Quotes About Singing

Last season when I was on set...for some reason I had The Battle Hymn of the Republic in my head but I didn't know all the words. It was one of those songs you had to learn when you were younger. It wasn't as important for people raised in the 80's and 90's as it was to people raised in the 50's, 60's and 70's so when I started singing "My eyes have seen the glory of the coming of the Lord," Jane [Fonda] heard me singing it and started singing the rest of it. Suddenly everyone on set everyone was singing. That's just something I can keep in my heart forever.

Church was the thing for me. The fellowship and the message that was given and singing in the choir and singing the solos and really listening to the words that you were singing and seeing how it affected people was huge for me.

What is certain is that singing is not merely modulating a song by means of the voice: we sing and we celebrate the beauty that we can grow and live every day. If you want to sing and give emotions to those who are listening, you must have something to tell through your singing; you have to use singing like an instrument to tell something.

The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.

Everywhere was singing, all over the house was singing, and outside the house was alive with singing, and the very air was song.

Singing is a kind of sport and a singer a kind of athlete and following this model becoming "vocally fit" - building vocal muscles - should be the point of any form of voice teaching. Other approaches don't work directly on building vocal muscles but instead focus on so-called diaphragm support and breathing, mask singing, breath control, throat relaxation - all of which are useless at best and harmful at worst.

I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.

I'm an entertainer, period. But I'd probably have to say my passion is in singing. I'm willing to go broke singing.

I grew up in an extremely musical atmosphere. There was a lot of music and singing around. I never really thought about one not singing, as a person. I've always sung and made music, it was just self-understood.

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

I used to listen to Judy Garland all the time - I love Judy Garland and her music. But I started to realize that if you keep singing like that, singing songs of being victimized by love over and over and over again, it can't help but have a profound effect on your life.

Backstreet Boys fans don't want to hear the New Kids singing all of their hits. Just like our fans don't want to hear the Backstreet Boys singing all of our hits.

I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.

We do not ask what hope of gain makes a little bird warble, since we know that it takes delight in singing because it is for that very singing that the bird was made, so there is no need to ask why the human mind undertakes such toil in seeking out these secrets of the heavens. ... And just as other animals, and the human body, are sustained by food and drink, so the very spirit of Man, which is something distinct from Man, is nourished, is increased, and in a sense grows up on this diet of knowledge, and is more like the dead than the living if it is touched by no desire for these things.

One night as I girl I spied my grandma and one of her sisters outside, holding hands and singing, "Sprites of the night are we, are we. Singing and dancing joyfully." It was witchy and wonderful because it meant there was power in joy. They were not afraid of the night because they were giggling. I am very interested in finding the surprising boundaries, for instance, where do joy and fear meet?

When I first organized the King Cole Trio back in 1937, we were strictly what you would call an instrumental group. To break the monotony, I would sing a few songs here and there between the playing. I sang things I had known over the years. I wasn't trying to give it any special treatment, just singing. I noticed thereafter people started requesting more singing, and it was just one of those things.

When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.

I've always loved music. I wasn't one of those "composing since I was five" kids, but I was definitely involved with music since I was that age - singing in musicals and taking lessons. Lots of lessons! Singing, dancing, acting, drums set. My mom pretty much had a full-time job carting me all over town six days a week.

The music director, Stephen Oremus, was telling me: "I hope you've done your work." We only have ten days rehearsal. The music is no joke. My solo singing is not that hard. But the stuff I have as part of the choir or as a "Dead Guest" in the second-half... I'm singing some really incredible chorus stuff that I haven't done in a long time. It's extremely difficult.

What singing means to me, I never did consider myself a singer, I just let people watch me feel music and how it comes through me. I've worked on it and practiced a lot. I mean, music, I dance to it, and singing is just one way of getting it out of me.

My energy to sing, I get it from my singing. Singing was not a reason to make a living. This is the only thing I wanted to do.

I had been singing since I was 3 years old, so my love of singing was always there.

If your neighbor looks at you like they don't enjoy the key you're singing in, look right back, bless them, and keep on singing.

