If you have a body, you are entitled to the full range of feelings. It comes with the package.

Any plot you impose on your characters will be onomatopoetic: PLOT. I say don't worry about plot. Worry about the characters. Let what they say or do reveal who they are, and be involved in their lives, and keep asking yourself, Now what happens? The development of relationship creates plot.

God sent Jesus to join the human experience, which means to make a lot of mistakes. Jesus didn't arrive here knowing how to walk. He had fingers and toes, confusion, sexual feelings, crazy human internal processes. He had the same prejudices as the rest of his tribe: he had to learn that the Canaanite woman was a person. He had to suffer the hardships and tedium and setbacks of being a regular person. If he hadn't the incarnation would mean nothing.

The worst time in any writer's life is the two months before publication. ALL writers become mental and pathetic, even those of devout faith, who have some psychological healing to lean up against, and gorgeous lives. All writers think that this time, the jig is up, and they will be exposed as frauds.

I am the woman I grew to be partly in spite of my mother, and partly because of the extraordinary love of her best friends, and my own best friends' mothers, and from surrogates, many of whom were not women at all but gay men. I have loved them my entire life, even after their passing.

You have to be a warrior and say, "Maybe it's everyone else's system, but it's not mine." (from her recent interview here, on Goodreads)

If our lives are made up of a string of a thousand moments, at some of those moments we look a lot more spiritually evolved than at others.