Quotes About Television

I don't want to sound creepy, but I remember when I couldn't really talk. I was looking at the television and my mother just moved one of the curtains, so the sun started to hit the television, and I couldn't see the television anymore. I started crying. I wasn't able to find the words to say, "I can't see this anymore, please do something about it." I remember crying and not knowing exactly how to express myself; not because it was painful, or that I was too upset, but because there were no words. As human beings, sometimes we just cry when we don't know how to say something.

Television is competitive now, and the great stories live on television right now. I'm finding that I'm enjoying television more than film, these days. That was my motivation to take a TV show.

I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.

There was a time when I said, "I'm going to go do a television thing," after doing all these theatrical films, and heard, "Television? Why are you going to go back to television?" It's an interesting place.

Television is our culture's principal mode of knowing about itself. Therefore -- and this is the critical point -- how television stages the world becomes the model for how the world is properly to be staged. It is not merely that on the television screen entertainment is the metaphor for all discourse. It is that off the screen the same metaphor prevails. (92)

This whole thing about reality television to me is really indicative of America saying we're not satisfied just watching television, we want to star in our own TV shows. We want you to discover us and put us in your own TV show, and we want television to be about us, finally.

I did a good bit of episodic television directing, but directing a movie is so much more complicated. And there's so much more responsibility because the medium is very much a director's medium. Television is much more of a producer's writer's medium so a lot of the time when you're directing a television show they have a color palette on set or a visual style and dynamic that's already been predetermined and you just kind of have to follow the rules.

I've done great theatre, great films and had a lot of opportunities in television. I also love to sing, and I've been able to do that once or twice in the television shows.

Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.

I think television scripts have become really intriguing and well-done. And writers have stopped drawing any actual line between film and television they used to never cross.

Television is a non graded curriculum and excludes no viewer for any reason, at any time. In other words, in doing away wtih the idea of sequenece and continuity in education, television undermines the idea that sequence and continuity have anything to do with thought itself.

In Fahrenheit 451, Ray Bradbury raised cautions against mass media, especially the television, which dumb down human sensibilities and coerce everybody's thoughts into a single uniform value, allowing human to forget the fundamental action of "having one's opinion". As a result, the society deteriorates. I decided to exhibit [Edward] Kienholz's work which features television as its subject, as well as the Big Double Cross as works that represent this warning.

Television is not hurting. Television is in fantastic shape. It's just a golden age for other people.

The threat to free television. The reason television is free is because it is a life support system for commercials. That fundamental aspect is about to change.

You could do much more in movies than you could on TV, and even movies were heavily censored. But in television, the areas of timorousness were fairly laid out. Race relations. Sex. Politics. There was a whole conglomeration of taboo themes. And even to date, though television has become a much freer medium, it's still far less free, far less creatively untrammeled than are the movies. They're infinitely more adult in that respect.

What I want to do is create great content on television and movies. It is not my role to program only for Latinos, and you can't really assume that Hispanics only want Hispanic content. But I do think that we are severely underrepresented in television and film. And instead of complaining about not seeing ourselves, we should become film producers, directors, and writers, and tell our story.

I've noticed a lot of people talking about the wealth of roles for powerful women in television lately. And when I look around the room at the women here and I think about the performances that I've watched this year, what I see actually are women who are sometimes powerful and sometimes not. Sometimes sexy and sometimes not. Sometimes honourable and sometimes not. And what I think is new is the wealth of roles for actual women in television and in film. That's what I think is revolutionary and evolutionary and it's what turning me on.

People are very surprised to hear me say that a lot of my values are Christian values. I think that's part of my shock. I just don't like the way that Christianity combined with the influence of television has bred a nation of weakness. (Christian television do get the facts wrong sometimes and the image they portray turns most people off.)

If you believe that your thoughts originate inside your brain, do you also believe that television shows are made inside your television set?

Television in America is so elaborate. There are so many remote cranes, and they have all the toys to play with. The directors are really good. They really work with you. So, I'm not really on set thinking, "Oh, my God, this is television. It's very different."

It's not brain surgery. It's not nuclear physics. It's television. It's only television.

To move from a discussion of the early relationship between theatre and television to an examination of the current situation of live performance is to confront the irony that whereas television initially sought to replicate and, implicitly, to replace live theatre, live performance itself has developed since that time toward the replication of the discourse of mediatization.

