Quotes About Reality

Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.

Realism; fatalism; phlegm. To live in the Fens is to receive strong doses of reality. The great flat monotony of reality; the wide empty space of reality. Melancholia and self-murder are not unknown in the Fens. Heavy drinking, madness and sudden acts of violence are not uncommon. How do you surmount reality, children? How do you acquire, in a flat country, the tonic of elevated feelings?

In order to pin down reality as realilty, we need another reality to relativize the first. Yet that other reality requires a third reality to serve as its grounding. An endless chain is created within our consciousness, and it is the maintenance of this chain which produces the sensation that we are actually here, that we ourselves exist.

Grief is accepting the reality of what is. That is grief's job and purpose-to allow us to come to terms with the way things really are, so that we can move on. Grief is a gift of God. Without it, we would all be condemned to a life of continually denying reality, arguing or protesting against reality, and never growing from the realities we experience.

Photographs are a way of imprisoning reality, understood as recalcitrant, inaccessible; of making it stand still. Or they enlarge a reality that is felt to be shrunk, hollowed out, perishable, remote. One can't possess reality, one can possess (and be possessed by) images.

Buddha was speaking about reality. Reality may be one, in its deepest essence, but Buddha also stated that all propositions about reality are only contingent.

Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.

It comforts me to think that if we are created beings, the thing that created us would have to be greater than us, so much greater, in fact, that we would not be able to understand it. It would have to be greater than the facts of our reality, and so it would seem to us, looking out from within our reality that it would contradict reason. But reason itself would suggest it would have to be greater than reality, or it would not be reasonable.

The park achieved a kind of reality. Like these virtual reality games the children are playing with. I told them we were doing this 40 years ago! Disneyland is virtual reality.

When I use the term "complex realism", what I'm suggesting is that the writer must be realist, always realist, but not realist in the sense we have usually used the term in literature. If reality today is different from the reality of 30 years ago, we can't keep describing reality in the same way as we did 30 years ago.

Just like Sept. 11, only with nuclear weapons this time, that's the threat. I think that is the threat. I think it's just facing reality. It's not a happy reality, but it's reality and if you don't deal with it, it will become even more unpleasant.

The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.

Teachers and students (leadership and people), co-intent on reality, are both Subjects, not only in the task of unveiling that reality, and thereby coming to know it critically, but in the task of re-creating that knowledge. As they attain this knowledge of reality through common reflection and action, they discover themselves as its permanent re-creators.

My work is always based on reality. I'm not an artist that creates works of fiction. I'm not an artist who is in my studio inventing things out of my imagination - everything is based on reality, on real facts.

I think we create our world through stories. We use storytelling to escape or protect ourselves from the unimaginable and the horrible - from the real, in a way. It's like white light - if you put everyday reality through a prism you get this rainbow of colors that you couldn't see before. I'm interested in exploring the world to show the things that are invisible. And not just undocumented aspects of reality, but to actually make manifest things that have been hitherto invisible through the intervention of filmmaking.

A spiritual teaching is a finger pointing toward Reality; it is not Reality itself. To be in a true and mature relationship with a spiritual teaching requires you to apply it, not simply believe in it.

In the hidden order of reality, there is no distinction between mind and matter. The split between inner and outer - subjective and objective - that we experience in ordinary life is unknown in the deeper reality.

Evolving Culture, Reality, as we perceive it, is largely shaped by the artifacts, both material and symbolic, of thought, thought that leads to creative manifestation in form and color. With that in mind, it might be suggested that the visual artist, - from commercial designer to fine art painter - has much to do with most things that enter your everyday visuals, and thus form a major portion of one's reality and, certainly, how this culture manifests and evolves.

If the Christian doesn't get reality right, he loses effectiveness in this life. If the non-Christian doesn't get reality right, he loses much in this life, and everything and the next one. As Jesus put it, "What does it profit a man if he gains the whole world and loses his soul?"

It always amuses me that the biggest praise for my work comes for the imagination, while the truth is that there's not a single line in all my work that does not have a basis in reality. The problem is that Caribbean reality resembles the wildest imagination.

We can see an anthill or a roach or a flower or anything, but we have this frame where our mind recognizes an anthill and then moves on, without taking the opportunity to have the sense of awe that we could have if we really looked at it. The montage is about taking pieces of reality and rearranging them - creating new frames to make you have to stop and look at things in a fresh way. It's basically taking pieces of everyday reality and rearranging them to show people the magic that is inherent in all of these things already.

Everything that I've ever done is not really based on reality, it's the caricature of reality, which is what's really exciting.

The fact that we have to discuss reality as though there were no reality is an indication of the confusion of our times.

