Quotes About Style

When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example.

I don't need anyone to write me a show in my style, I would like to do a show in a style that wasn't my style, because that's the only way I can grow up and grow out.

I don't have a style. I wouldn't say I have a style as a writer, either. I know people have said "This is what he does," but when I'm writing, I don't think about that. I don't think about a style.

Styles tend to not only separate men - because they have their own doctrines and then the doctrine became the gospel truth that you cannot change. But if you do not have a style, if you just say: Well, here I am as a human being, how can I express myself totally and completely? Now, that way you won't create a style, because style is a crystallization . That way, it's a process of continuing growth.

You can ask yourself, if a film makes a claim, is the claim true or false? Having said that, a style of presenting material doesn't guarantee truth. There's this crazy idea that somehow you pick a style, and by virtue of picking the style, you've provided something that is more truthful. It's as if you imagine that changing the font on a sentence you write makes it more truthful.

I see other black women imitate my style, which is no style at all, but just letting our hair be itself. They call it the Afro Look.

I never saw myself as a director. It's certainly a second language but making movies for 40 years, you pick stuff up. However, this style of making movies, this documentary style, is easier for me because I gather a lot of material and with an editor, write it on screen. You try to write based on what you shot.

My biggest advice would be to take the pictures you want to take. Don’t think about the marketplace, what sells or what an editor might say. And don’t think about style. It’s all bullshit and surface stuff. Style happens.

Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

The style is the man. Rather say the style is the way the man takes himself; and to be at all charming or even bearable, the way is almost rigidly prescribed. If it is with outer seriousness, it must be with inner humor. If it is with outer humor, it must be with inner seriousness. No other way will do.

No change in musical style will survive unless it is accompanied by a change in clothing style. Rock is to dress up to.

The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?

I am thrilled FLIRT! tapped into me to be their new Style Ambassador. I love FLIRT! products because they help me express my own personal style - especially when I want to stand out on set or in the crowd. What could be more fun than getting to play with makeup and fragrance and tell people all about it!

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.

I can do comedy but it's a certain type. I'm not a physical comedy guy. I'm not Will Ferrell - there's just this crazy and get naked and run through the thing screaming. That's just not my style; my style is drama or - I'm not slapstick.

My style of play has always been the same. I never tried to develop a specific style. From very young I just played this way.

When the necessary eleven days were added, George Washington’s birthday, which fell on February 11, 1731, Old Style, became February 22, 1732, New Style.

I was a bit of a dozy kid, so everyone just started calling me Susie Bubble and it stuck. Style Bubble is sort of like being stuck inside the style side of my brain. That doesn't sound very appealing, does it?

If anyone is unwilling to descend into himself, because this is too painful, he will remain superficial in his writing. . . If I perform to myself, then it’s this that the style expresses. And then the style cannot be my own. If you are unwilling to know what you are, your writing is a form of deceit.

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.

I think comedians get too much credit or too much criticism for the style of comedy they do, and they generally do the style of comedy that works for them. [...] There's no kind of shrewd calculation going into the type of standup we all do. It's like David Cross is supposed to be doing the David Cross' type of standup.

I can't tell people how to have style. No amount of money can buy you style. It's just instinctive.

We went from being thought of and talked about as "a band that plays a so-and-so style of music" (a grunge band, a stoner band, etc) to "a band that plays music with a certain sensibility or style to it". I'm not able to see quite what that is, but it's there and some people like it a lot.

You do not create a style. You work, and develop yourself; your style is an emanation from your own being.

When one has reached maturity in this art, one will have the formless form. It is like the dissolving or thawing [of] ice into water that can shape itself to any structure. When one has no form, one can be all forms; when one has no style, one can fit in with any style.

Style begins with the people passing through one’s life, the harbingers we push against and the stylemakers we want to clone. Some are famous, some not. Style grows from admiration, from longing, from discrimination—and, yes, from love. It’s all the places you’ve been to and the people and the moments you’ve known: the parts you’ve adopted, to keep forever, and transformed. We wear our history in our hearts and on our backs.

Everybody's different, so in order to feel sexy I think you need to have something that fits right, you need the style that looks most flattering on you, and you should just try everything on and figure out what style is for you.

The style of music that we're playing, this progressive metal style, has always been an upstream battle for us. We don't usually get a lot of commercial exposure.

James Franco has this interesting and relaxed look. It's pretty 'I don't care,' but it still looks good. Ryan Gosling also has amazing style. I take a lot of my fashion tips from those two. In my opinion, they're the ones getting it right.

I think a big part of my job is to make an atmosphere on set and have an attitude that it's about experimentation, and you can't do anything wrong. It's not about judgment, it's not about me kicking over a chair and storming onto set and acting stuff out and telling people to copy what I do. That is a style of directing some people have, but I don't understand it.

This is easy to say with the benefit of hindsight, but I think it once again points out how very important style of leadership, that is the way he does what he does, is to his perception.

There are two ways of confronting the country's problems.One is through a management style based on adventurism, instability, play-acting, exaggerations, wrongdoing, being secretive, self-importance, superficiality and ignoring the law. The second way is based on realism, respect, openness, collective wisdom and avoiding extremism.

i thrive best hermit style. with a beard and a pipe.

A style similar to Song Hye Gyo's is my ideal type.

American mainstream is obsessed with black creative genius - be it music, walk, style - but at the same time puts a low priority on the black social misery which is the very context out of which that creativity flows.

I would like to pick Rihanna's brain. I love her style and what she does.

There are two things wrong with almost all legal writing. One is its style. The other is its content.

I'm sure favorite moments in movies are things that just happen accidentally when the camera is there. You have to do all the homework to get yourself into the period, the costumes, the style, the voice, the hairdo or whatever it is, but once you've done all that work, you have to kind of let it go and just be there. If you're always thinking about it, it just looks a bit over-thought.

Have you ever considered how much pure stuff and nonsense surrounds this subject of interior decoration? Probably not. Almost everyone believes that there is something deep and mysterious about it or that you have to know all sorts of complicated details about periods before you can lift a finger. Well, you don't. Decorating is just sheer fun: a delight in color, an awareness of balance, a feeling for lighting, a sense of style, a zest for life and an amused enjoyment of the smart accessories of the moment.

One of the reasons why you like to do your own drawings is, your style changes over time. And there's something about that that keeps it fresh to the viewer.

As a guitar player, you can gravitate to the blues because you can play it easily. It's not a style that's difficult to pick up. It's purely emotive and dead easy to get a start with.

It's harder to reveal sides of yourself that make you vulnerable but it's another muscle that can be developed and one that I think is worthwhile. That said, everyone finds their style. It's personal.

Islam doesn't try to destroy cultures; it cleans them up. You can keep your language but get rid of your racist speech. You can keep your style of cooking, but get rid of alcohol. You can keep your cultural dresses, but keep your modesty on the highest level.

In terms of influence, my style icons have been a mixture of Julie Andrews and Olivia Newton-John. When I was little I used to watch 'Grease,' 'Mary Poppins' and 'The Sound of Music' a lot. If you put all those things together you do kind of get my outfits. A slightly tarty nanny in a second-hand outfit. That is pretty much what I wear.

It's just a favorite language to me, that country finger-picking guitar style.

I learn more with each film, and I gain confidence in my style of working. But at the same time, each one is a new monster.

Do the story in the way it really demands to be done, which may mean using several different styles or only one style; but it's still about respecting the story