Quotes About Sometimes

To create anything — whether a short story or a magazine profile or a film or a sitcom — is to believe, if only momentarily, you are capable of magic. These essays are about that magic — which is sometimes perilous, sometimes infectious, sometimes fragile, sometimes failed, sometimes infuriating, sometimes triumphant, and sometimes tragic. I went up there. I wrote. I tried to see.

I consider myself conscious of how women are treated, and sometimes I can be a feminist. Sometimes I'm a little Republican, sometimes I'm a little Democrat. Sometimes I'm angry, sometimes I'm not angry. I'm not a total feminist, but I believe in rights for females. I believe that if we have to pay 100 percent for our college tuition, and then we get into the workplace and we're only given 70 percent of our counterparts' salaries, then we shouldn't have to pay but 70 percent of our college tuition. Maybe that'll stop the bullshit.

Just as the good actor perform well whatever role the poet assigns, so too must the good man perform whatever Fortune assigns. For she, says Bion, just like a poet, sometimes assigns the leading role, sometimes that of the supporting role; sometimes that of a king, sometimes that of a beggar. Do not, therefore, being a supporting actor, desire the role of the lead.

Usually it's lyric first, but sometimes it's melody. And I carry a hand-held recorder everywhere I go so I can just hum or whistle a melody if one hits me. Sometimes it's both simultaneously - lyric and melody at the same time - those are a little confusing to me, but sometimes it comes in that form. I just feel like I have my own little radio station and sometimes the static clears and something beams in from out there.

But the greatest error of all the rest is the mistaking or misplacing of the last or farthest end of knowledge: for men have entered into a desire of learning and knowledge, sometimes upon a natural curiosity and inquisitive appetite; sometimes to entertain their minds with variety and delight; sometimes for ornament and reputation; and sometimes to enable them to victory of wit and contradiction; and most times for lucre and profession; and seldom sincerely to give a true account of their gift of reason, to the benefit and use of men.

My approach is that we are not searching for experiences here. We are trying to know the one who experiences all experiences. Our search is for the witness. Who is this observer? Who is this consciousness? Sometimes it feels sad, sometimes it feels happy; sometimes it is so high, flying in the sky, and sometimes so down. Who is this watcher of all these games? - high and low, happy, unhappy, in heaven and hell. Who is this watcher? To know this watcher is to know God. And you are already it - just a little awakening is needed... no search but only awakening.

Sometimes my work needs to be photographic, sometimes it needs words, sometimes it needs to have a relationship to music, sometimes it needs to have all three and become a video projection.

That's our job as artists is to be honest about what we're feeling. And what we're feeling is not always going to be perfect. Sometimes it's going to be controversial. Sometimes it's going to piss a couple of people off. Sometimes it's going to motivate people. Sometimes it's going to inspire.

No matter how interminable something feels, there is always, always an ending. Sometimes that's good, and sometimes it's bad; sometimes it's a matter of indifference, and sometimes it's heartbreaking, and your life is never the same thereafter.

That's sort of what I try to do with music: to harness whatever energy is already there and see where that momentum takes me. Sometimes you're spinning that oncoming momentum in a different direction, or sometimes you're coercing it to consider itself, or sometimes you're holding it up to a mirror. But I don't really like to interrupt and come in and destroy everything and start all over. I'm not that kind of guy.

do you not feel that sometimes in life one's friendships begin by antipathy - sometimes by indifference - and sometimes by that sudden magnetism of sympathy as if in some former life we had been very near and dear, and were only picking up the threads again, and to such two souls there is no feeling that they are strangers.

Ten years ago when I started out I was kind of told I was insane for trying to pursue multiple fields at once because in five years everyone who just did one would have five times the resume I would if I was lucky, but I took that gamble because I just my gut told me it was the right thing to do and you know as an actor there is so much downtime you want to fill it with something else and as a writer you know sometimes you're doing a passion project, sometimes it's a paid gig, sometimes there is nothing, so you can do a journalistic piece.

I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.

Fiction comes in all shapes and sizes. Secrets,lies,stories. We all tell them. Sometimes,because we hope to entertain. Sometimes,because we need to distract. And sometimes, because we have to.

The history omankind seems like kite flying; sometimes, when the wind is favorable, we let go the string a little and the kite soars a little higher; sometimes the wind is too rough and we have to lower it a little, and sometimes it gets caught among the tree branches; but to reach the upper strata of pure bliss-ah, perhaps never.

Loneliness is a hard thing to handle. I feel it, sometimes. When I do, I want it to end. Sometimes, when you're near someone, when you touch them on some level that is deeper than the uselessly structured formality of casual civilized interaction, there's a sense of satisfaction in it. Or at least, there is for me. It doesn't have to be someone particularly nice. You don't have to like them. You don't even have to want to work with them. You might even want to punch them in the nose. Sometimes just making that connection is its own experience, its own reward.

I would want people to take away this idea that sometimes people's problems or neuroses are really the things that are kind of a blessing in disguise, and even though there's sometimes pain associated with these things that sometimes in the face of adversity with obstacles to overcome, people can really kind of soar and find their higher selves.

Sometimes you have to wait for the right deal. They all seem good, at least at first, and they may make you some quick money. But when the right deal comes, and it fits into your [overall] plan, it's just overwhelming success. Sometimes, with the long-term deals, you have to take a risk if you're going to get a reward. It's exactly like fighting. Sometimes you have to take chances to get that huge win.

But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.

People once believed that when someone dies, a crow carries their soul to the land of the dead. But sometimes, something so bad happens that a terrible sadness is carried with it and the soul can't rest. Then sometimes, just sometimes, the crow can bring that soul back to put the wrong things right.

