I have two sons in America, and all they care about in Chinese culture is Jackie Chan and Jet Li.

Emotions serve characters' purposes. That is their motivation.

The thing we call critics are not really reviewers, they are not really critics. They don't have the discipline to write what we would term as critique - it's really just reviewers. They have a common man kind of taste. If you watch them overall, they are not different from the box-office. That's my view.

The woman's perspective is like the dark side of the moon: it always exists, but it is never exposed, at least not in my culture.

When I grew up, in Taiwan, the Korean War was seen as a good war, where America protected Asia. It was sort of an extension of World War II. And it was, of course, the peak of the Cold War. People in Taiwan were generally proAmerican. The Korean War made Japan. And then the Vietnam War made Taiwan. There is some truth to that.

I feel that everyone has a Hulk inside, and each of our Hulks is both scary and, potentially, pleasurable. That's the scariest thing about them.

No matter how widely spread out the films are, how different, you still are you.