When you're in film and you're in close, charisma in the eyes and confidence can take over. But when someone's sitting twenty rows back, you need the whole body. You need to be encompassed by an actor.

And so getting to meet Aubrey Plaza and Mae Whitman and getting to know two awesome girls who are just kick-ass. It's been nice that way where we probably wouldn't have worked together on any other crazy project. And just like you know Chris Evans teaching us all the high-five because he's dealing with like non-jocks (laughter) and we're like yeah!

True badassery has no gender.

The biggest thing I've noticed with some of my favorite directors is their gift of sticking a bunch of strangers in a room together and making them comfortable and making them into a cohesive group. There's magic involved, because you don't know why anybody would pick this group of people.

One of my favorite things in watching an actor is feeling, The story is safe in your hands. I can lean back and trust you with this.

I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.

It's wonderful. It's amazing. I mean we have such a great music scene and art scene and there's just a great group of young people, you know, temping their way through their 20's doing other amazing things. And I've been in...I spent like 10 years working here without ever having been shooting in Toronto. And it's so frustrating because it's a great city. And I remember seeing Montreal actually used as Montreal in that Ed Norton-Robert DeNiro.