Quotes About Poets

I started moving away from poets like Wallace Stevens and Hart Crane and started reading poets like, again, Karl Shapiro, Howard Nemerov, Philip Larkin, and the British poets who were imported through that important anthology put together by Alvarez - and those would include Thom Gunn and Ted Hughes. And I think these poets gave me assurance that there were other ways to write besides the rather involuted style of high modernism whose high priests were Pound, Eliot and Stevens, and Crane perhaps.

Plato said that poets should be excluded from the ideal republic because they are such liars. I am a poet, and I affirm that this is true. About no subject are poets tempted to lie so much as about their own lives; I know one of them who has floated at least five versions of his autobiography, none of them true. I of course - being also a novelist - am a much more truthful person than that. But since poets lie, how can you believe me?

The ideal audience the poet imagines consists of the beautiful who go to bed with him, the powerful who invite him to dinner and tell him secrets of state, and his fellow-poets. The actual audience he gets consists of myopic schoolteachers, pimply young men who eat in cafeterias, and his fellow-poets. This means, in fact, he writes for his fellow-poets.

Critics write out of intellectual exercise, not poets. Poets write straight from the heart.

My favorite poets may not be your bread and butter. I have more favorite poems than favorite poets.

Revolution is a bitter thing, mixed with filth and blood, not as lovely or perfect as the poets think. It is eminently down to earth, involving many humble, tiresome tasks, not so romantic as the poets think... . So it is easy for all who have romantic dreams about revolution to become disillusioned on closer acquaintance, when a revolution is actually carried out.

There is a world which poets cannot seem to enter. It is the world everybody else lives in. And the only thing poets seem to have in common is their yearning to enter this world.

Poets are like baseball pitchers. Both have their moments. The intervals are the tough things.

Love has been taken away from the poets, and has been brought within the domain of true science. It may prove to be one of the great cosmic elementary forces. When the atom of hydrogen draws the atom of chlorine towards it to form the perfected molecule of hydrochloric acid, the force which it exerts may be intrinsically similar to that which draws me to you. Attraction and repulsion appear to be the primary forces. This is attraction.

I was surprised recently to find a book called "Poetry in Persons" that's coming out about visit to poets to a class that Pearl London gave.

San Francisco has long been a leader in the arts, nurturing generations of painters, sculptors, poets, novelists, playwrights, film-makers, and performing artists and innovators of every kind.

Pound's crazy. All poets are.... They have to be. You don't put a poet like Pound in the loony bin.

The artist looks for a subject. You know, a lot of new poets don't seem to have a subject. I don't totally understand that.

All that a critic, as critic, can give poets is the deadly encouragement that never ceases to remind them of how heavy their inheritance is.

And truly Philosophy is but sophisticated poetry. Whence do those ancient writers derive all their authority but from the poets?

Nobody has ever measured, not even poets, how much the heart can hold.

Chameleons feed on light and air: Poets food is love and fame.

I feel like the older I get, the truer it feels that I'm only going have an investment in a poem if it allows or forces me to bring something that's supremely me onto the page. I used to think that the speaker of a poem was talking to someone else, to some ideal reader or listener, but now I think that speakers - poets - are talking to themselves. The poem allows you to pose questions that you have you ask of yourself knowing that they are unanswerable.

In the mind of all, fiction, in the logical sense, has been the coin of necessity;—in that of poets of amusement—in that of the priest and the lawyer of mischievous immorality in the shape of mischievous ambition,—and too often both priest and lawyer have framed or made in part this instrument.

The thing I like about the band [Dead Child] is that there's no pretense. We aren't even trying to be artists or poets.

Every wild apple shrub excites our expectation thus, somewhat as every wild child. It is, perhaps, a prince in disguise. What a lesson to man! So are human beings, referred to the highest standard, the celestial fruit which they suggest and aspire to bear, browsed on by fate; and only the most persistent and strongest genius defends itself and prevails, sends a tender scion upward at last, and drops its perfect fruit on the ungrateful earth. Poets and philosophers and statesmen thus spring up in the country pastures, and outlast the hosts of unoriginal men.

All the poet can do today is warn. That is why true Poets must be truthful.

Why can't poets just say what they want to say and then shut up?

