Quotes About Style

The most important thing in life is style. That is, the style of ones existence-the characteristic mode of ones actions-is basically, ultimately what matters. For if man defines himself by doing, then style is doubly definitive, because style describes the doing.

I had no style when I was 17! I look at teenagers now and say, 'I wish I'd looked like them when I was that age.' I had no style whatsoever, but style also wasn't as prominent as it is today. I was just very laid back, usually wearing jeans and tank tops and flip flops.

I like Rihanna's style a lot. I like how she pulls off this cool tomboy style. I get inspired by other models; I think their off-duty style is cool. I get inspired by new designers that I see on Instagram. It just depends. I get inspired by the '90s a lot, and I look back on old things.

Magazines don't have enough confidence to have their own style, so they use a borrowed style. That is shocking to me, but your perception is very accurate. It's a way to be more commercially viable, but to me, that's not having a style, that's having a schtick.

Punctuation has its own philosophy, just as style does, although not as language does. Style is a good understanding of language, punctuation is a good understanding of style.

What influenced my style was the feeling that I was a lousy artist... I was like the ugly duckling, not knowing what I was, style-wise, and thinking I was all on my own... I evolved into a style that couldn't be compared to anyone else.

More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.

Many an expert says that there is a certain affinity between (Capablanca's style) and that of the world master, Lasker. There may be some truth in it. Lasker's style is clear water, but with a drop of poison which is clouding it. Capablanca's style is perhaps still clearer, but it lacks that drop of poison.

My [singing] style really has no style, because I try to sing each number differently. I’ve always believed that if style takes precedent over the words and music, the audience get’s cheated. It’s like when people see a fine play or movie. They imagine themselves in the leading role. I want them to imagine that they’re singing - not just listening to someone else.

When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.

I have skipped from style to style from film to film, and I love doing that because it's given me the ability to free myself from the past. Perhaps one of the worst feelings that I can have is the feeling that I'm locked in, like a prisoner of myself, which is something we all feel at some point in our lives. So part of making those stylistic jumps is just to free myself up-to get away from the old or the old Oliver Stone.

Style, I've got no style.

So yeah, it's nothing that I'm doing on purpose, I just think that the more records, the more songs that I write, the more records that I make, you're obviously going to fall into a specific style and thank God it's a style that people are into.

I don't think taste is about money. As your career develops, you're able to decide what to spend your money on. I live in a really small apartment in London, and that's a choice. I live at The Carlyle in New York, but it's not big. It's about making choices of style over flashiness. People's style is subjective and mine happens to be around the classical because I feel comfortable with that, and because of my background. I'm probably living in the wrong time. I should have lived in the Thirties or the Fifties.

You don't find a style. A style finds you

You always have to keep up with the trends. The biggest thing is making your own trend and making your own stamp in the fashion industry. Whatever is going to be your style, make that your style and go from there.

Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.

Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.

I'm not fashionable, and I know nothing about fashion, but I have my individual style, and style is eternal.

Do It With Style It's not enough that we want to change the world. It's not enough that our product is incredibly complex and our vision is vast and shifting. We're not just going to win, we're going to do it with style. That means a lot of different things, and a lot of what it means can't be captured in a handbook.

The old style hypocrite was a person who tried to appear better than he actually was; the new style hypocrite tries to appear worse than he or she is.

Adam Levine and I remade the Rolling Stones' classic Wild Horses, and it is right up my alley, that whole style. It has a style of its own but still stays very true to the classic arrangement, and I love it.

[Hollywood] studios are handing out money to make independent films now, but they all want the same thing. They want the style and the deadpan delivery of RESERVOIR DOGS or FARGO and so they imitate those movies. They want PULP FICTION, but they get it all wrong! They get the detachment, but that's it. And then it's all about style, and in the end what do you learn about the characters? Nothing. You learn you wasted two hours.

I think in L.A. everybody has a really cool flare, trendy style here. I think I kinda adapt be it I'm a little more trendy in L.A. Somewhere in New York, I could literally sit at a café and have a cappuccino and watch people walk by and it's like a fashion show to me. Compared to somewhere like Miami where I literally wear beachwear all day and I can walk around barefoot. My style is consistent. It may bend a little bit according to cities, but that's about it.

I'm sure any vocal teacher that listens to me would rather cut my throat than do anything - I do everything all wrong - but I think for me that's the best - because I don't think I have a voice so I think what I project would be style - if I learned to sing I'd lose my style.

Styx has their own style of music, and I think that's justifiable, the same way that Asia and Yes have had - Yes particularly has a unique style that seems to have transcended all styles of music for 43 years.

After all, I believe it is the style of thought entirely, and the style of expression, which makes the difference in books.

I don't know about style. I know about my personal style.

In animation, you may be working with 20 writers, and everybody has to write the same thing. You can't have episodes that don't feel like they belong. In comics, you're gonna write a whole run, which means it's your style that's coming through. But when you're working on a show that's collaborated with a dozen other writers, you have to have a style that blends the show together. So you can't write it the way you normally would, because your script will stand out from all the others.

It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.

If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza.

The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.

I'm very out of style... or I should say I have my own style.

Style is something you can use, and you can be like a magpie, just taking what you want. The idea of the rigid style seemed to me then something you needn't concern yourself with, it would trap you.

I fell in love with Bruce Lee after I watched his movies, and I wanted to become a kung-fu practicer, and I would like to be someone like Bruce Lee. That's why I learned kung-fu, and that's why I picked the wing chun style, because it's his style. That's why I decided to be an actor, to go into show business, because of him.

If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza. I love a slice when I'm in NYC, but it's like eating a Slim Jim compared with a filet mignon. One slice of Gino's East stuffed sausage pizza is a bigger meal than an entire New York pie.

What's important is the way we say it. Art is all about craftsmanship. Others can interpret craftsmanship as style if they wish. Style is what unites memory or recollection, ideology, sentiment, nostalgia, presentiment, to the way we express all that. It's not what we say but how we say it that matters.

The best style is the style you don't notice.

I am really not of the school of naturalism. I like style, and you can use more style in theater than in film roles. I love to sink my teeth into a part.

Every life is good. This [luxury] doesn't make life. It's a lifestyle. It's a style of life. Style is what you are, but everybody has life. And everybody's life should be good. Some of the happiest people in the world have nothing. Nothing. And they find happiness in being in the world. They wear the world with a smile.

A lot of artists who have a certain style are expected to more or less keep doing their style. It's so easy to get into that rut of production.

It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

Style is the thing that's always a bit phony, and at the same time you cannot write without style.

The fool is disturbed not when they tell him that his ideas are false, but when they suggest that they have gone out of style.

Why do Canadians like to do it doggie style? So they can both keep watching the hockey game

GLHR... has used Greenpeace-style media antics to draw more public attention to the plight of sweatshop workers than the multimillion - dollar international trade union movement has achieved in almost a century.

I want men to be more chic - and Japanese style has that kind of sophisticated elegance.

... We have quite a large area, and that makes it more fun for us - certainly more satisfying, because it doesn't restrict us to one particular idea or one particular style. The result, I think, is pretty interesting ... we don't expect to make a fortune at it or ever be popular or famous or worshipped or hit The Ed Sullivan Show or the circuses or the big top. As long as we can play, we'll play, regardless of what it's for, who it's for or anything. It's fun for us - that's the important thing.