Quotes About Reading

[B]riefing is not reading. In fact it is the antithesis of reading. Briefing is terse, factual and to the point. Reading is untidy, discursive and perpetually inviting. Briefing closes down a subject, reading opens it up.

Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman.

I tell writers to keep reading, reading, reading. Read widely and deeply. And I tell them not to give up even after getting rejection letters. And only write what you love.

Reading is dreaming. Reading is entering a world of imagination shared between reader and author. Reading is getting beyond the words to the story or meaning underneath.

Reading alters the appearance of a book. Once it has been read, it never looks the same again, and people leave their individual imprint on a book they have read. Once of the pleasures of reading is seeing this alteration on the pages, and the way, by reading it, you have made the book yours.

Think about reading: Today, parents would love it if their kids read books more because the parents understand the books. Just over 100 years ago, parents were upset because their kids were reading dime-store novels. Parents would say, "I don't want you inside reading anymore. Get outside and play." I guarantee you, in 50 years or so, parents are going to say, "You're not going outside to play until you finish that video game."

Forever, reading has been central, the necessary fix, the support system. Her life has been informed by reading. She has read not just for distraction, sustenance, to pass the time, but she has read in a state of primal innocence, reading for enlightenment, for instruction, even. ... She is as much a product of what she has read as of the way in which she has lived; she is like millions of others built by books, for whom books are an essential foodstuff, who could starve without.

There are quite a number of people in the reading-room; but one is not aware of them. They are inside the books. They move, sometimes, within the pages like sleepers turning over between two dreams. Ah, how good it is to be among people who are reading.

I was really unfit last year, so I worked out for a long time, then spent time by myself in Oregon. For about two months the only person I saw was my trainer. Every day I did a lot of running and I just didn’t want to talk to anyone for two months. So when I started talking again, it was like you would communicate wrongly, like you wouldn’t really remember how to speak. That was one of the key things as well as just reading the book, reading the script a million times, just figuring things out.

As for the differences between audio and the printed page, the sonic aspects of poetry are important to me. I read my poems aloud to myself as I'm composing them. And I enjoy reading to an audience. I think people get tone more easily when they hear a writer read her work. Some people have told me they hear more humor in my poems at a live reading than when they see them on the page. I think that may be a matter of pacing. On the other hand, I've listened to a lot of poetry readings and I know how much you can miss. If you stop to really register one line, you miss the next three or so.

My strangest auditioning experience was when I was reading for a TV show, and right when I started the audition, the casting director left the room and yelled at me from the hallway to keep reading.

I can always tell when you're reading somewhere in the house,' my mother used to say. 'There's a special silence, a reading silence.

Ultimately, it doesn't matter if the author intended a symbol to be there, because the job of reading is not to understand the authors intend. The job of reading is to see into other people as we see ourselves.

There's something touching about a kid who's reading a book that's printed on actual paper. I think that anything that kids start reading, within reason, can lead to other discoveries.

A word, and all the infinite fluctuations it may possess. Like that moment when you know you have something to say, and you know you're speaking, even, but you still have no idea how you will say it. Or the moment when, as a reader, you're reading, and you are understanding what you are reading, but still have utterly no idea what will come next for you, what precisely the author wants to say. For me, that is the ultimate level of literary depth, of literary density.

If it was a biopic about Glenn Greenwald, I would have immersed myself more fully in his personal life and gotten to know him as much as I could, but because it was much more about his relationship to this particular situation, to The Guardian, to Laura Poitras, and to Ewen MacAskill, and Edward Snowden, I was able to really learn a lot about him from reading his book and reading his many articles and accounts of that time.

So I grew up in a very book-friendly environment and my education as a writer was reading. I think that's the best education. Reading, and taking from the people I admired.

Words are alive--when I've found a story that I love, I read it again and again, like playing a favorite song over and over. Reading isn't passive--I enter the story with the characters, breathe their air, feel their frustrations, scream at them to stop when they're about to do something stupid, cry with them, laugh with them. Reading for me, is spending time with a friend. A book is a friend. You can never have too many.

One of the things that made me long to be back in prison was that I had so little opportunity for reading, thinking and quiet reflection after my release. I intend, amongst other things, to give myself much more opportunity for such reading and reflection.

One performs a very different act when reading a movie and when reading a novel. Your attention behaves differently.

I have often reflected upon the new vistas that reading has opened to me. I knew right there in prison that reading had changed forever the course of my life. As I see it today, the ability to read awoke inside me some long dormant craving to be mentally alive.

The reader must come armed , in a serious state of intellectual readiness. This is not easy because he comes to the text alone. In reading, one's responses are isolated, one'sintellect thrown back on its own resourses. To be confronted by the cold abstractions of printed sentences is to look upon language bare, without the assistance of either beauty or community. Thus, reading is by its nature a serious business. It is also, of course, an essentially rational activity.

