You know, I became a director out of necessity. I was writing comedies, and I couldn't find anybody to deliver it correctly.

Movies are an expensive business.

Twitter, to me, works if you're funny. Twitter doesn't work as a promotional tool unless you do it very, very, very occasionally.

I'm a big consumer of news and I have my six newspaper sites booked. And what I like bout Twitter is it's almost, it allows me to make a comment about something that's just on my mind.

When you improvise on the spot, people are very reluctant to have soft moments or quiet moments or sad moments because they're trying to fill up the spaces. So they always go towards, "How come you're late?! You're supposed to have my shirt ready! You call this a dry cleaner?!" That's what happens. That's why improvising on the spot gets very dicey.

Nobody will leave any place unless they're forced out. That's the nature of humans. Once you're there, you're there. I've never seen anybody get up voluntarily and leave any place.

I like movies about failing.