The individual who has been liberated by reason is always running head-on into a world, a society, whose past in the shape of 'prejudices' has a great deal of power; he is forced to learn that past reality is also a reality.

I try to photograph what can't be photographed - psychological or subjective reality, which seems more real than physical or consensual reality.

A worldview is not the same things a formal philosophy, otherwise it would only be for philosophers. Even ordinary people have a set of convictions about how reality functions and how they should live. Some convictions are conscious while others are unconscious but together they form a consistent picture of reality.

Maybe every two films you need to do documentary to tell what you really want to tell and not be limited by the medium. With documentary you don't create the reality you have to hunt the reality.

[The photograph is] still a space to reorganize our thoughts about reality and our place in the world. How do you disentangle the surface of reality?

When we follow our hearts, we follow the path of lessons we were meant to take and gain knowledge from. Sometimes the heart conquers over reason, and this may lead us to making serious mistakes, but these are mistakes written for us to grow. This is the real reason you hear 'FOLLOW YOUR HEART'. And the real reason you hear, 'FOLLOW YOUR DREAMS' is because our dreams expose us to our true multidimensional realities outside of this delusional realm we call reality. Our TRUE reality can be found in our dreams, where we are our true multidimensional selves.

That is my reality. It's that important to nurture and foster my own creativity. There are plenty of birthday parties I haven't been able to go to, weddings I haven't been able to go to because I've been working. Those are things that have not been easy to give up, but at the same time, it is my reality. It's my responsibility.

The American officials should learn to deal with reality. Why did the United States fail in most of its wars ? Because it always based its wars on the wrong information. So, whether they believe or not, this is not reality.

Being in the ring became my reality, and, in my reality, I'd think I was someone special.

I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed.

The songs are not meant to be real life. They're meant to have a psychic - rather than a factual - bearing on the listener. It's rare that a song grounded in reality moves me because I don't feel like I'm getting the whole story. Songs are made to exist in and of themselves, like a great James Jones or Robert Louis Stevenson novel - they're not autobiographical, and yet there's a reality in every single page. It's real life of the imagination.

But the reality is that we don't live in Mr. Rogers neighborhood anymore. The reality is that our officers should be armed.

Fiction is not imagination. It is what anticipates imagination by giving it the form of reality. This is quite opposite to our own natural tendency which is to anticipate reality by imagining it, or to flee from it by idealizing it. That is why we [Europeans] shall never inhabit true fiction; we are condemned to the imaginary and nostalgia for the future.

I favour an interpretation of quantum mechanics (the 'Everett interpretation') according to which reality branches in any chancy quantum situation. On this view, Schrödinger's set-up will give rise to in two future branches of reality, one with a live cat, and one with a dead cat - and the talk of '50% chances' just indicates that the two branches are both equally real futures of the cat that originally entered the box.

I don't believe there's any such thing as objective reality. It's only reality as we experience it.

Acting is a child's game. It's your willingness to suspend one reality and substitute it for another. That reality lives and breathes in your imagination. The actors that I want to be like exercise that way of thinking, and that's kind of what I do.

I don't like reality TV as far as it being scripted and not being true reality.

My mother isn't crazy. She simply has a harder time than most reconciling her reality with everyone else's reality.

You can avoid reality, but you cannot avoid the consequences of avoiding reality.

If you assume any rate of improvement at all then the games will become indistinguishable from reality. It would seem to follow that the odds that we are in base reality would be one in billions.

The universe bursts into existence from life, not the other way around as we have been taught. For each life there is a universe, its own universe. We generate spheres of reality, individual bubbles of existence. Our planet is comprised of billions of spheres of reality, generated by each individual human and perhaps even by each animal.

Art is a reality, not a definition; inasmuch as it approaches a reality, it approaches perfection, and inasmuch as it approaches a mere definition, it is imperfect and untrue.

That is the most accurate, predictive model for his behavior....I think Obama gets up every morning with a worldview that is fundamentally wrong about reality...If you look at the continuous denial of reality, there has got to be a point where someone stands up and says that this is just factually insane.

Given cognitive vulnerabilities, it would be convenient to have an arrangement whereby reality could tell us off; and that is precisely what science is. Scientific methodology is the arrangement that allows reality to answer us back.

So is not mathematical analysis then not just a vain game of the mind? To the physicist it can only give a convenient language; but isn't that a mediocre service, which after all we could have done without; and, it is not even to be feared that this artificial language be a veil, interposed between reality and the physicist's eye? Far from that, without this language most of the initimate analogies of things would forever have remained unknown to us; and we would never have had knowledge of the internal harmony of the world, which is, as we shall see, the only true objective reality.