When you're in film and you're in close, charisma in the eyes and confidence can take over. But when someone's sitting twenty rows back, you need the whole body. You need to be encompassed by an actor.

I don't have any trouble believing that you would avoid something seemingly perfect because you're in something you really want to prove to yourself you can do right.

I think a lot of people try to plan things in their career. They feel like, If I don't get this done by the time I'm thirty, everything's over. But I've worked with a lot of people whose careers shot to the top later in life.

We need to organize and figure out our own voice as a bloc and stop doubting ourselves.

I didn't like most of my boyfriends. I'm a perfect example of somebody who will make it work no matter what. Like, I once had a guy move in with me. He was my least favorite. Nobody who went out with us knew that we were together. I just would not give off the vibe.

I didn't know the comic at all, which is really funny because I grew up here and I had friends who worked at all of the places. Like The Beguiling, which is a store here, and Suspect Video and one of my friends actually worked at Suspect and The Beguiling. So it's kind of crazy that I'd never known the books before.

I think it's just different to get married for a woman than it is for a man. The amount of work to overcome certain gender roles in the partnership - just the expectation of housework, kid-work, whatever it is.