In modern society most of us don't want to be in touch with ourselves; we want to be in touch with other things like religion, sports, politics, a book - we want to forget ourselves. Anytime we have leisure, we want to invite something else to enter us, opening ourselves to the television and telling the television to come and colonize us.

Television is also a great tool for women. As you know, the best female roles are often on television, so it's a very exciting time. I've really embraced it. The pace is great, but also not so great sometimes. You feel like you have to make sure to pay attention, at all times, to not let anything slip through.

I think it's a great time to be a person of color and with talent. And actually, to be a woman as well. Our show is one of the most diverse television shows on television right now.

There are many things clogging the television waves. You've got to fight for every bit of television households you can get.

The heightened public clamor resulting from radio and television coverage will inevitably result in prejudice. Trial by television is, therefore, foreign to our system.

It takes a pretty strong person, a rather unusual young person, to stand up to ridicule and refuse to give in to temptation. There are so many things today in modern music, on television, and in the movies that portray a life that is nowhere near the life the Lord would have us live. Consequently, we cannot afford to turn to the radio, television, or Hollywood to take our cues about what is right and what is wrong. It is scary to realize that the more we are exposed to Hollywood's version of life, the more we gradually begin to accept it.

We now live in an amazing digital world, and television is firmly part of that brave new world. Television is still the way to reach the most citizens and talk to them – and with them - about how the EU affects their lives. It's still the way to bring people together – to laugh, to debate, to learn. In a world that takes a faster and faster pace, it is nice to know you can slow down once in a while with a good TV programme.

There's so much good television now, and there's a lot of things on television that would have been a movie or maybe wouldn't have been made at all if it wasn't for cable and streaming. It's a really exciting part of the future and I really want to be a part of it.

I love television. I think we're in a renaissance of epic proportion in television now.

When Nick At Nite is showing George Lopez, it's not doing what I'm thinking. But yes, I even write in the book about how MeTV went to Vince Gilligan and had him present an evening of his favorite television. So it can be done, but I think it can be done on a really large scale. The television of Dennis Potter, most of it hasn't been seen in this country. And that's just one example - it's a very obscure example. There's plenty of great TV out there. There's more crap - but there's great TV, too.

In my early teens, I knew I wanted to do television production. I loved cameras, editing and producing, anything that had to do with television production. My friend had a production studio across town, and we'd go over there at night and shoot and edit. I produced my father's televised service for 17 years.

I think what people watch television for is the emotional continuity, from episode to episode, and feeling that the experience that they had, four episodes ago, has actually been building to an episode that comes later, and knowing that the characters are growing, as a result of that, and making mistakes, is really, really important to the way people connect to television.

I think it's become fashionable for the snobbish egghead today to make fun of television. I've heard many people, boast, "I would never have a television set in my house," well, these people are fools.

I worked in television now for a few years. I think summer has become a really exciting time for television shows. And I think it's become a time for shows to distinguish themselves.

Postman is a media analyst and his theory is that television doesn't influence our culture, but that it is our culture and the presidency and anything that relies on television.

I like working in television a lot. It's nice to have a place to go every day and a group of people to hang out with and work alongside with a common goal. But I think I'll always love stand-up more, because there's so much to discover. But you cannot beat television money with a stick. Not with a stick.

My father did think I should get interested in television. But I had very little interest in television and it wasn't something I wanted to do. I really never thought about going to work on big feature films in Hollywood. But when we made The Householder, Columbia Pictures bought it. Who would have ever imagined?

Local television news, on both radio and television, is so appalling. Makes print journalism look like the greatest stuff ever written.

Oh, you're in television! That's interesting. No, I mean, the word television is interesting. It's a hybrid, you see: tele- comes from the greek, and -vision comes from the latin. It should have been either "telerama", or "procolvision".

There were no competitions on television. The first skating competition I ever remember seeing on television was the 1968 Olympics when Peggy Fleming won.

Having a hearing is educational. Having a hearing with television cameras is useful. Having a hearing with two rows of television cameras is Heaven.

Ed Simmons and I became stars in the emerging medium of television. We were new and fresh, just like TV at the time, so we automatically became 'THE' comedy writers for television.

In every area, we seem to have thrown everything away and embraced reality television. Its nauseating, programme after programme.

I hate to mention age, but I come from an era when we weren't consumed by technology and television.

I mean, there's definitely a difference between film and live performances or live television. But at the same time, it's just performing. No matter what, it's performing.

I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.