Literature is about telling stories.

Things can be translated, but they become different.

I follow the way people change. I follow the way people, who are very antagonized to one another become very close to one another and vice-versa. Sometimes I follow the way people who are intimately close to each other move apart. This is my business as a novelist. It is not about positions and ideas.

My dream is much more modest than the dreams of the founding fathers. My dream is for Israel to live in peace with its neighbors and at peace with itself. This will be sufficient for me.

I don't envy Netanyahu's situation, because I think he is in hot water. Obviously, this man has a totally different sense of personal morality than some of our previous political leaders. What would I personally like to see? I would like to see this government go straight to hell. And I would have liked to have seen the previous government go straight to hell.

I work in Hebrew. Hebrew is deeply inspired by other languages. Not now, for the last three thousand years, Hebrew has been penetrated and fertilized by ancient Semitic languages - by Aramaic, by Greek, by Latin, by Arabic, by Yiddish, by Latino, by German, by Russian, by English, I could go on and on. It's very much like English. The English language took in many many fertilizations, many many genes, from other languages, from foreign languages - Latin, French, Nordic languages, German, Scandinavian languages. Every language has influences and is an influence.

I don't think a novel's main donation, main gift, is the document. The document is there, but a novel goes beyond documentation. It goes into opening a new vista, opening a new perspective, showing familiar things in an unfamiliar way, and making the reader reconsider the documentary facts which he or she may have known before.