Don't outline your stories. A lot of fiction workshops say you should. I say the opposite. I quote Grace Paley: "We write what we don't know we know."

My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.

I was really surprised at the success of 'House of Sand and Fog,' because it is so awfully dark. Believe it or not, when writing it, I never had the word 'tragedy' in my head - I wasn't trying to write a dark book at all.

I wonder if politicians know less about the land, now that they campaign by air.

Teaching well draws from the same well that writing draws from: the reserves of compassion and ability to listen and concentrate on another. So I have to have fine line between teaching and writing. I try not to ever think of career. I just try to go to the dream world every day.

Writers have to be careful not to confuse personal attention with the attention that's going towards the book.

I'm one of those writers who can't talk about what they're working on. The entire four years I was writing 'House of Sand and Fog,' my wife never saw a word of it. I just have to keep it in the womb, and then everyone can have a crack at it.