From early Colonial days, sex life in America had been based on the custom of men supporting women. That situation reached its heyday in the Twenties when it was easy for any dabbler in stocks to flaunt his manhood by lavishing an unearned income on girls. But with the stock-market crash, men were hard put even to keep their wives, let alone spend money on sex outside the home. The adjustment was much easier on women than on men, who jumped out of windows in droves, whereas I can't recall a single headline that read: KEPT GIRL LEAPS FROM LOVE NEST.

...In the past, as now, [Hollywood] was a stamping ground for tastelessness, violence, and hyperbole, but once upon a time it turned out a product which sweetened the flavor of life all over the world.

with a mental equipment which allows me to tell the difference between hot and cold, I stand out in this community like a modern day Cicero. Dropped into any other city of the world, I'd rate as a possibly adequate night watchman.

I don't think the written word is important in movies anymore and the really great movies are done by great directors who in many cases write their own scripts. I think it's gotten to be more of a visual thing than an audible thing.

When I was very young and first worked in Hollywood, the films had bred in me one sole ambition: to get away from them; to live inthe great world outside movies; to meet people who created their own situations through living them; who ad-libbed their own dialogue; whose jokes were not the contrivance of some gag writer.

I began quite early in life to sense the thrill a girl attains in supplying money to a man.

Sometimes writers of no talent at all can write great acting scenes. Sometimes the very best writers can't write scenes that come to life.