Quotes About Singing

I think I kind of came out of the womb singing. I think I was, like, born at the hospital, and, you know, popped out, and was singing. ... I'm not sure really how it happened. I can't remember a time when I wasn't singing, or banging a beat on the dinner table...

The singing Sun the signing moon the singing stars and the singing galaxies are the direct expression of the divine word AUM.

On-stage, I definitely want to use my real self because I'm singing to people who believe in what I'm singing, and I believe in what I'm singing, but they shouldn't be fooled because we all have fake selves and it's in there somewhere. It's not pretending to hurt somebody; it's just something that comes out of me, from my experience.

However, it [singing] wasn't until halfway through high school that it dawned on me that singing wasn't just a hobby, it was something I had a growing need for in my life, and that was about when I adopted the neglected guitar I found under our piano and started singing about all the things I could never say.

The one thing I find about singers in the business is that they often don't get the right education. I hear a lot of them singing and when they get to 30, 40 years old they wont be able to sing because they are not properly trained. A lot of people singing from their throat instead of singing from their diaphragm.

I've always been singing. Since day one. I started doing musical theater and you have to sing in musical theater and so that's where I got most of my training. So singing on stage, you just inevitably, when you're around other vocal artists, you get better at singing.

The whole first two-thirds of the I Just Can't Stop Loving You song is just he and I. He's singing lead and I'm doing all the harmonies and we're both singing all the background. We're singing all the choruses until the choir comes in. We were the first two-thirds of the song.

Singing has always seemed to me the most perfect means of expression. It is so spontaneous. And after singing, I think the violin. Since I cannot sing, I paint.

There is nothing like singing a song that 20,000 people know and are singing back to you.

Being the Queen is not all about singing and being a diva is not all about singing. It has much to do with your service to people. And your social contributions to your community and your civic contributions as well.

I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.

I never, with my eyes, saw the mistreatment of any black person. Not once. Where we lived was all farmers. The blacks worked for the farmers. I hoed cotton with them. I'm with the blacks, because we're white trash. We're going across the field.... They're singing and happy. I never heard one of them, one black person, say, I tell you what: These doggone white people - not a word!... Pre-entitlement, pre-welfare, you say: Were they happy? They were godly; they were happy; no one was singing the blues.

I can change the arrangements on stage while I am playing or singing, doing signs to the musicians to change things because the audience is dancing or singing with us. That's the interesting part of the live show, actually, because everything is possible and everything can change.

What fools we are, eh? What fools, sitting here in the sun, singing. And of love, too! I am too old for it and you are too young, and yet we waste our time singing about it. Ah, well, let's have a glass of wine, eh?

Musically, though, you're a character and you're singing a song. If you're not your own character, you're the character in the song, most of the time. Even blues musicians, a lot of them who were the most realistic, at times, they were singing a song and portraying a character in the song. There's something to be said for getting involved in the emotion of a song, too, with the characters.

I came home one day from school after being chased by kids singing “Yellow Submarine”, and I didn't understand why. It just seemed surreal: why are they singing that song to me? I came home and I freaked out on my dad: 'Why didn't you tell me you were in The Beatles?' And he said, 'Oh, sorry. Probably should have told you that.'

I've gone from singing to millions on a network show one day to singing to four people in a gymnasium in Casper, Wyo., the next.

When you're singing you can hear the echo of people in the audience singing every single word with you, and that was that big dream that I had for myself. It's happening.

It is the voice of the Church that is heard in singing together. It is not you that sings, it is the Church that is singing, and you, as a member of the Church, may share in its song.

I was not a band geek, per say. But me and my two older sisters played instruments, so I would come home and my sister Dana would be playing the clarinet or playing the piano, and I would play the saxophone, my other sister would be singing, my mom would be singing. I was not afraid to be musical. That was not something that I thought was uncool.

I think if you sing a song for the first time to your mom and dad, or your friends, and they go, 'That's pretty cool'-if you're playing at the local bar somewhere, or the coffee shop, singing songs, or if you have a gig somewhere and you're singing your own songs, I think that's some version of making it. ... It's not just about having commercial success; it's about having a great life.

