I call my backup singers my sister wives. To me, they are my best friends. We are all super close. It's kind of like the closest relationship you can have without being blood related, to me. It's a joke that they're sister wives - obviously, we're not polygamists.

I call my backup singers my sister wives. To me, they are my best friends. We are all super close. It's kind of like the closest relationship you can have without being blood related, to me. It's a joke that they're sister wives - obviously, we're not polygamists.

I love country, folk, and strong female voices, like Alison Krauss, Dolly Parton, PJ Harvey, and Kate Bush.

I'm actually one of the few kids in my grade, especially girls, who didn't end up going to college, just because I already knew what I wanted to do. I had already been actively working in music before I graduated.

I felt that I really couldn't be creative with opera. You're supposed to sound this way here. You're supposed to crescendo here. You're supposed to do that. I had no sense of identity while singing that kind of music.

I went from living in my dad's basement to moving to New York. So I never had that middle ground of easing into adulthood.

I tried to take a few community college classes, but it got in the way of music, so I stopped. I had real life college and traveling on the road college. It's like a segue into adulthood, like living on your own for the first time.