I remember Ozzy Osbourne making a fuss on The Osbournes - people were making a big deal about him taking the garbage out, and he said, "Well, who else is going to do it?" The garbage is full, and you're standing right there. You're still a human being who is going to make yourself a sandwich.

The thing that's important for me to focus on is the balancing of the tension between satisfying myself and satisfying an audience, and making something that I think is good and funny, worthwhile, small-"i" important, versus something that's going to do well.

I'm not that professional.

I feel like I'm a showbiz professional. This is my job, it's going to have ups and downs. I'm lucky to be able to do this for a living, but I also do feel like I don't anticipate changing the world. All I can really do is do a good job when I'm hired to do a job, and be happy at home.

When I would work freelance in production in Chicago, there were a lot of times when I was working for cheap, bad people, and I was working for slave wages anyway, so there were some times when I might have filled out a couple of blank taxi receipts and kept some petty cash. But like I say, I was very selective. It was only people that I thought were assholes. The people that I liked I went far and above saving them money, much less taking it. But that's it. I'm pretty moral. I don't even like stealing jokes.

It's funny, because Arrested Development is tied to Andy Richter in a few different ways. For me personally, after I did Andy Richter, one of the next things I did was a show called Quintuplets for a season for Fox, and this was while Arrested Development was on. I used to go over and hang out on their set.

If somebody's looking at pictures of naked people and you go, 'Oh I don't want to see that,' you're lying. Cause naked people are always interesting. Always. Whether they're beautiful, or naked or 500 pounds.