These days, most of my interactions with young people are centered on the poetry or theater classes I teach, so the students I know are reading contemporary poets (they love Willie Perdomo) and scripts (No Child, by Nilaja Sun and Twilight by Anna Deavere Smith). I don't know their reading habits outside of our class, but I believe that they enjoy stories that they can relate to, learn from, be challenged by - you know, the usual good writing that every reader craves.

Reading texts is no substitute for meditation and practicing Zen. If you read a book about a place, and you want to go there, you don't keep reading the book. You have to travel. That's what practice is about. Traveling. Walking the path.

When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.

I was reading Raymond Chandler very much with the feminist eye. In six of his seven novels, it's the woman who presents herself in a sexual way, who is the main bad person. And then you start reading more fiction, whether crime fiction or straight fiction, it's just bad girls trying to make good boys do bad things, going all the way back to Adam and Eve. The woman that thou gavest me made me do it, Adam says to God.

One reason I like to highlight reading is, reading is the beginnings of the ability to be a good student. And if you can't read, it's going to be hard to realize dreams, it's going to be hard to go to college. So when your teachers say, read - you ought to listen to her.

Reading was a joy, a desperately needed escape -- I didn't read to learn, I was reading to read.

You never know what you're in for when you take a role. When you're reading the script, you're in some café in New York and you're loving life and it sounds great because it's like reading a book. When you step into that book and you actually have to play it out, for real, it's a totally different ball game.

...I will continue to underscore that I don't think authorial intent is all that important to a reading experience, and I certainly don't think the job of reading is to divine authorial intent.

Writing comes from reading, and reading is the finest teacher of how to write.

A lot of times, you're not necessarily off the page because you haven't been able to take the time to prepare a character. It's very easy to find even great actors reading it more like a reading. Things aren't really coming alive yet, even though you know they will.

Stretching [and] yoga [are] very helpful. All of these things - they really do help. Good food and a lot of sleep. And reading - reading good books. Sometimes movies - although a lot of the movies are difficult.

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train, people that don’t exist, places you’ve never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader’s creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive.

Reading is a very different thing than performing. In fact, one of the things I think that doesn't work in books on tape is if the person doing the reading "acts" too much; it becomes irritating to you listening to it.

I'm steeped in the news because I enjoy the news - I like reading papers, I like reading the blogs, I love talking to newsmakers and pundits, for that matter, about their opinions. I'm an information gatherer by nature, so that's what attracted me about this industry.

I love reading about the sea. I love reading about it a lot more than actually being on the sea, when you think about it.

You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. Relax. Concentrate. Dispel every other thought. Let the world around you fade. Best to close the door; the TV is always on in the next room. Tell the others right away, "No, I don't want to watch TV!" Raise your voice -- they won't hear you otherwise -- "I'm reading! I don't want to be disturbed!" Maybe they haven't heard you, with all that racket; speak louder, yell: "I'm beginning to read Italo Calvino's new novel!" Or if you prefer, don't say anything: just hope they'll leave you alone.

No book is really worth reading at the age of ten which is not equally – and often far more – worth reading at the age of fifty and beyond.

Reading is alive and well and will get more alive and more well. Reading on tablets (or whatever the next tech device will be) is the future - and the future is now.

Communications technology changes possibilities for communication, but that doesn't mean it changes the inherited structure of the brain. So you may think that you're addicted to online reading, but as soon as it isn't available anymore, your brain will pretty immediately adjust to other forms of reading. It's a habit like all habits.

Heaven, Kiwi thought, would be the reading room of a great library. But it would be private. Cozy. You wouldn't have to worry about some squeaky-shoed librarian turning the lights off on you or gauging your literacy by reading the names on your book spines, and there wouldn't be a single other patron. The whole place would hum with a library's peace, filtering softly over you like white bars of light.

And if I really can see the future, then what does it mean? Is there any sense in our lives if everything is already out there, just waiting to happen? For if that were so, then life would be a horrible monster indeed, with no chance of escape from fate, from destiny. It would be like reading a book, but reading it backwards, from the final chapter down to chapter one, so that the end is already known to you.

I started reading contemporary fiction in college or right after college. It wasn't as if I was steeped in experimental minimalism when I was twelve or something. I was reading The Witch of Blackbird Pond.

I think if you can show a kid that reading can actually be fun, it can make you laugh, inspire imagination - that can make a huge difference, that can help a child who's struggling with reading to really look at it differently.

The regret on our side is, they used to say years ago, we are reading about you in science class. Now they say, we are reading about you in history class.

Books worth reading are worth re-reading.

I was one of those kids who had books on them. Before weddings, Bar Mitzvahs, funerals and anything else where you're actually meant to not be reading, my family would frisk me and take the book away. If they didn't find it by this point in the procedure, I would be sitting over in that corner completely unnoticed just reading my book.