Quotes About Poet

It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.

I once gave a workshop and I asked the women poets there, If you went back to that little town you've come from - these were from small towns - would you say, I'm a poet? And one of them said, If I said I was a poet in that town, they'd think I didn't wash my windows. And that stayed with me for so long, the sense of the collective responsibility of someone as against the individual thing it takes to be a poet.

To be a political poet means simply to be a poet, and any poet worth their salt will be a political animal in their own peculiar way - they have no choice: politics is one of the many fragments we thread into the tapestry of the poem.

That's a fairly Wordsworthian way to look at things! But yeah, actually - part of the poet's work, I think, is to maintain or reintroduce the imaginative capacity of their earlier self while nonetheless maturing. And I do think the more successful the poet is at this particular thing, the greater their achievement as a poet.

It has always seemed to me a great honor to be called an Irish poet. I don't think I will ever lose that, but it's also a great honor to be a woman poet. I put those things together.

It is not possible, for a poet, writing in any language, to protect himself from the tragic elements in human life.... [ellipsis in source] Illness, old age, and death--subjects as ancient as humanity--these are the subjects that the poet must speak of very nearly from the first moment that he begins to speak.

Isn't it curious how one has only to open a book of verse to realise immediately that it was written by a very fine poet, or else that it was written by someone who is not a poet at all. In the case of the former, the lines, the images, though they are inherent in each other, leap up and give one this shock of delight. In the case of the latter, they lie flat on the page, never having lived.

Jacob wrote that the true poet 'is like a man who is happy anywhere, in endless measure, if he is allowed to look at leaves and grass, to see the sun rise and set. The false poet travels abroad in strange countries and hopes to be uplifted by the mountains of Switzerland, the sky and sea of Italy. He comes to them and is dissatisfied. He is not as happy as the man who stays at home and sees the apple trees flower in spring, and hears the small birds singing among the branches

A poet is not something you become; a poet is something you are.

The workplace needs the poet's gift. But the poet also needs to be educated about the workplace. You're not just coming in to do your art, you're actually making yourself vulnerable. You yourself are not God's gift to truth. You have to hazard yourself in their world, especially because you're inviting people to do the same. It's all about become visible, becoming incarnate, becoming here and now and yet with our eyes on a future horizon; holding the conversation you were meant to hold.

When the poet's sentiments are overly visible, the audience may become uncomfortable. Japanese ritual is the opposite. By writing simply and only about what is there, the audience is drawn into the poet's world. Their imagination is stimulated, and a silent connection is established. I believe this is where the most important aspect of the Japanese sense of beauty lies.

Poetry is probably the one field of writing in which it is a mistake to try to psych out editors. In fact, specific marketing advice can sometimes harm the novice poet by enticing him to pursue fashions. The poet's best hope is to sound like nobody else, The finest, most enduring poetry constructs a marketplace of its own.

The player envies only the player, the poet envies only the poet.

I am honoured to have the opportunity to follow in the footsteps of my esteemed colleague and fellow poet Mr. Dennis Lee, it will be with pride and passion that I carry forward the mandate of the Poet Laureate position for the City of Toronto and its residents.

A poet or a comedian can say what's on the mind of people. They should be funny. They should make you laugh. It may be so truthful that it hurts, but it makes you laugh.

A poet is a man who puts up a ladder to a star and climbs it while playing a violin.

And you wish to be a poet; and you wish to be a lover.

Here's one more from my limited experience with all 3 fields: A writer creates life; a poet creates magic from life; a philosopher tries to understand life.

As a poet I hold the most archaic values on earth . . . the fertility of the soil, the magic of animals, the power-vision in solitude, the terrifying initiation and rebirth, the love and ecstasy of the dance, the common work of the tribe. I try to hold both history and the wilderness in mind, that my poems may approach the true measure of things and stand against the unbalance and ignorance of our times.

Memory is a poet, not an historian.

love as a passion—it is our European specialty—must absolutely be of noble origin; as is well known, its invention is due to the Provencal poet-cavaliers, those brilliant, ingenious men of the "gai saber," to whom Europe owes so much, and almost owes itself.

The Danger of a Single Story”, which has resonated with me immensely every time I read it. “Power is the ability not just to tell the story of another person, but to make it the definitive story of that person. The Palestinian poet Mourid Barghouti writes that if you want to dispossess a people, the simplest way to do it is to tell their story, and to start with, “secondly.

Everywhere I go I find that a poet has been there before me.

