I want to leave my readers with a sequence of ideas/phrases that makes them question something they'd taken for granted. Or that confuses them to the point that they laugh, but contains one or two phrases/lines that stick in their minds.

Surprise keeps the reader awake. The only alternative is to continue saying what the reader is expecting. What fun is that?

Poetry is a way for me to explore a tingly feeling, to let it play itself out, and also to map it. I feel like I'm making little star maps when I write poems.

Whenever I do a comedy show I still just read poems, some of which are intentionally funny and some of which are just bizarre. The mix seems to work well.

Negative space is important. When I teach students to read critically I advise them to look for what the author isn't saying just as carefully as for what he or she is.

I gravitate toward the larger worldview questions such as, Why are we here? What are we supposed to be doing? What does it mean to know another person? To love someone? Of course, those questions are sort of in the background as I'm playing with language in the foreground, but those are the informing questions.

I don't really want to write fiction at all. I don't see why fiction is necessary when we have real life already confusing enough.