You have to see through one's faults before you see their need.

Now, perhaps more than ever, we need more and more examples of healing. We need to learn what it takes to heal.

I have worked with Tarell Alvin McCraney, who is the play Moonlight is based on. He's a company member at Steppenwolf. I have done a could of his plays here.

I have known Tarell Alvin McCraney for ten years but the involvement with Moonlight came more with Barry Jenkins, the director. He was a fan of the show I did called The Knick. He was also with Plan B Entertainment, who produced Selma. That is how I got involved.

I went down and spoke to some of the people who lived in the neighborhood in Miami. At the end of the day I think my connection with Tarell [Alvin McCraney] is what helped me the most.

There are so many brilliant, trained actors of color in America. If you just think about it, every year in the spring Julliard and NYU and Yale and hundreds of schools across the country graduate classes of trained actors, and in those classes are actors of color. So to say that there aren't enough actors of color is factually inaccurate.

[Theater] has always been a big focus. I have been away from it for the past few years. I want to get back to it!