The more the poet grows, the deeper the level of creative intuition descends into the density of his soul. Where formerly he could be moved to song, he can do nothing now, he must dig deeper.

A poet must be a psychologist, but a secret one: he should know and feel the roots of phenomena but present only the phenomena themselves in full bloom or as they fade away.

With several different kinds of poetry to choose from, a man would decide that he would like best to be an epic poet, and he would set out, in conscious determination, on an epic poem.

That perhaps is your task--to find the relation between things that seem incompatible yet have a mysterious affinity, to absorb every experience that comes your way fearlessly and saturate it completely so that your poem is a whole, not a fragment; to re-think human life into poetry and so give us tragedy again and comedy by means of characters not spun out at length in the novelist's way, but condensed and synthesized in the poet's way--that is what we look to you to do now.

You do not become a critic until it has been completely established to your own satisfaction that you cannot be a poet.

The poet should seize the Particular, and he should, if there be anything sound in it, thus represent the Universal.

It means abandoning being a poet, abandoning your careerism, abandoning even the idea of writing any poetry, really abandoning, giving up as hopeless - abandoning the possibility of really expressing yourself to the nations of the world. Abandoning the idea of being a prophet with honor and dignity, and abandoning the glory of poetry and just settling down in the muck of your own mindYou really have to make a resolution to write for yourself, in the sense of not writing to impress yourself, but just writing what your self is saying.

To write about the monstrous sense of alienation the poet feels in this culture of polarized hatreds is a way of staying sane. With the poem, I reach out to an audience equally at odds with official policy, and I celebrate our mutual humanness in an inhuman world.

Embellish the soul with simplicity, with prudence, and everything which is neither virtuous nor vicious. Love all men. Walk according to God; for, as a poet hath said, his laws govern all.

The formula for doing a good job in photography is to think like a poet.

A poet clings to his own tradition and avoids internationalism.

Fact is not truth, but a poet who wilfully defies fact cannot achieve truth.

I think a lot about the poems I wasn't able to write...I masturbrated...Solitude is essentially a matter of pride; you bury yourself in your own scent. The issue is the same for all real poets. If you've been happy for too long, you become banal. By the same token, if you've been unhappy for a long time, you lose your poetic power...Happiness and poverty can only coexist for the briefest time. Afterword either happiness coarsens the poet or the poem is so true it destroys his happiness.

The fellow is either a madman or a poet.

If you criticize a fine genius, the odds are that you are out of your reckoning, and, instead of the poet, are censuring your owncaricature of him.

Still, no one finally knows what a poet is supposed either to be or to do. Especially in this country, one takes on the job—because all that one does in America is considered a "job"—with no clear sense as to what is required or where one will ultimately be led. In that respect, it is as particular an instance of a "calling" as one might point to. For years I've kept in mind, "Many are called but few are chosen." Even so "called," there were no assurances that one would be answered.

What an ornament and safeguard is humor! Far better than wit for a poet and writer. It is a genius itself, and so defends from the insanities.

The way to become a poet is to read poetry and to imitate what you read and to read passionately and widely and in as involved a way as you can.

The world, in its sheer exuberance of kindness, will try to bury the poet with warm and lovely human trivialities. It will even ask him to autograph books.

O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.

The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.

a poet is someone who is abnormally fond of that precision which creates movement. Which is to say the highest form of concentration possible: fascination; to report on the electrifying experience of being

This is what rituals are for. We do spiritual ceremonies as human beings in order to create a safe resting place for our most complicated feelings of joy or trauma, so that we don't have to haul those feelings around with us forever, weighing us down. We all need such places of ritual safekeeping. And I do believe that if your culture or tradition doesn't have the specific ritual you are craving, then you are absolutely permitted to make up a ceremony of your own devising, fixing your own broken-down emotional systems with all the do-it-yourself resourcefulness of a generous plumber/poet.

Two years ago I was on the train from Berlin to Frankfurt when I heard that the Nobel Peace Prize had been awarded to my close friend, the writer Liu Xiaobo, who is imprisoned in China. To me it was confirmation that universal values and a moral code do exist, and that the point of the Nobel Prize is to encourage writers to stand up for this moral code. Last Thursday I was once again on the train from Berlin to Frankfurt when I heard that the Nobel Prize for Literature had gone to Mo Yan. He is a state poet. I am utterly bewildered. Do these universal values not exist after all?

I pulled a book by Robinson Jeffers off the shelf one day. It was powerfully moving. Tears ran down my face. That's when I became a poet.