Singing for stage, if you don't hear yourself, that's when you push, and that's when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.

When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.

I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice.

Each of us has something within us which won't be denied, even if it makes us scream aloud to die. We are what we are, that's all. Like the old Celtic legend of the bird with the thorn in its breast, singing its heart out and dying. Because it has to, its self-knowledge can't affect or change the outcome, can it? Everyone singing his own little song, convinced it's the most wonderful song the world has ever heard. Don't you see? We create our own thorns, and never stop to count the cost. All we can do is suffer the pain, and tell ourselves it was well worth it.

I've been singing since I was two. Music was my first passion and I love writing, singing, creating and being creative.

Sometimes a musical imagination is as important as singing itself, you know, the voice, what you do vocally, the vowels. So there's a percussiveness that can sometimes be quite energizing and useful in singing as an expressive device.

Singing brings out in me what I can't normally bring out in everyday life. It's an incredible feeling to be able to bare your soul to people you've never met in a way that can make them understand so clearly what you mean. That's what I love most about singing ... it becomes my truest form of communication.

All my songs were solo voices. Just me singing. In fact, that was the gimmick - no gimmick. Just singing straight with not too much background.

I probably wouldn't be singing if not for Michael Jackson. When I started singing, I didn't like my tone until my mom put me on to Michael Jackson and Stevie Wonder, so listening to the way they used their instrument helped me get more comfortable with my own.

In the dark times Will there also be singing? Yes, there will also be singing. About the dark times.

I started singing with the Amboy Dukes in '87. I sang 'Oh Baby Please Don't Go,' the old Van Morrison song by Joey Smith. I started singing more from then on.

I haven't really written my plays and books - I've heard them. The stories are there already, singing in your genes and in your blood.

The trouble with the opera is there's always to much singing.

And nevertheless I have loved certain of my masters, and those strangely intimate though elusive relations existing between student and teacher, and the Sirens singing somewhere within the cracked voice of him who is first to reveal a new idea. The greatest seducer was not Alcibiades, afterall, it was Socrates.

If I had a chance to do things over again, I might not start singing. It was my husband Doolittle's idea. He pushed me out there, the booger. And I'm out there now, so I might as well make the best of it.

Raising the flag and singing the anthem are, while somewhat suspicious, not in themselves acts of treason.

You are not an encapsulated bag of skin dragging around a dreary little ego. You are an evolutionary wonder, a trillion cells singing together in a vast chorale, an organism – environment, a symbiosis of cell and soul.

Well, I loved singing in the chorus, and there was some connection for me between gospel and choral music.

Home should be an oratorio of the memory, singing to all our after life melodies and harmonies of old-remembered joy.

I felt really bad for someone who is swimming in so much hate. I just thought, that's someone who's in a really bad spot, and I am in such a happy spot. I laugh my head off every day with my husband and my kids who are mooning me and singing me songs.

I think I don't sing as hard as I used to sing. I used to kind of hit the accelerator a lot back in my youth, but now it's just being able to control it, and not work it so hard and use more of an emotional or sub textual kind of approach to singing.

When you write a song that is so personal to yourself, it's really hard to picture anybody else understanding it when you're singing it. There's things that are very broad and universal topics. Those are the songs that might work for others.

I've read and heard that some of the most inspiring vocal interpreters adhere habitually to one rule: Always think the lyrics as you're singing them, so that the sentiment is always appropriate and heartfelt.

Opera singing is in every way of inestimable value; a real heritage for all mankind that has been reached over centuries of studies, attempts, flights of the spirit.

I have been singing for the last 50 years, you know, so I deserve a break. Besides, there are talented singers around who can do justice to their work.

I have a strange illusion quite often. I think I've become deaf. I have to make a little noise to prove I'm not. I clear my throat to show myself that everything is normal. It's like the little Japanese girl they found in the ruins of Hiroshima. Everything dead; and she was singing to her doll.

My songs, well, they are sad, but in all of them the person singing them - me or whoever - is actually still trying and hasn't given up yet.