In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?

Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.

There's nothing funny about flying to Houston.

When I was younger, I wasn't concentrating on good days. I was managing a career and trying to have a good year. It would always 'lead' to something, which never leads to anything except death, where everything leads to. And then as I got older, and then I had my kids and everything, I began to appreciate a great Wednesday.

The world really changed after 9/11, not just in the tragic way, but in every way. So it took me a couple of years to even understand how my art form I could process any of this. When the world changed, eliciting laughter with subjects that were funny to me before 9/11 just didnt seem good enough.

In my screenplays - from the very beginning I've always used tape. I talk my screenplays. And then have somebody transcribe them.

I'm a big consumer of news and I have my six newspaper sites booked. And what I like bout Twitter is it's almost, it allows me to make a comment about something that's just on my mind.