The paint for the grey paintings was mixed beforehand and then applied with different implements - sometimes a roller, sometimes a brush. It was only after painting them that I sometimes felt that the grey was not yet satisfactory and that another layer of paint was needed.

You find [reverberations from 9/11 ] in them most unexpected places, like graffiti on a wall. Sometimes it's a faded picture; sometimes it's a newspaper tacked to a wall. Sometimes it's weird paraphernalia related to it, home constructed paraphernalia. It resonates through society and continues to resonate today.

The French, who love their dogs, sometimes eat their horses. The Spanish, who love their horses, sometimes eat their cows. The Indians, who love their cows, sometimes eat their dogs.

Fame is also a test of character at times... Sometimes I pass the test; sometimes I'm a pain in the ass. Sometimes I'm like, Oh, God! I just want to buy some tampons!

I used to bug all of the comedians for interviews, and when people want to talk to me, sometimes I'm very receptive and sometimes I say no. Sometimes if I say no, I think, "If they're smart, they'll figure out how to not accept this no."

Sometimes, she reflected, she dressed for courage, sometimes for success, and sometimes for the consolation of knowing that whatever else went wrong, at least she liked her clothes.

Everybody's a multifaceted, emotional, living being, I think. Sometimes it's fun to goof around, sometimes you've got to think about things, sometimes you've got to be strange, and then you've got to be jiggly. That's just what being a human's all about.

Sometimes I want to party, sometimes I want to fight and sometimes I want to cry.

Sometimes, songs spill out of you very fast, and sometimes you have to wrangle them to the floor. But the same thing is true of comedy, where sometimes it really flows.

Sometimes your personal life is much more significant. Sometimes your work life is more significant. Friends and family, or sometimes the general population, take precedence.

There is no right or wrong angle for something. The idea of putting the camera in an unfamiliar position is simply to do with film language. Sometimes it is spectacular, sometimes it is ugly, sometimes it is uninteresting.

Cancer begins and ends with people. In the midst of scientific abstraction, it is sometimes possible to forget this one basic fact. Doctors treat diseases but they also treat people, and this precondition of their professional existence sometimes pulls them in two directions at once.

Sometimes the law defends plunder and participates in it. Sometimes the law places the whole apparatus of judges, police, prisons and gendarmes at the service of the plunderers, and treats the victim - when he defends himself - as a criminal.

Life is about change, sometimes it's painful, sometimes it's beautiful, but most of the time it's both.

Sometimes I even say that I have surpassed Lasker in using psychology. How? Well, sometimes I use psychology with a portion of risk. That is something else, something that Lasker wouldn't allow.

Sometimes in films it's nice to have violins on either side, rather than on one side, so you've got more of a stereo picture with the violins. Sometimes it's good to have the basses in the middle.

Sometimes a poem starts because I feel the urge to write about something from which I carry a great deal of shame, and I try to sketch out in writing how I am complicit in whatever dynamic it is I am illuminating. And sometimes it comes later, when I step back and challenge myself - am I being honest here?

Sport for me is about inspiring kids. Here's the rules, here's the play area, sometimes you win, sometimes you lose. This is all about teaching kids how to approach life. If we're not playing sport to benefit kids, I'm not really sure why we play sport.

That’s why I make music. When I listen to my favorite music made by other people, that’s what it does to me. So as a musician, I’m just trying to do the same thing with music I make. Sometimes it works, sometimes it doesn’t. But when someone comes to me and says the music I’ve made has affected them emotionally, that’s the most gratifying part of my job.

I mean, so if I've talked to whites in City of Refuge, sometimes they'll wonder, "Why do we do things a certain way, and why do we make a big deal out of events?" And what's happening is they're falling back on their understanding of the way that church should work. It's not always working exactly like that, and they feel frustration or confusion. Sometimes people leave. That's certainly common in mixed churches.

Sometimes it takes more courage not to let yourself see. Sometimes knowledge is damaging - not enlightenment but enleadenment. If one recognizes the difference and prepares oneself - it is extraordinarily brave. Because when it comes to certain human miseries, the only witnesses should be the pavement and maybe the trees. (Gareth van Meer)

I know what makes me happy. I pick the clothes that make me happy - sometimes people like them, sometimes they don't. I try to listen to my own internal guide.

From where I sit, battles are hard. I’ve written my share. Sometimes I employ the private’s viewpoint, very up close and personal, dropping the reader right into the middle of the carnage. That’s vivid and visceral, but of necessity chaotic, and it is easy to lose all sense of the battle as a whole. Sometimes I go with the general’s point of view instead, looking down from on high, seeing lines and flanks and reserves. That gives a great sense of the tactics, of how the battle is won or lost, but can easily slide into abstraction.

Life is not perfect. It never will be. You just have to make the very best of it, and you have to open your heart to what the world can show you; and sometimes it's terrifying, and sometimes it's incredibly beautiful, and I'll take both. Thanks.

It's always strange to read the things you've hoped for in the past because by now those hopes may be spoken for or gone, transformed or altogether forgotten. Like time, hope can be so senseless. It can carry us up mountains or lie us in the quicksand. But like time, hope is unstoppable, inevitable, and blind. Sometimes we travel fast, hurdling towards the unknown, sometimes the unknown comes hurdling towards us while we watch time standing still.

Life is work, and everything you do is so much more experience. Sometimes you work for wages, sometimes not, but what does anybody make but a living? And whatever you have you must either use or lose.

There are times when the writers ask us to improvise. Sometimes the animators are inspired by what you do, and sometimes you are inspired by what the animators do.

Sometimes it's very hard to turn off my brain especially when I have an eighteen hour day. I try to stop working by 10 or 11pm but you know sometimes there is nothing I can do about it.