That feels natural to me, singing in a small group of people I just can't do. You'll never hear me sing at a dinner table or anything, but this feels kinda natural. I've done it many, many times. So, and also, the pressure's off me cos I'm not singing on my own. I'm just doing a few harmonies with my stuffed nose.

EVERYONE suddenly burst out singing; And I was filled with such delight As prisoned birds must find in freedom, Winging wildly across the white Orchards and dark-green fields; on—on—and out of sight. Everyone’s voice was suddenly lifted; And beauty came like the setting sun: My heart was shaken with tears; and horror Drifted away ... O, but Everyone Was a bird; and the song was wordless; the singing will never be done.

I love singing some Johnny Cash, which is interesting because it's in a guy's key; I love singing Elvis Presley.

I kind of knew something was going on, and my older brothers and sisters were singing be-boppish kinds of stuff in the living room, and I was listening. I started singing, warmer than a summer night, at seven or eight years old.

You know what, I'm very interested in acting, but right now I'm busy promoting my album and going on tour because that's my first love, but I'm very interested in doing some parts that may come my way. I've been offered a few movie parts so far, but I have to really concentrate on singing. But it's something I'm interested in doing eventually. I haven't been offered a part that truly inspires me to take time off, though.

I haven't really written my plays and books - I've heard them. The stories are there already, singing in your genes and in your blood.

Dancing was a big part of my life, but I would never consider myself a dancer. I adore singing, and music has always been a huge part of my life, but I also enjoy acting.

Time is my enemy. Time will catch up with me vocally. And I dread that. I dread to think about life without singing.

I remember when I first rocked in it was a great big dance hall and Tommy Young was blowing trombone and Louis [Armstrong] was singing a tune and it was just Satchmo and you could hear it resounding through the dance hall and people were dancing. It was a highlight.

The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.

If they're singing about heartbreak, they've lived it.

There are certain recordings where my voice sounds good to me. Singing live I really enjoy, but I don't know how good it sounds.

I just remember standing there, singing with the headphones on and the strings playing, just how wonderful that felt. But we so rarely got to go out and do it. Obviously, we don't carry a 70-80-piece orchestra with us when we do shows.

Here, like everywhere else, laughing and singing, dancing and dreaming are not exactly the whole of reality; and for one ray of sun shining on the hut, the rest of the village remains in the dark.

Overall, the library held a hushed exultation, as though the cherished volumes were all singing soundlessly within their covers.

I always seem to be singing against the grain.

I hear this song and I think, Man, this is ... great. This is the best I ever heard this. I forget I'm the one singing.

I learned to play guitar on my lying back while I was bed-ridden. I only thought to record the songs because sometimes I would I couldn't remember what I had just done. Eventually I started singing, because I thought if I sang it that would help to remember even more. But I wasn't trying to sing. And then one day-this is really weird -I just wrote a song. It came out at a rapid rate and I recorded it and I listened back to it and was like "Wow, it's a tune."

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

I've read and heard that some of the most inspiring vocal interpreters adhere habitually to one rule: Always think the lyrics as you're singing them, so that the sentiment is always appropriate and heartfelt.

I knew I wanted to do something creative. I didn't think I'd have the luxury of doing something like that, because I didn't know anyone who had pursued anything they really adored, but I had dreams for singing or writing.

... I like the clubs because ... we have two or three acoustic guitars up there and we're not hard-core slamming or stomping through the music. We're singing it with intricate harmonies and really showing the craftsmanship.

You have to respect your audience. Without them, you're essentially standing alone, singing to yourself.

Remembering that life can be full of surprises is useful in any part of your life. You can try a new way of singing a song you’ve performed for years, a new way of showing your family your love for them, or a new recipe. Don’t just play the licks you know. We’re all improvising all the time — it’s good to recognize that and embrace it.

Eric Peters is a chronicler of his journey; he's been a faithful steward of the story God is telling through him, and this newest chapter, BiRDS OF RELOCATiON, is Eric's testimony that along the way there are moments of deep joy and gratitude-they may seem brief, but they're bright, and they're worth singing about. The joy I hear on this record heralds a long and welcome peace.