You must have something new in a landscape as well as something old, something that's dying and something that's being born.

I have six acres in front of my own house, which I very rarely work on. Most of the work occurs on farmers' fields around me. And I like the discipline of working on other people's land.

We often forget that we are nature.

The relationship between the public and the artist is complex and difficult to explain. There is a fine line between using this critical energy creatively and pandering to it.

Not being able to touch is sometimes as interesting as being able to touch.

The photography is not the aim of the work; the articulation of the work through photography is another way of understanding what's going on and what's happening outside.

I'm cautious about using fire. It can become theatrical. I am interested in the heat, not the flames.