I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope. We will need writers who can remember freedom. Poets, visionaries-the realists of a larger reality.

Poetry is not a silent art. The poem must perform, unaided, in its reader's head. Educated readers give themselves a good performance. Educated listeners compare performance with text and with other performances. Good poets use the full resources of language.

Life is empty. Life is meaningless. When we take a life, we arn't taking anything of value. Wetboys are killers. Thats all we do. Thats all we are. There are no poets in the bitter business.

When critics are waiting to pounce upon poetic style on exactly the same grounds as if it were prose, the poets tremble.

The Life of Johnson is assuredly a great, a very great work. Homer is not more decidedly the first of heroic poets. Shakespeare is not more decidedly the first of dramatists, Demosthenes is not more decidedly the first of orators, than Boswell is the first of biographers. He has no second.

It's interesting how young poets think of death while old fogies think of girls.

I don’t worry anymore about writing. There are times that I go through dry periods. I never go through a block. I’m always writing, but there are times where I’m just not on my game, and I’ll use that time to read some new poets, go see some art, walk down to the river and just stare at it, or have a conversation with my sister, or whatever—do whatever it is that I do in my life, hoping that I’ll get filled up enough. And something will happen, some juggling will happen and boom.

In [The New Poetry] I had attacked the British poets' nervous preference for gentility above all else, and their avoidance of the uncomfortable, destructive truths both of the inner life and of the present time.

To avoid being mistaken for a sellout, I chose my friends carefully. The more politically active black students. The foreign students. The Chicanos. The Marxist professors and structural feminists and punk-rock performance poets.

Every man, when he gets quiet, when he becomes desperately honest with himself, is capable of uttering profound truths. We all derive from the same source. There is no mystery about the origin of things. We are all part of creation, all kings, all poets, all musicians; we have only to open up, only to discover what is already there.

We have not all had the good fortune to be ladies. We have not all been generals, or poets, or statesmen; but when the toast works down to the babies, we stand on common ground.

Poets have the gift to speak for others, Vasko Popa had the very rare quality of hearing the others.

Poets are like steam valves, where the ordinary feelings of ordinary people can escape and be shown.

The maiden Olympics had more to protest about than mere war, though. Central to its ethos was a rejection of two establishments the political one, certainly, but also that of the wider poetry world itself. It changed poetry for ever in the UK, ... It led to readings all over the country. You suddenly got more women reading and publishing poems, as well as gay guys and poets from all over the world. Until that time, published poetry had been very university-based white, male, middle-class. We were trying to break poetry out of its academic confines.

Language becomes a prison house only poets can escape...if we do not reject any strict distinctions between ordinary usage and figures of speech.

Why should all virtue work in one and the same way? Why should all give dollars? It is very inconvenient to us country folk, and we do not think any good will come of it. We have not dollars; merchants have; let them give them. Farmers will give corn; poets will sing; women will sew; laborers will lend a hand; the children will bring flowers.

There have always been poets who performed. Blake sang his Songs of Innocence and Experience to parties of friends.

Frauds master our minds; magicians, like poets and lovers, engage them in a permanent maze of possibilities.

Sometimes humans hit on a moment of profundity more complete than their dim minds could comprehend, and they took that nugget of truth and dumped it in the refuse for the bards and the poets to find, and mangle into yodeling paeans of love.

I wonder what all those Chinese poets sound like in Chinese. I like their distilled quality.

Adrienne Rich was one of the most widely-read and influential poets of her time, a leading feminist, known especially for her politically-engaged verse. Her best-known volume, "Diving into the Wreck," won the National Book Award in 1973.

It seems that God took away the minds of poets that they might better express His.

When I say be creative I don't mean that you should all go and become great painters and great poets. I simply mean let your life be a painting, let your life be a poem.

Mythology is composed by poets out of their insights and realizations. Mythologies are not invented; they are found. You can no more tell us what your dream is going to be tonight than we can invent a myth. Myths come from the mystical region of essential experience.

The way something looks or sounds is also what it means. Words as visual and aural phenomena, which mainly poets, not critics and prose writers, tend to be obsessed with. I think maybe I'm more of a curator than I am a writer in the strict sense because I am interested in how everything on the page, in a space, works together.