When I say my novels are set in Israel in the last seventy years, this entails the fact that they begin hundreds or thousands of years earlier in time. And, sometimes in very, very different places, because we all come from somewhere, especially here in Israel.

Think about Elizabethan English, where the entire English language behaved pretty much like molten lava, like a volcano in mid-eruption. Modern Hebrew has some things in common with Elizabethan English. It is being reshaped and it's expanding very rapidly in various directions.

I often write about reconciling. Reconciling, or maybe half-reconciling between antagonists, between people who are deadly enemies. I write about reconciliation, but not as a miracle, as a slow, gradual process of mutual discovery - discovering one another. I write about sad, sober, sometimes heart-breaking compromises.

All my novels are rooted in their time and in their place. The place of my novels is Israel, almost without exception. Almost without exception, my novels are rooted in Israel because that's the place I know well. And, that's my gutsy advice to any young writer: write only about what you know well. Don't write about that which you don't know.

We lived through a relatively golden age between the end of World War II and Sept. 11, 2001.

I never regard my characters, my protagonists, as personifications. It's not that I sit by my desk and I pick up a character who will be the spokesperson of the Israeli Left, another one will be the spokesperson of the Right, another one will be the spokesperson of Middle Eastern Jews, European Jews, religions Jews and so on.

The dreams and the visions of the Israeli founding fathers, these were very very ambitious dreams. They were world reformers. They wanted to create a new and improved kind of humanity, or at least, a new and improved Jewish society, a new and improved Jewish individual human being here. The whole Zionist project was based on a whole spectrum of different and even conflicting dreams and visions.