The more nervous I am, and the more insane a situation is, the more I love it and get addicted to it. That's why I love playing on stage. And I kind of freak out if I don't get to do it, because it's a big part of my sanity, I think.

I never really planned on playing music. But it was a thing I'd always done, since I was young. So it just carried me away; I never really had to make a plan for it or make any decisions. It just sort of decided on me. And I don't know what the hell I would have done otherwise.

When you do music, your friends are writers, actors, painters. It's all under the sameroof. So anything creative is interesting to me.

All of my art is suitcase-sized. I always paint in mediums that dry pretty quickly because I've got to throw them in my suitcase and go. And I have so much because of that, because it's what I've always done to pass the time and I like it.

I think you have to find your own language. You find your footing with it, and you start to express it in certain ways.

It was an honor to work with Samantha Morton on this Casablanca-esque, silent-film-esque, Americana photobooth Woolworth's hay day period piece of surrealism/ realism/ story time tell-tale-ism, black and white 35 mm film, washed in strange light, over this love hate tune, heartbreak song, life-goes-on lullaby, The Last Goodbye. It's a doorway into the future of the fatal past-tense. Get it?

Performing to me is the most vital, most important. It's my favorite part of all of it. I just want to be on stage.