Quotes About Terror

"The War on Consciousness" is really all physical manifestations and all those problems are ultimately just a war on your way of thinking. Especially now, when we're involved in the war on terror. Terror is a psychological term. Terrorism is a political term. Terrorist is a sociopolitical term. But terror is a psychological thing.

How do I confront aging? With a wonder and a terror. Yeah, I'll say that. Wonder and terror.

Terrorism, to me, is the use of terror for political purpose, and terror is indiscriminate murder of civilians to make a political point.

We stand for organized terror - this should be frankly admitted. Terror is an absolute necessity during times of revolution. Our aim is to fight against the enemies of the Soviet Government and of the new order of life. We judge quickly. In most cases only a day passes between the apprehension of the criminal and his sentence. When confronted with evidence criminals in almost every case confess; and what argument can have greater weight than a criminal's own confession.

I once saw a photograph of a large herd of wild elephants in Central Africa Seeing an airplane for the first time, and all in a state of wild collective terror... As, however, there were no journalists among them, the terror died down when the airplane was out of sight.

No matter what happens, a terror attack in London, a terror hammer attack at Notre Dame in Paris, whatever it is, if you want to understand the left's reaction to it, you need to be able to put yourself in their shoes and find a way to blame Trump for it and then to use the event to get rid of or discredit Trump, because that's what all of this is about.

We'll fight terror like there's no peace, and make peace like there's no terror.

Where there is a fence, there is no terror. Where there's no fence, there is terror.

I like night fishing, even though there is a molecule of terror in it. Maybe it is that tiny bit of terror that I relish, that going mano a mano with another predator in the dark. I know it is not entirely civilized, but there is nothing to compare with the sizzle of fear except, perhaps, the rush of being feared. Either condition confirms you are alive.

When the U.S. asks for the extradition of a terrorist, if Turkey doesn't have that individual on the terror list, what do we say, what do we respond? Now, the individual might not be on your terror list or terrorist list. But if he is on my list, and if we have an agreement on the extradition of criminals, if I make the request, then, well, you should extradite that person. And there has been numerous examples of that mechanism working with many other nations as well, not just the U.S.

The full horror of what has happened in the United States earlier today is now becoming clearer. It is hard even to contemplate the utter carnage and terror which has engulfed so many innocent people. We've offered President Bush and the American people our solidarity, our profound sympathy, and our prayers. But it is plain that citizens of many countries round the world, including Britain, will have been caught up in this terror.

The hatred of the youth culture for adult society is not a disinterested judgement but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.

We all have secret lives. The life of excretion; the world of inappropriate sexual fantasies; our real hopes, our terror of death; our experience of shame; the world of pain; and our dreams. No one else knows these lives. Consciousness is solitary. Each person lives in that bubble universe that rests under the skull, alone.

In terms of technology and science, tomorrow does know more than yesterday; but when it comes to emotions, living with uncertainty, terror, I'm not sure we know any more than Shakespeare did, or the Buddha. And the power of new things - the iPhone or Facebook - is so strong and intoxicating that we sometimes forget that none of them can fundamentally change our relation to ourselves and to what matters.

Without Leskov there would be no Bulgakov, no Chekhov, but also no Garca Mrquez and Julio Cortzar. . . . Leskov is the essential storyteller: he does not portray life, he creates it in all its wonder and terror and magic.

Had drugs been decriminalized, crack would never have been invented and there would today be fewer addicts... The ghettos would not be drug-and-crime-infested no-man's lands... Colombia, Bolivia and Peru would not be suffering from narco-terror, and we would not be distorting our foreign policy because of it.

For states that support terror, it is not enough that the consequences be costly-they must be devastating

Guantanamo allows us to secure dangerous detainees without the risk of escape, while at the same time providing us with valuable intelligence information on how best to proceed in the war against terror and prevent future attacks.

The demons are innumerable, arrive at the most inappropriate times and create panic and terror. But I have learned that if I can master the negative forces and harness them to my chariot, then they can work to my advantage. Lilies often grow out of carcasses' arseholes.

Terror is nothing more than justice, prompt, secure and inflexible.

I had often thought that if I managed to live through the war I wouldn't expect too much of life. How could one resent disappointment in love if life itself was continuously in doubt? Since Belgorod, terror had overturned all my preconceptions, and the pace of life had been so intense one no longer knew what elements of ordinary life to abandon in order to maintain some semblance of balance. I was still unresigned to the idea of death, but I had already sworn to myself during moments of intense fear that I would exchange anything - fortune, love, even a limb - if I could simply survive.

Art is the process of evoking pity and terror, which is not abstract at all but very human. What the self-styled modern artists are doing is a sort of unemotional pseudointellectual masturbation . . . whereas creative art is more like intercourse, in which the artist must seduce -- render emotional -- his audience, each time.

Downplaying their faults is pretty much the point of campaigns. But we do count on them living with the constant terror of public rejection.

Americans will gladly support their president when he attacks nations that sponsor or harbor terrorists. We will even back him in a preemptive war against a country that might attack us. But when we start sending troops around the world to stabilize nations that, if left to disintegrate, might become breeding grounds for terror, it's a step too far for most Americans.

