I find it hard to write poems in reaction to world/national events unless there's a way in that's so evident to me that I can't deny the urge to write about such events. It takes me a while to gather the evidence, you know?

Editing is work, and it's hard to do while working on one's own writing.

I like when a poem ends on its "receipts," meaning it gives me something tactile or tangible to dwell on as I exit the reading experience. So I strive to end my own poems that way as well.

I write a lot, and then forget what I've written, and then come back to it and say, "Not bad, I should do something with this!"

Young poets worry that their experiences - whether urban or rural, immigrant or native, small town, suburb, or big city - aren't worthy of the written word. But for me the urge toward poetry, that seductive feeling of being swept away by words, was enough for me to overcome that fear that my experiences weren't worthy of poetry itself.

I switch between fixed forms and free verse often, and enjoy being a poet who can "swing both ways," so to speak.

I need sometimes to hang back in the shadows with my pen and paper, and then other times, I need to take center stage in my own creations. The trick is to know when to hang back, and when to step forward. It's a perpetual ongoing balance.