trace of the fugitive gods. This is why the poet in the time of the world's night utters the holy.

When Ulysses hears his own story sung by an epic poet and then he reveals his identity and the poet wants to continue singing, Ulysses isn't interested any longer. That's very astonishing.

There is nothing dictators hate so much as that unassailable, eternally elusive, eternally provoking gleam. One of the main reasons why the very gallant Russian poet Gumilev was put to death by Lenin's ruffians thirty odd years ago was that during the whole ordeal, in the prosecutor's dim office, in the torture house, in the winding corridors that led to the truck, in the truck that took him to the place of execution, and at that place itself, full of the shuffling feet of the clumsy and gloomy shooting squad, the poet kept smiling.

Even if you're a poet sitting in your room writing a poem, you're still in the world - although I guess being a poet is a different than having to deal with 40 or 50 people to raise a couple million bucks and all that bullshit.

Recipe for the upbringing of a poet: 'As much neurosis as the child can bear.

As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.

As a poet who has the tools for interpreting the poem differently, you can begin to deconstruct it. But the human being who's like, "I know about conversation, I know about language, I know about hard times," will approach the poem differently.

I grow very impatient with prose writers who don't pay attention to the cadence of the sentence. If you start as a poet, you're wooed by the music of language; you want to put that into your practice.

Everywhere I go I find that a poet has been there before me.

The bards sing of love, they celebrate slaughter, they extol kings and flatter queens, but were I a poet I would write in praise of friendship.

But where are the snows of last year? That was the greatest concern of Villon, the Parisian poet.

Ultimately you're trying to reach across and find some other person, some other human warmth. But it is, especially in written poetry, it is inscribed in a text and the text can't do that work by itself and you as a poet can only do your best.

If I were poet now, I would not resist the temptation to trace my life back through the delicate shadows of my childhood to the precious and sheltered sources of my earliest memories. But these possessions are far too dear and sacred for the person I now am to spoil for myself. All there is to say of my childhood is that it was good and happy. I was given the freedom to discover my own inclinations and talents, to fashion my inmost pleasures and sorrows myself and to regard the future not as an alien higher power but as the hope and product of my own strength.

But you have to understand that I consider myself a very modest artist, or whatever, and not of importance really at all - it is quite embarrassing to me to be asked my opinion about things. I am only a wee Scottish poet on the outside of everything.

When the poet is in love, he is incapable of writing poetry on love. He has to write when he remembers that he was in love.

An anaesthetic is a poet-killer.

Multitude, solitude: equal and interchangeable terms for the active and prolific poet.

The poet is the man made to solve the riddle of the universe who brings the whole soul of man into activity.

The poet should seize the Particular, and he should, if there be anything sound in it, thus represent the Universal.

To a Young Poet Time cannot break the bird's wing from the bird. Bird and wing together Go down, one feather. No thing that ever flew, Not the lark, not you, Can die as others do.

The swan, like the soul of the poet, By the dull world is ill understood.

I had this idea for a long time to make a film about a poet in Paterson named Patterson. I wanted him to be working class. Eventually I thought a bus was a perfect visual way to move him, to drift him through the city, to have a measured kind of routine lifestyle. And all these things kind of congealed into the film "Paterson" eventually.

Careful there, Poet. I might start to believe you.

The female doesn't want a rich man or a handsome man or even a poet, she wants a man who understands her eyes if she gets sad, and points to his chest and say : 'Here is your home country.'

I have decided, it is fruitless. For I am no longer sure of anything concerning my existance. A philosopher is a dead poet and a dying theologian.

A fine lady; by which term I wish to express the result of that perfect education in taste and manner, down to every gesture, which heaven forbid that I, professing to be a poet, should undervalue. It is beautiful, and therefore I welcome it in the name of the author of all beauty. I value it so highly that I would fain see it extend not merely from Belgravia to the tradesman's villa, but thence, as I believe it one day will, to the laborer's hovel and the needlewoman's garret.

And this tenderness was not like That which a certain poet At the beginning of the century called true And, for some reason, quiet. No, not at all— It rang out, like the first waterfall, It crunched like the crust of bluish ice And it prayed with a swanlike voice, And it broke down right before our eyes.

I am a black woman poet and I sound like one.

I don't think I'd ever get any better as a poet if I didn't push myself, very deliberately, to grow. My best poems surprise me, as they should, but I fight them at every turn, possibly just because I'm stubborn.

A poet may be a good companion, but, so far as I know, he is ever the worst of fathers.

The world, in its sheer exuberance of kindness, will try to bury the poet with warm and lovely human trivialities. It will even ask him to autograph books.