I forget what killed it. I think it was her proposing to sacrifice the whole world for me. That is always a dreadful moment. It fills one with the terror of eternity.

When a person screams in pain, the actual pain is only half the noise they make. The other half is the terror at being forced to accept that they exist.

I know some really outstanding Turkish journalists, and have been pleased and honored to be able to join with them a few times in their courageous protests against state terror and repression.

He talks pretty big for a gutter wizard," he muttered. "You don't understand at all," said the wizard wearily. "I'm so scared of you my spine has turned to jelly, it's just that I'm suffering from an overdose of terror right now. I mean, when I've got over that then I'll have time to be decently frightened of you.

Guy Savelli's role in the War on Terror began when half-a-dozen strangers, within days of one another, contacted him via e-mail and telephone in the winter of 2003. They asked him if he had the power to psychically kill goats. Guy was bewildered. He did not go around publicizing this. Who were these men? How did they know about the goats? He feigned a casual tone of voice and said, 'Sure I can.'Then he phoned Special Forces.

What is wanted in architecture, as in so many things, is a man. ... One suggestion might be made-no profession in England has done its duty until it has furnished a victim. ... Even our boasted navy never achieved a great victory until we shot an admiral. Suppose an architect were hanged? Terror has its inspiration, as well as competition.

If any person had told the Parliament which met in terror and perplexity after the crash of 1720 that in 1830 the wealth of England would surpass all their wildest dreams, that the annual revenue would equal the principal of that debt which they considered an intolerable burden, that for one man of

After so many cases of terror attacks related to Islamic militancy remaining unresolved in the last few years, the government has no moral authority to stay in power.

In fact if you look at Reagan's global war on terrorism it very quickly turned into a massive terrorist war: [by us] Central America, South Africa, the Middle East, all U.S.-backed terrorism. That's one of the reasons why it disappeared from history and why the standard line is that Bush 43 declared the war on terror. Actually he just repeated what Reagan had said 20 years earlier.

Even of death Christianity has made a terror which was unknown to the gay calmness of the Pagan and the stoical repose of the Indian.

The essence of modern dictatorship is the combination of one-dimensional, flat thinking with power and terror.

How can one explain the attraction terror holds for some minds — and why for intellectuals? . . .In a totalitarian and terrorist regime, man is no longer a unique being with infinite possibilities and limitless choices but a number, a puppet, with just this difference — numbers and puppets are not susceptible to fear.

All civilizations at some time have fallen into this total terror, when the mystery of life was a kind of panic only to be assuaged by the spilling of blood.

Too much mystery is merely an annoyance. Too much adventure is exhausting. And a little terror goes a long way.

The liberation of Iraq is a crucial advance in the campaign against terror

The trauma of 9/11 stimulated infinite possibilities for worry - some quite plausible, but most inspired by remote what-if fantasies. A society bingeing on fear makes itself vulnerable to far more profound forms of destruction than terror attacks. The "terrorism war", like a nostalgic echo of the cold war, is using these popular fears to advance a different agenda - the re-engineering of American life through permanent mobilization.

In films of terror, it's often not about being graphic. Or if there is a graphic image, it's extremely swift. Everyone talks about the shower scene in 'Psycho,' but that's the only graphic scene in the entire film.

I hold another creed, which no one ever taught me, and which I seldom mention, but in which I delight, and to which I cling, for it extends hope to all; it makes eternity a rest - a mighty home, not a terror and an abyss. Besides, with this creed, I can so clearly distinguish between the criminal and his crime; I can so sincerely forgive the first while I abhor the last; with this creed, revenge never worries my heart, degradation never too deeply disgusts me, injustice never crushes me too low. I live in calm, looking to the end.

Being a [bank] director is like being a pilot of an aircraft - it's years of boredom and seconds of terror.

I think there is a contempt for the human dignity of people who were enslaved. You couldn't see them as fully human and so you didn't respect their desire to be connected to a family and a place. That was the only way you could tolerate and make sense of lynching and the terror that lynching represented.

At the heart of any terror is the fear of losing what we find meaningful.

This is a major step forward in achieving our objective, which is an ally having a democratic Iraq, a country able to sustain itself and defend itself, a country that will be an ally in the war on terror and a country which will set such a powerful example to others in the region.

What I enjoy the most is portraying villains like a vampire, a serial killer, a supernatural creature, etc... That's when I have the most fun, creating those roles. I also love playing the hero in horror movies, because then I get to really be believable, truthful to feel the terror, the scariness, the horror, and be able to really transmit that to the audiences watching the movie or that TV series.

Beside Mama, in my own folding chair, with my feet sticking out in front of me, I thought about my own innards. Just a few months before I'd had no idea whether my reproductive equipment worked. There was no evidence. But that week I had become a full-fledged bleeder and was still absorbed by this first change in myself that I had ever noticed. The click and buzz of my synapses kept making the same connection. If you can change, you can also end. Death had always been a theory to me. Now I knew. The terror hurt good and I nursed it and played it like a loose tooth.