There are certain concepts, which exist in English, and are unthinkable, untranslatable into Hebrew and vice versa. Hebrew has a system of tenses, which is, in a big way, different from the English system of tenses, probably different than any European system of tenses, which means a different sense of reality, which means a different concept of time. So, things can be translated, but they become different.

If people are pro-Israel, they are pro-Israel one-hundred-and-twenty percent. If they are anti-Israel or pro-Palestinian, they tend to be pro-Palestinian one-hundred-and-twenty percent.

The Palestinians are not going anywhere - -they have nowhere to go. The Israeli Jews also aren't going anywhere - they have nowhere to go. But we cannot become one happy family, because we are not. So, we have to divide the house into two smaller apartments and learn how to say, "good morning" in the hall every day. Eventually, perhaps we will pop in on each other for a cup of coffee. But we need this semi-detached house, a two-family unit.

Hebrew is deeply inspired by other languages.

I would love to leave my children and grandchildren a nicer world than the one I am going to leave them. But bearing in mind that I was born in the world of Hitler, Mussolini and Franco, the legacy I leave them might not be as terrible as the legacy my parents and grandparents left to me.

The very same book, even if it is translated very accurately, let's say from Hebrew into English or from English into Hebrew, becomes a different book because language is a musical instrument.

I think there are one or two things similar in Elizabethan English and contemporary Hebrew. This is not to say that every one of us Israeli writers is a William Shakespeare, but there is a certain similarity to Elizabethan English.